Lav Diaz

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Lav Diaz
Diaz in 2015
Born
Lavrente Indico Diaz

(1958-12-30) December 30, 1958 (age 65)
Columbio, Cotabato, Philippines
Other namesBahagharing Timog[1]
Occupations
  • Filmmaker
  • film critic
Notable work

Lavrente Indico Diaz (born December 30, 1958) is a Filipino independent filmmaker and former film critic.[2] He is frequently known as one of the key members of the slow cinema movement, and has made several of the longest narrative films on record. Diaz is one of the most critically acclaimed contemporary Filipino filmmakers.

Diaz started making films in the late 1990s. His first international exposure was at the Hong Kong International Film Festival in 1999 with his directorial debut Serafin Geronimo: Ang Kriminal ng Baryo Concepcion (The Criminal of Barrio Concepcion). The Hong Kong event went on to present his next two features: Naked Under the Moon in 2000 and Batang West Side in 2001. European film festivals only caught on with Norte, the End of History (2013), which was entered into the Un Certain Regard section of the 2013 Cannes Film Festival and received much critical praise.

Diaz's subsequent films have likewise received positive critical attention and many awards. From What Is Before (2014) won the Golden Leopard at the 2014 Locarno International Film Festival; A Lullaby to the Sorrowful Mystery (2016) competed for the Golden Bear at the 66th Berlin International Film Festival and won the Alfred Bauer Prize(Silver Bear); and The Woman Who Left (2016) competed at the 73rd Venice International Film Festival and won the Golden Lion. He received the FAMAS Lifetime Achievement Award in 2018. He is the recipient of 2021's Natatanging Gawad Urian (Gawad Urian Lifetime Achievement Award).

Education[edit]

Lav Diaz has an economics degree from Notre Dame University in Cotabato City.[citation needed]

Career[edit]

Diaz worked as a critic for the Manila Standard newspaper in the late 1980s before moving to New York City to study filmmaking.[3] His Filipino-language short story, "Pula, Puti at Saka Blu at Marami Pang Kolor" (lit.'Red, White and Also Blue and Many Other Colors'), which he wrote under the pseudonym Bahagharing Timog (lit.'Southern Rainbow'), won 2nd place at the 1990 Palanca Awards under the category of Short Story - Filipino.

He has won several international awards such as the award for Best Picture at the Singapore International Film Festival, the Independent Film Festival of Brussels and Gawad Urian in 2002 and Netpac Jury Prize and Best Acting Ensemble (2001 Cinemanila International Film Festival) for his film Batang West Side (including Best Director, Best Screenplay, Best Actor, Best Supporting Actor, Best Cinematography, Best Production Design, Best Music, Best Sound at the Urian), in Gawad Urian in 2005 for the film Ebolusyon ng Isang Pamilyang Pilipino (Evolution of a Filipino Family), and Special Jury Prize at the Fribourg International Film Festival in 2006 for Heremias, Book One.

His films often tackle the issues regarding the current social and political state of the Philippines. His film Kagadanan sa Banwaan ning mga Engkanto (Death in the Land of Encantos), the Closing Film of the orizzonti section of the Venice Film Festival 2007, was awarded with a Golden Lion Special Mention. Death in the Land of Encantos was also in competition at the Artistic Innovation Award (Visions) of the Toronto International Film Festival 2007. He was three Palanca Memorial Awards for Literature recognitions (a second place (1990) and an honorable mention (1991) for short stories, and third place (1997) for screenplay).[4] His film Melancholia won the Orizzonti Grand Prize at the 65th Venice International Film Festival in 2008. In January 2011 he joined the board of directors for Cine Foundation International.[5]

He went back in 2011 at the Venice International Film Festival for his film Siglo ng Pagluluwal (Century of Birthing)[6] and which earned the Grand Jury Prize at the 13th Cinemanila International Film Festival. The following year, his film Florentina Hubaldo, CTE won Best Asian Film at the Jeonju International Film Festival[7] and gained the On-Screen Award at the Images Festival.[8]

His 2013 film Norte, the End of History was screened in the Un Certain Regard section of the 66th Cannes Film Festival.[9] He received the Golden Leopard at the 2014 Locarno International Film Festival for From What Is Before. At the 2016 Berlin International Film Festival, his film A Lullaby to the Sorrowful Mystery was awarded the Silver Bear Alfred Bauer Prize. In the same year, he also received the Golden Lion at the 73rd Venice International Film Festival for The Woman Who Left.

Diaz has made crime stories, ghost stories and a musical. On the topic of genre Diaz has said, "It’s nice to dwell on genres because there are formulas there and you can work with them. But at the same time you’re free to break them."[10]

He is a recipient of the Guggenheim Fellowship in 2010, the Prince Claus Award of the Netherlands in 2014 and The Radcliffe Fellowship of Harvard University, 2016–2017.

Diaz was invited by the Academy of Motion Picture Arts and Sciences to join as a member in July 2017.

Diaz presented his latest film, When the Waves Are Gone, at the 2022 Venice Film Festival out of competition.[11]

Political views[edit]

In December 2023, alongside 50 other filmmakers, Diaz signed an open letter published in Libération demanding a ceasefire and an end to the killing of civilians amid the 2023 Israeli invasion of the Gaza Strip, and for a humanitarian corridor into Gaza to be established for humanitarian aid, and the release of hostages.[12][13][14]

Filmography[edit]

Film[edit]

Year English Title Original Title Credited as Notes Length
Director Writer Producer Editor Cinematographer
1991 Mabuting Kaibigan, Masamang Kaaway No Yes No No No Co-written with Tony Mortel, Jose Bartolome and Manny Buising. 110 min (1:50)
1993 Galvez: Hanggang sa Dulo ng Mundo Hahanapin Kita No Yes No No No Co-written with Henry Nadong. 103 min (1:43)
1997 Adarna: The Mythical Bird No No No No No Awarded in 2006 for his contribution to the film[15]
1998 The Criminal of Barrio Concepcion Serafin Geronimo: Ang Kriminal ng Baryo Concepcion Yes Yes No No No Directorial debut[16] 132 min (2:12)
1999 Burger Boys Yes No No No No [17] 112 min (1:52)
Naked Under the Moon Hubad sa Ilalim ng Buwan Yes Yes No No No [18] 110 min (1:50)
2001 West Side Avenue Batang West Side Yes Yes No No Yes [19] 315 min (5:15)
2002 Hesus the Revolutionary Hesus, Rebolusyunaryo Yes Yes No No No [17] 112 min (1:52)
2004 Evolution of a Filipino Family Ebolusyon ng Isang Pamilyang Pilipino Yes Yes Yes Yes No [20] 624 min (10:24)
2006 Heremias (Book One: Legend of the Lizard Princess) Heremias (Unang Aklat: Ang Alamat ng Prinsesang Bayawak) Yes Yes Yes Yes No 519 min (8:39)
2007 Death in the Land of Encantos Kagadanan Sa Banwaan Ning Mga Engkanto Yes Yes Yes Yes Yes [21] 541 min (9:01)
2008 Melancholia Yes Yes Yes Yes No [22] 447 min (7:27)
2009 Butterflies Have No Memories Walang Alaala ang mga Paru-Paro Yes Yes Yes Yes Yes [23] 61 min (1:01)
2011 Woman of the Wind Babae ng Hangin Yes Yes Yes Yes Yes Incomplete
Century of Birthing Siglo ng Pagluluwal Yes Yes Yes Yes Yes also composer[24] 359 min (5:59)
Elegy to the Visitor from the Revolution Elehiya sa Dumalaw Mula sa Himagsikan. Yes Yes Yes Yes Yes [25] 80 min (1:20)
2012 Florentina Hubaldo, CTE Yes Yes Yes Yes No [26] 366 min (6:06)
2013 Norte, the End of History Norte, Hangganan ng Kasaysayan Yes Yes Yes Yes No co-written with Rody Vera;[27] adapted from the novel Crime and Punishment by Fyodor Dostoyevsky.

Nominated - Best International Film at the 2015 Independent Spirit Awards.

Nominated - Un Certain Regard at the 2013 Cannes Film Festival.

250 min (4:10)
2014 From What Is Before Mula sa Kung Ano ang Noon Yes Yes Yes Yes Yes Winner Golden Leopard at the 2014 Locarno Film Festival[27] 339 min (5:39)
Storm Children: Book One Mga Anak ng Unos: Unang Aklat Yes Yes Yes Yes Yes Documentary[28] 143 min (2:23)
2015 The Day Before the End Fragment Yes Yes Yes Yes Yes "Ang Araw Bago ang Wakas..." segment[29] 130 hr (2:10) (film); 16 min (segment)
2016 A Lullaby to the Sorrowful Mystery Hele sa Hiwagang Hapis Yes Yes Yes Yes No Premiered at 2016 Berlin Film Festival In Competition[30] 489 min (8:09)
The Woman Who Left Ang Babaeng Humayo Yes Yes Yes Yes Yes Adapted from the short story God Sees the Truth, But Waits by Leo Tolstoy.

Winner Golden Lion at the 2016 Venice Film Festival[31]

229 min (3:49)
2018 Season of the Devil Ang Panahon ng Halimaw Yes Yes Yes No No Also composer.

Premiered at 2018 Berlin Film Festival in Competition

234 min (3:54)
Journey Lakbayan Yes Yes Yes No Yes "Hugaw/Dirt" segment[32] 118 min (1:58)
2019 The Halt Ang Hupa Yes Yes Yes Yes Yes [33] 283 min (4:43)
2020 Genus Pan Lahi, Hayop Yes Yes Yes Yes Yes Re-edited material from an abandoned 2014 feature film. 157 min (2:37)
2021 History of Ha Historya ni Ha Yes Yes Yes Yes Yes [34] 273 min (4:33)
2022 A Tale of Filipino Violence Isang Salaysay ng Karahasang Pilipino Yes Yes Yes Yes Yes Adapted from Ricardo Lee's short story and screenplay of "Servando Magdamag"; Premiered at FidMarseillse. 409 min (6:49)
When the Waves are Gone Kapag Wala Nang Mga Alon Yes Yes Yes Yes Yes Premiered at 2022 Venice Film Festival out of competition 187 min (3:07)
2023 Essential Truths of the Lake Yes Yes No Yes Yes Premiered at 2023 Locarno Film Festival 215 min (3:35)

Television[edit]

Year Title Credited as Notes Ref(s).
Director Writer
1989,
1991
Balintataw No Yes "Iskolar" two-part episode; "Lenny" episode [35][36]

Awards and nominations[edit]

Year Film Film festival Category Result Refs.
2008 Melancholia 65th Venice International Film Festival Best Film (Horizons) Won [37]
2013 Norte, the End of History 2013 Cannes Film Festival Prix Un Certain Regard Nominated [38]
2014 From What Is Before 2014 Locarno Film Festival Golden Leopard Won [39]
2016 A Lullaby to the Sorrowful Mystery 66th Berlin International Film Festival Golden Bear Nominated [40]
Alfred Bauer Prize (Silver Bear) Won [41]
The Woman Who Left 73rd Venice International Film Festival Golden Lion Won [42]
2018 Season of the Devil 68th Berlin International Film Festival Golden Bear Nominated [43]
2020 Genus, Pan 77th Venice International Film Festival Best Director (Horizons) Won [44]

References[edit]

  1. ^ Lachica, Veneranda S. (1994). Komunikasyon at Linggwistika (in Filipino). Manila, Philippines: Rex Book Store. p. 115. ISBN 971-23-1614-9. Retrieved November 4, 2022 – via Google Books. ...isinulat ni Lav Indico Diaz na nagtatago sa sagisag na Bahagharing Timog.
  2. ^ Diaz, Lav (September 19, 1988). "Talagang nakakatakot". Manila Standard (in Filipino). Manila Standard News, Inc. Retrieved April 19, 2020.
  3. ^ Red, Isah V. (July 25, 1999). "The truth about FPJ". Kamahalan Publishing Corp. p. 18. Retrieved July 3, 2023.
  4. ^ "Directory of Winners". Carlos Palanca Memorial Awards for Literature. Retrieved November 5, 2022.
  5. ^ Cinefoundation.org Archived July 7, 2014, at the Wayback Machine
  6. ^ Jennings, Sheri (August 18, 2011). "Venice Orizzonti adds Lav Diaz's Century of Birthing". Screen Daily. Media Business Insight Limited. Retrieved January 2, 2015.
  7. ^ Hwang, Hei-rim (May 8, 2012). "Jeonju International Film Festival award winners announced". Korean Cinema Today. KOFIC. Retrieved January 2, 2015.
  8. ^ "Images Festival Award Winners". Images Festival. Tucows Domains Inc. Archived from the original on January 2, 2015. Retrieved January 2, 2015.
  9. ^ "2013 Official Selection". Cannes. April 30, 2013. Retrieved April 30, 2013.
  10. ^ Cronk, Jordan (March 26, 2018). "Berlin Interview: Lav Diaz". Film Comment. Retrieved March 26, 2018.
  11. ^ Spiniello, Aldo. "When the Waves Are Gone, Lav Diaz". Sentieri selvaggi.
  12. ^ "Gaza : des cinéastes du monde entier demandent un cessez-le-feu immédiat". Libération (in French). December 28, 2023. Retrieved January 24, 2024.
  13. ^ Newman, Nick (December 29, 2023). "Claire Denis, Ryusuke Hamaguchi, Kiyoshi Kurosawa, Christian Petzold, Apichatpong Weerasethakul & More Sign Demand for Ceasefire in Gaza". The Film Stage. Retrieved January 24, 2024.
  14. ^ "Directors of cinema sign petition for immediate ceasefire". The Jerusalem Post. December 31, 2023. Retrieved January 24, 2024.
  15. ^ Samio, Veronica R. (October 8, 2006). "Discovery ni Kuya Germs, bibigyan ng scholarship ni Josh Groban sa Yale Univ!". Pilipino Star Ngayon (in Filipino). Philstar Global Corp. Retrieved July 31, 2023.
  16. ^ Grenier, Pascal (September 15, 2016). "3 Films by Lav Diaz". Cinetalk.net. Retrieved April 15, 2017.
  17. ^ a b Tioseco, Alexis A. (January 30, 2006). "A Conversation with Lav Diaz". Criticine. Retrieved April 15, 2017.
  18. ^ Cockrell, Eddie (May 8, 2000). "Review: Naked Under the Moon". Variety. Retrieved April 15, 2017.
  19. ^ Scheib, Ronnie (July 31, 2002). "Review: Batang West Side". Variety. Retrieved April 15, 2017.
  20. ^ Koehler, Robert (September 28, 2004). "Review: Evolution of a Filipino Family". Variety. Retrieved April 15, 2017.
  21. ^ Scheib, Ronnie (October 2, 2007). "Review: Death in the Land of Encantos". Variety. Retrieved April 15, 2017.
  22. ^ Scheib, Ronnie (September 29, 2008). "Review: Melancholia". Variety. Retrieved April 15, 2017.
  23. ^ "Butterflies Have No Memories". filmaffinity.com. Film Affinity. Retrieved April 15, 2017.
  24. ^ Koehler, Robert (October 2, 2011). "Review: Century of Birthing". Variety. Retrieved April 15, 2017.
  25. ^ Cruz, Oggs (September 11, 2011). "Elegy to the Visitor from the Revolution". Screen Anarchy. Retrieved April 15, 2017.
  26. ^ "Day 5 – Florentina Hubaldo, CTE (Diaz)". The Art of Slow Cinema. December 5, 2013. Retrieved April 15, 2017.
  27. ^ a b Chang, Justin (September 5, 2014). "Film Review: From What Is Before". Variety. Retrieved April 15, 2017.
  28. ^ Tsui, Clarence (January 19, 2015). "Storm Children, Book One (Mga Anak ng Unos, Unang Aklat): Rotterdam Review". The Hollywood Reporter. Retrieved April 15, 2017.
  29. ^ "Ang Araw Bago ang Wakas". viennale.at. Vienna International Film Festival. Retrieved April 15, 2017.
  30. ^ Lodge, Guy (September 9, 2016). "Berlin Film Review: A Lullaby to the Sorrowful Mystery". Variety. Retrieved April 15, 2017.
  31. ^ Lodge, Guy (September 9, 2016). "Film Review: The Woman Who Left". Variety. Retrieved April 15, 2017.
  32. ^ Tsui, Clarence (October 25, 2018). "'Lakbayan': Film Review | Tokyo 2018". Hollywood Reporter. Retrieved September 12, 2019.
  33. ^ Romney, Jonathan (May 24, 2019). "'The Halt': Cannes Review". Screen Daily. Media Business Insight Limited. Retrieved July 22, 2019.
  34. ^ "Lav Diaz's language of love this Valentine's Day: a John Lloyd movie you can stream for free". ABS-CBN News. February 24, 2022.
  35. ^ "'Iskolar' in Balintataw". Manila Standard. Manila Standard News, Inc. January 24, 1989. p. 16. Retrieved July 3, 2023. Written by Lav Diaz.
  36. ^ "Remembering Lenny and His Fraternity". Manila Standard. Kamahalan Publishing Corp. December 29, 1991. p. 20. Retrieved July 3, 2023. The script was written by Marcelino Cavestany and Lav Diaz...
  37. ^ "Melancholia".
  38. ^ "Norte, Hangganan Ng Kasaysayan".
  39. ^ "Filipino Director Lav Diaz Takes Home Top Prize in Locarno". The Hollywood Reporter. August 16, 2014.
  40. ^ "Eight-hour Berlin film focuses on Philippines revolution". Reuters. February 18, 2016.
  41. ^ "Lav Diaz's 'Hele Sa Hiwagang Hapis' wins big at Berlin Int'l Film Festival". Archived from the original on September 4, 2021. Retrieved September 4, 2021.
  42. ^ "The Woman Who Left wins Venice film festival as Nocturnal Animals runnerup". TheGuardian.com. September 10, 2016.
  43. ^ "Ang Panahon ng Halimaw | Season of the Devil | in Zeiten des Teufels".
  44. ^ "Lav Diaz wins Best Director at Venice Film Fest's Orizzonti section". BusinessWorld. September 14, 2020.

Further publications[edit]

  • Diaz, Lav. Batang West Side, Edition Filmmuseum, 2-disc set, 2022 Österreichisches Filmmuseum
  • Guarneri, Michael. Conversations with Lav Diaz. Piretti - Bologna - 2021
  • Corinne Maury, Olivier Zuchuat (dir.), Lav Diaz : faire face, Paris, Post Editions, 2022, 365 p.

External links[edit]