Object history |
by 1821 date QS:P,+1821-00-00T00:00:00Z/7,P1326,+1821-00-00T00:00:00Z/9 : Solly
Private collectioninstitution QS:P195,Q768717 , Berlin
by 1912date QS:P,+1912-00-00T00:00:00Z/7,P1326,+1912-00-00T00:00:00Z/9 : Kaiser-Friedrich-Museum, Berlin, Inventory number 1156
July 1935: purchased by I. Rosenbaum (art dealer), Amsterdam, from the Kaiser-Friedrich-Museum, Berlin
1935: acquired by Fritz Mannheimer (1890-1939), Amsterdam/Paris, from I. Rosenbaum, Amsterdam
Unknown dateUnknown date : ownership transferred to the Artistic & General Securities Ltd. (Mendelssohn & Co. Bank) by Fritz Mannheimer, Amsterdam
1940: purchased by the Führermuseum, Linz, through Dienststelle Kai Mühlmann, The Hague for NLG 150,000
7 July 1945: transferred to the Central Collecting Point, Munich, Inventory number 2795
31 July 1946: transferred to the Stichting Nederlands Kunstbezit, The Hague, Inventory number NK3122
by 1949date QS:P,+1949-00-00T00:00:00Z/7,P1326,+1949-00-00T00:00:00Z/9 : Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague, Inventory number NK3122
1949: lent to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-C-1404 by Dienst voor 's Rijks Verspreide Kunstvoorwerpen, The Hague
24 February 1960: ownership transferred to the Rijksmuseum Amsterdam, Amsterdam, Inventory number SK-A-3989
2004: lent to the Bonnefantenmuseum, Maastricht
from 16 April 2011 until 1 July 2014date QS:P,+2011-00-00T00:00:00Z/8,P580,+2011-04-16T00:00:00Z/11,P582,+2014-07-01T00:00:00Z/11 : lent to the Museum Boijmans Van Beuningen, Rotterdam, Inventory number BRL 2011 SK-A-3989 (OK), by the Rijksmuseum Amsterdam, Amsterdam, inv. SK-A-3989
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Notes |
W. Bode (1890) ‘Die heilige Magdalena von Carlo Crivelli nach dem Gemälde in der Berliner Galerie gestochen von Otto Reim’, Jahrbuch der Königlich Preussischen Kunstsammlungen, Elfter Band, p. 63-64, with image, as Die heilige Magdalene, Original im K. Museum zu Berlin.
G. M’Neil Rushforth (1900) Carlo Crivelli, London: George Bell & Sons, p. 27, 31, 58-59, 98.
Lionella Venturi (1907) Le origine della Pittura Veneziana 1300-1500, Venezia: Istituto Veneto di arti grafiche, p. 202, as Kaiser Friedrich Museum, n. 1156.
J.A. Crowe, G.B. Cavalcasella (1912) A history of painting in North Italy, London: John Murray, vol. I, p. 92.
Franz Drey (1927) Carlo Crivelli und seine Schule, München: Bruckmann, p. 74, 88, 92, 107, 139, ill. 54.
Adolfo Venturi (1930) North Italian painting of the Quattrocento, Firenze: Pantheon, Paris: The Pegasus Press, vol. I, p. 378, ill. 290.
Bernard Berenson (1932) Italian pictures of the Renaissance, Oxford: Clarendon Press, London, Edinburgh, Glasgow: H. Milford, [vol. II], p. 138.
Luigi Serra (1929-1934) L'arte nelle Marche, Roma: Arti grafiche Evaristo Armani, [vol. 2] (1934), p. 390.
Raimond van Marle (1923-1938) The development of the Italian schools of painting, The Hague: Nijhoff, vol. 18 (1936), p. 46, 60, with image on p. 46.
Pietro Zampetti ([1952]) Carlo Crivelli nelle Marche, [Urbino]: Istituto d'arte, p. 58.
A. Scharf (October 1953) ‘The Venetian Exhibition at Amsterdam’, The Burlington Magazine, vol. 95, no. 607, p. 336, 338-339.
Bernard Berenson (1952) Italian pictures of the Renaissance, London: Phaidon, vol. 1, p. 68.
Frederick M. Godfrey (1954) Early Venetian Painters. 1415-1495, London: Tiranti, p. 25, 41, ill. 57.
Röell, D.C. (1956) Catalogus van de tentoongestelde schilderijen, pastels en aquarellen, Amsterdam: Rijksmuseum, p. 54, cat. no. 737D1.
Bernard Berenson (1957) Italian pictures of the Renaissance, London: Phaidon, vol. 1, p. 68.
Pietro Zampetti (1961) Carlo Crivelli e i Crivelleschi. Catalogo della mostra. Venezia - Palazzo Ducale, 10 giugno - 10 ottobre 1961, Venezia: Alfieri, cat. no. 23.
Rodolfo Pallucchini (November 1961-December 1961) ‘Carlo Crivelli in Palazzo Ducale’, Pantheon, vol. 19, p. 272-283, esp. 279.
Pietro Zampetti (1961) Carlo Crivelli, Milano: Martello, p. 36, 85, ill. 78, ill. 80.
Giovanni Mariacher (1961-1962) ‘La pittura di Carlo Crivelli in una grande mostra’, Acropoli, vol. 2, p. 23 sqq., esp. 46, with image.
Anna Bovero (1961) Tutta la pittura del Crivelli, Milano: Rizzoli, p. 37, 73, ill. 89.
M.D. Haga (1974) ‘Mannheimer, de onbekende verzamelaar’, Bulletin van het Rijksmuseum, vol. 22, no. 2/3, p. 87-95, esp. 88.
Pieter J. J. van Thiel et al. (1976) All the paintings of the Rijksmuseum in Amsterdam, Maarssen: Gary Schwartz, ISBN 90-6179-010-7, p. 181, cat. no. A 3989, as Mary Magdalene.
A.W.A. Boschloo (October 1978) ‘Venetian Renaissance Paintings at the Rijksmuseum, Amsterdam’, The Burlington Magazine, vol. 120, no. 907, p. 701-702.
Timothy McCall (2009) ‘The gendering of Libertas and the International Gothic: Carlo Crivelli’s Ascoli Annunciation’, Studies in Iconography, vol. 30, p. 168-197, esp. 177.
Rijksmuseum Amsterdam online catalogue, as Mary Magdalene, circa 1480date QS:P,+1480-00-00T00:00:00Z/9,P1480,Q5727902 .
RKDimages, Art-work number 208375, as Mary Magdalene, circa 1487date QS:P,+1487-00-00T00:00:00Z/9,P1480,Q5727902 (1480-1489)
Origins unknown, as Mary Magdalene, 15th centurydate QS:P,+1450-00-00T00:00:00Z/7 , second half of 15th centurydate QS:P,+1450-00-00T00:00:00Z/7 (1480-1490).
Database on the Sonderauftrag Linz, as Die heilige Magdalena, circa 1455date QS:P,+1455-00-00T00:00:00Z/9,P1480,Q5727902 .
Bildindex der Kunst und Architektur, object 20355369, as Die heilige Maria Magdalena, circa 1480date QS:P,+1480-00-00T00:00:00Z/9,P1480,Q5727902
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