Martyn Ware

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Martyn Ware
Ware in 2003
Background information
Born (1956-05-19) 19 May 1956 (age 67)
OriginSheffield, Yorkshire, England
Genres
Occupation(s)
  • Musician
  • composer
  • arranger
  • record producer
  • music programmer
Instrument(s)
  • Vocals
  • synthesizer
  • keyboards
  • Mellotron
Years active1977–present
Labels

Martyn Ware (born 19 May 1956) is an English musician, composer, arranger, record producer, and music programmer. As a founding member of both the Human League and Heaven 17,[1] Ware co-wrote hit songs such as "Being Boiled" and "Temptation".

Ware has also worked as a record producer, notably helping to revitalise Tina Turner's career in 1983 with her cover of "Let's Stay Together", launching Sananda Maitreya's career by co-producing his solo debut, Introducing the Hardline According to... in 1987, and producing Erasure's I Say I Say I Say album in 1994. He is also noted for work in surround sound technology and, more recently, for creation of sound installations.

Early years[edit]

Ware was born and grew up in Sheffield, England. After leaving King Edward VII School,[2] he worked in the computer industry.[3] With his first wages, he bought a Korg 700 monophonic keyboard and started experimenting with electronic sound.[4]

Music career[edit]

The Human League[edit]

In the 1970s, Ware and synth player Ian Marsh teamed up to play as The Future and then as the Dead Daughters. In 1977, they formed the Human League with vocalist Philip Oakey and soon added Adrian Wright as "Director of Visuals" to create slide shows for their performances. They recorded a demo and signed with the indie label Fast in 1978. The band was commercially and artistically successful, issuing "Being Boiled" as their first single, but Ware and Marsh left in 1980 over internal tensions, forming the British Electric Foundation.[5]

Heaven 17[edit]

The British Electric Foundation was an experimental production project that employed artists including Tina Turner, Sandie Shaw, and Gary Glitter. The band's first album in 1980 was the instrumental cassette-only release Music for Stowaways, followed in 1982 by Music of Quality and Distinction, Vol. 1 which featured vocalist Glenn Gregory. By this time, Ware and Marsh had already teamed with Gregory to form Heaven 17. Their first release was the single "(We Don't Need This) Fascist Groove Thang," which was banned by the BBC. In 1983 they released the hit song "Temptation" which reached #2 on the music charts. The band went on hiatus in 1988, but reformed in 1990 and released Music of Quality and Distinction, Vol. 2. In 2005 Marsh left the band, but Ware and Gregory continued production.[6]

Other projects[edit]

Ware has collaborated with Vince Clarke (as The Clarke & Ware Experiment) on two music projects; the Pretentious album (1999), and Spectrum Pursuit Vehicle (2001).[7] He has also contributed programmes to Internet radio stations.

In the late 2000s Ware created a touring production called "The Future of Sound", featuring audiovisual artists working on the boundaries between music, art and technology, including United Visual Artists and The Sancho Plan.[8][9]

Ware also completes sound installations as a "sonic muralist".[10] In 2016 he released an 82-minute soundscape called Sounds of Our Shores, made up of sea coast sound clips sent in by the public.[11]

He curated and produced 'Everything You Can Imagine Is Real' for the UK's National Portrait Gallery in 2017, to coincide with their Picasso Portraits exhibition. The event was inspired by Picasso's circle in Montmartre in the first decade of the 20th century. He arranged for the gallery to become an artists’ colony featuring a wild cross-pollination of ideas, music, poetry, performance, art, film and dance. It included acts as diverse as the Radiophonic Workshop, Scanner, Feral Five and White Noise.

In late 2020 he began a series of podcasts entitled Electronically Yours in which he interviewed various influential figures from the world of music, art, film, comedy and TV that he has encountered during his 40-year career within the industry. Interviewees have included John Foxx, Peter Hook, Gary Numan and Sandie Shaw.[12]

Surround sound technology[edit]

Ware performing with Heaven 17 in 2014

Ware created a 3D surround sound auditorium for the National Centre for Popular Music in Sheffield – a museum of contemporary music and culture, launched with £15 million of National Lottery money, which opened in March 1999 and closed in July 2000. BBC News described the centre as having been "shunned" by visitors, and, despite a £2 million relaunch, the Centre closed. Despite this, Ware later used the surround sound technology to launch an Arts Council subsidised touring project called "The Future of Sound".[13]

Ware's 3D music has also been used in an unusual noise suppression experiment undertaken in Brighton in 2011 on behalf of the Noise Abatement Society (NAS).[14] During this experiment, which was an entry for the John Connell Technology Award, a six-point sound field was created using ethereal sound textures. This was played in the main shopping street in the city, West Street, with the intention of distracting people from the traffic noise.

In the meantime, film made of the street during the time the sound was being produced was analysed by the psychobiologist Harry Witchel to assess whether the ambient sound made any difference to hearers' behaviour.[15] Early results suggested that it did have a beneficial effect for the public both during the day and anecdotal evidence suggested it served as a calming influence during the "clubbers rush" in the evening. Suggestions have been made that the experiment could be rolled out more widely in the future.

Honours and awards[edit]

Ware is a visiting professor at Queen Mary University of London, a member of BAFTA, a Fellow of the Royal Society of Arts, and a founder of 5D – the future of immersive design. In 2012 he received an Honorary Doctorate in Science from the University of London.[16] He received a "Gold Badge Award" from the British Academy of Songwriters, Composers, & Authors (BASCA) in 2017.[17] He was awarded an honorary doctorate from the University of Sheffield in 2022.[18]

Podcast[edit]

In November 2020, Ware launched a podcast, Electronically Yours.[19] It shares the title with his forthcoming autobiography.[20]

Public speaking[edit]

Ware speaks regularly on music policy from the perspective of a creative person. His speaking engagements have included: "The future of copyright in Europe" at the British Library on 11 February 2011 for Copyright for Creativity;[21] "The needs of creators, archivists, and educators in transforming creative works" at the European Parliament in Brussels on 14 June 2011;[22] and two outreach events in Brussels[23] in May 2012 in the Library of the European Parliament. He was also a keynote speaker at the Silicon Dreams festival in Leicestershire on 6 July 2013, where he performed with Heaven 17.[24]

Personal life[edit]

Ware is married to Landsley and has two children, Elena and Gabriel.[25]

He is a longtime Sheffield Wednesday supporter.[26]

Political views[edit]

In November 2019, along with 34 other musicians, Ware signed a letter endorsing the Labour Party leader Jeremy Corbyn in the 2019 UK general election with a call to end austerity.[27][28]

References[edit]

  1. ^ Ankeny, Jason. "Heaven 17: Biography". Allmusic. Retrieved 16 April 2011.
  2. ^ "Martyn Ware interview: The Heaven 17 synth pioneer on Sheffield, music and architecture". Martyn Ware interview: The Heaven 17 synth pioneer on Sheffield, music and architecture.
  3. ^ Clark, Vince, Martyn Ware, archived from the original on 26 February 2019, retrieved 14 June 2016
  4. ^ Martyn Ware: Creating "new musical textures", archived from the original on 10 August 2018, retrieved 14 June 2016
  5. ^ Ankeny, Jason, The Human League, retrieved 14 June 2016
  6. ^ Ankeny, Jason, Heaven 17, retrieved 14 June 2016
  7. ^ DiGravina, Tim. "Spectrum Pursuit Vehicle: Review". Allmusic. Retrieved 16 April 2011.
  8. ^ "The Future of Sound According to Martyn Ware". Retrieved 13 June 2023.
  9. ^ "Martyn Ware on the Future of Sound". 12 February 2007. Retrieved 13 June 2023.
  10. ^ Thorpe, Vanessa (7 November 2015), "From Heaven 17 to sonic muralist: how Martyn Ware wants to redefine art", The Observer, retrieved 14 June 2016
  11. ^ Morris, Steven (20 March 2016), "Martyn Ware's seaside soundscape: a feeling of calm in a manic world", The Guardian
  12. ^ "Electronically Yours with Martyn Ware". Retrieved 11 May 2021.
  13. ^ Hellqvist, David (23 March 2009), The Future of Sound According to Martyn Ware, retrieved 15 June 2016
  14. ^ Lester, Ahren. "Noise Abatement Society experiment uses d&b audiotechnik loudspeakers". Audio Pro International. Retrieved 31 January 2012.
  15. ^ Sound experiment to take place on West Street, 1 November 2011, retrieved 15 June 2016
  16. ^ Human League's Martyn Ware awarded Honorary Doctorate, retrieved 19 July 2018
  17. ^ Gold Badge Awards 2017, goldbadgeawards.com
  18. ^ "Martyn Ware of The Human League and Heaven 17 to become Doctor of Music at the University of Sheffield". www.sheffield.ac.uk. 11 May 2022. Retrieved 25 May 2023.
  19. ^ "Martyn Ware Launches New Podcast Series". Tileyard. 13 January 2021. Retrieved 25 May 2021.
  20. ^ ELECTRONICALLY YOURS by Martyn Ware. Little Brown. 25 February 2022. ISBN 978-0-349-13512-0. Retrieved 31 May 2022.
  21. ^ The future of copyright in Europe, 11 February 2011, Copyright for Creativity, London
  22. ^ The needs of creators, archivists, and educators in transforming creative works, 14 June 2011, Copyright for Creativity, Brussels
  23. ^ "events".
  24. ^ An Evening With Martyn Ware, 6 July 2013, silicondreams.org.uk.
  25. ^ Heaven 17, plus 35 – the Martyn Ware interview, 1 October 2015, retrieved 14 June 2016
  26. ^ Martyn Ware: Why I love Sheffield Wednesday, 25 September 2022, retrieved 4 December 2023
  27. ^ "Musicians backing Jeremy Corbyn's Labour". The Guardian. 25 November 2019. Retrieved 1 December 2019.
  28. ^ Gayle, Damien (25 November 2019). "Stormzy backs Labour in election with call to end austerity". The Guardian. Retrieved 1 December 2019.

External links[edit]