File:Panorama of Humbug. No. 1 LCCN2004665373.jpg

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English: Title: Panorama of Humbug. No. 1

Abstract: The artist parodies the extravagant publicity campaign conducted by showman Phineas T. Barnum for the series of American concerts by Swedish songstress Jenny Lind, which he produced in the autumn of 1850. On a small platform, beneath a massive banner with the image of Jenny Lind holding a fan and nightingale (a reference to her nickname "the Swedish nightingale"), stand a youth who is half white and half black, a showman, and a man throwing out handbills. The platform is erected outside a ticket office, and sits over a small orchestra pit with musicians blowing wind instruments with the names of several New York newspapers, including the "Tribune, Herald, Express," and "Courier and Enquirer." While a satanic figure to the left beats a drum, the showman shouts to the crowd around him: "Walk of [changed in manuscript to "up"] Ladies & Gentlemen and see the greatest wonder of the age--the Real Swedish Nightingale, the only specimen in the Country." Inside the ticket office stands Barnum himself, quietly watching from the shadows. His Museum on Broadway can be seen in the background. Jenny Lind's first American concert was given in New York on October 24, 1850. Source: Reilly. Physical description: 1 print : lithograph on wove paper ; sheet 33.3 x 42.7 cm.

Notes: The print, evidently conceived as the first in a series, was deposited for copyright on October 17. Number 2 in the series, entitled "The Second Deluge," is reproduced by Murrell and also pertains to the Jenny Lind tour.; Title from item.; Published in: American political prints, 1766-1876 / Bernard F. Reilly. Boston : G.K. Hall, 1991, entry 1850-12.; Printed on upper right corner: No. 1.; Forms part of: Popular graphic art print filing series (Library of Congress).; Inscribed in ink on bottom: N. 53. Deposited in the Clerk's Office So. Dist. N.Y. Sept. 12 1850. Recd at D of S Oct 17 /50.
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Library of Congress

Author Popular Graphic Arts
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This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Date/TimeThumbnailDimensionsUserComment
current18:51, 28 September 2019Thumbnail for version as of 18:51, 28 September 20196,688 × 5,180 (5.44 MB)Martellkarl gerReverted to version as of 18:50, 28 September 2019 (UTC)
18:51, 28 September 2019Thumbnail for version as of 18:51, 28 September 20197,024 × 5,544 (6 MB)Martellkarl gerReverted to version as of 06:26, 21 September 2018 (UTC)
18:50, 28 September 2019Thumbnail for version as of 18:50, 28 September 20196,688 × 5,180 (5.44 MB)Martellkarl gerRemoved handwriting, stamps. Cleaned up and cropped to actual size.
06:26, 21 September 2018Thumbnail for version as of 06:26, 21 September 20187,024 × 5,544 (6 MB)LOC upscale 1,024 × 808 → 7,024 × 5,544
07:38, 8 February 2018Thumbnail for version as of 07:38, 8 February 20181,024 × 808 (421 KB)Upload larger version. Library of Congress Popular Graphic Arts 1850 LCCN 2004665373 jpg #8157
02:05, 28 January 2018Thumbnail for version as of 02:05, 28 January 2018640 × 495 (67 KB)Library of Congress Popular Graphic Arts 1850 LCCN 2004665373 jpg #8554
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