File:Laurie Hogin Pinup Bunnies (Bunny Suite -1) Tomato 1994.jpg
Laurie_Hogin_Pinup_Bunnies_(Bunny_Suite_-1)_Tomato_1994.jpg (346 × 289 pixels, file size: 85 KB, MIME type: image/jpeg)
Summary[edit]
_Tomato_1994.jpg&action=edit§ion=1){kind=link}
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Painting by Laurie Hogin, Pinup Bunnies (Bunny Suite #1): Tomato, oil on panel, 19" x 23", 1994. The painting illustrates a key early series of smaller works in Laurie Hogin’s career in the 1990s, "Pinup Bunnies," which parodied historical and contemporary representations of women with portraits of pink bunnies with ironic, handcrafted frames of wood veneer and gold leaf, cursive inscriptions. This work and similar works were publicly exhibited in prominent venues and discussed extensively in major art journals and daily press publications. |
|---|---|
| Source |
Artist Laurie Hogin. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key early series of smaller works in Laurie Hogin’s career in the 1990s: "Pinup Bunnies," which parodied compositions by Manet, the odalisques of Ingres, and Playboy magazine poses in portraits of pink bunnies inscribed with derogatory female pet names that were inscribed in cursive gold leaf and surrounded by ironic, handcrafted frames of wood veneer. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental phase in her work and its impact. Hogin’s work in this series was extensively exhibited and discussed by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Laurie Hogin, and the work no longer is viewable, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Laurie Hogin//en.wikipedia.org/wiki/File:Laurie_Hogin_Pinup_Bunnies_(Bunny_Suite_-1)_Tomato_1994.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 18:18, 15 March 2019 | | 346 × 289 (85 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Laurie Hogin, | Description = Painting by Laurie Hogin, ''Pinup Bunnies (Bunny Suite #1): Tomato'', oil on panel, 19" x 23", 1994. The painting illustrates a key early series of smaller works in Laurie Hogin’s career in the 1990s, "Pinup Bunnies," which parodied historical and contemporary representations of women with portraits of pink bunnies with ironic, handcrafted frames of wood veneer and g... |
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