Puerto Rico was settled by a succession of peoples beginning 2,000 to 4,000 years ago; these included the Ortoiroid, Saladoid, and Taíno. It was then colonized by Spain following the arrival of Christopher Columbus in 1493. Puerto Rico was contested by other European powers, but remained a Spanish possession for the next four centuries. An influx of African slaves and settlers primarily from the Canary Islands and Andalusia vastly changed the cultural and demographic landscape of the island. Within the Spanish Empire, Puerto Rico played a secondary but strategic role compared to wealthier colonies like Peru and New Spain. By the late 19th century, a distinct Puerto Rican identity began to emerge, centered around a fusion of indigenous, African, and European elements. In 1898, following the Spanish–American War, Puerto Rico was acquired by the United States.
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The Jewish immigration to Puerto Rico began in the 15th century with the arrival of the anusim (variously called conversos, Crypto-Jews, Secret Jews or marranos) who accompanied Christopher Columbus on his second voyage. An open Jewish community did not flourish in the colony because Judaism was prohibited by the Spanish Inquisition. However, many migrated to mountainous parts of the island, far from the central power of San Juan, and continued to self-identify as Jews and practice Crypto-Judaism.
It would be hundreds of years before an open Jewish community was established on the island. Very few American Jews settled in Puerto Rico after it was ceded by Spain to the United States under the terms of the 1898 Treaty of Paris, which ended the Spanish–American War. (Full article...)
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Francisco "Pancho" Coimbre Atiles (29 January 1909 – 4 November 1989), more commonly known as Pancho Coimbre, was a Puerto Rican professional baseball player. He was born in the municipality of Coamo and moved to Ponce early in his life. It was in Ponce where he would begin to actively participate in sports, both in sprinting and baseball. Coimbre played thirteen seasons in the Puerto Rican Professional Baseball League (LBPPR), with the Leones de Ponce. During this period the team won five league championships. He finished his career with an average of .337, and had an average of 2.2 strikeouts per season, this included four consecutive seasons from 1939 to 1942, without any strikeouts. Coimbre also won two LBPPR batting titles and the league's Most Valuable Player Award in 1943.
Coimbre traveled to New York City, after completing his first professional season in Puerto Rico, where he joined the Porto Rico Stars baseball team of the Negro leagues.[A] He was contracted by the New York Cubans while playing with the Porto Rico Stars. He joined the NY Cubans and played several seasons for them. Coimbre's batting average remained over the .300 mark, including two seasons in which he batted over .400. While playing in the Negro leagues he was selected to play in the league's East–West All-Star games twice, where he played with several players who in the future would be elected to the Baseball Hall of Fame and Museum. He also played with teams established in Colombia, Venezuela, the Dominican Republic and Mexico. Following his retirement, Coimbre worked as a coach and manager of teams in both the professional and amateur leagues of Puerto Rico. Coimbre, who was eighty years old, died due to a fire at his home. (Full article...)
Basquiat first achieved notoriety in the late 1970s as part of the graffiti duo SAMO, alongside Al Diaz, writing enigmatic epigrams all over Manhattan, particularly in the cultural hotbed of the Lower East Side where rap, punk, and street art coalesced into early hip-hop music culture. By the early 1980s, his paintings were being exhibited in galleries and museums internationally. At 21, Basquiat became the youngest artist to ever take part in Documenta in Kassel, Germany. At 22, he became one of the youngest to exhibit at the Whitney Biennial in New York. The Whitney Museum of American Art held a retrospective of his artwork in 1992. (Full article...)
A native of Caguas, Puerto Rico, Betancourt played youth football for Fraigcomar while attending the Colegio San Ignacio de Loyola. He made his senior debut at 15 years old, spending two seasons with High Performance FC followed by a year with Conquistadores de Guaynabo. He left his home island to attend college in the United States, spending two years with the men's soccer program at Valparaiso. After returning to Puerto Rico, Betancourt played the sport for four more years, splitting time between Bayamón and Metropolitan FA. He stepped away from the game in 2017, aged just 23. (Full article...)
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"Que Alguien Me Diga" (Someone Tell Me) is a song by Puerto Rican singer Gilberto Santa Rosa from his 12th studio album, Expresión (1999). It was written by Omar Alfanno with José Lugo and the artist handling its production. It is a salsa track in which the singer is searching for unconditional love. Santa Rosa would later record a ballad version. An accompanying music video features the singer in a dark room surrounded by female musicians. Both versions of the song received airplay on Latin radio stations.
Cultura Profética band members Willy Rodríguez (left) and Boris Bilbraut (right) performing in Nicaragua on February 16, 2013
Cultura Profética (in English, Prophetic Culture) is a Puerto Ricanreggae band formed in 1996. The band has undergone several lineup changes, but founding members Willy Rodríguez (bass guitar, vocals), Eliut González (guitar), and Omar Silva (guitar, bass guitar) have remained in the group throughout its history. Despite primarily performing reggae music, Cultura Profética has experimented with genres such as bossa nova, tango, jazz, and salsa. Lyrically, the group discusses socio-political and ecological issues including Latin American identity and environmental concerns, as well as interpersonal relationships and love.
After gaining popularity in Puerto Rico as a cover band, Cultura Profética began performing original music and released its debut album, Canción de Alerta, in 1996. The group followed up with Ideas Nuevas in 2000, which featured further musical experimentation with a wider variety of musical styles, and then Diario in 2004. After relocating to Mexico, the band released M.O.T.A. in 2005, which peaked at number 12 on the Billboard Hot Latin Albums chart. In 2010, Cultura Profética released La Dulzura, which took a more romantic lyrical focus and produced the radio hit "La Complicidad". In recent years, Cultura Profética has released the singles "Saca, Prende y Sorprende" (2014), "Le Da Igual" (2015), and "Musica Sin Tiempo" (2017). The group released their most recent album, Sobrevolando, in November 2019. (Full article...)
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Contra la Corriente (Against the Current) is the third studio album released by American singer Marc Anthony on October 21, 1997, by RMM Records. The album was produced by Puerto Rican musician Angel "Cucco" Peña, with most of the songs written by Panamanian composer Omar Alfanno. The album was well received by critics who praised the vocals of Anthony as well as the songs. The album produced six singles, four of which peaked on the top ten on the Hot Latin Tracks chart. Promoted by a sold-out concert in Madison Square Garden, Contra la Corriente became the first salsa album to reach number one on the Top Latin Albums chart and to chart on the Billboard 200.
Contra la Corriente received a Grammy Award and a Latin Billboard Award, and was named the eighth best album of 1997 by Time magazine. It has sold over 400,000 copies as of 2000. The album received a gold certification for shipping of 500,000 copies in the United States. This was the last album that Marc Anthony recorded under RMM Records before switching over to Columbia Records to record his first self-titled English album. (Full article...)
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Ivy Queen in 2010
Ivy Queen is a Puerto Rican singer and songwriter who has received awards and nominations for her contributions to the music industry, specifically in Latin music and several of its subgenres. Having sold more than two million records,[1] she is the most successful female reggaetón artist and the "only significant female reggaetón rapper" according to The New York Times. Ivy Queen is commonly referred to as the "Queen of Reggaetón" in a genre dominated by male singers, and has become the "indisputable lead female voice of not only Latin urban and reggaetón music but an international icon for Latin music itself" according to the president of Universal Music Latino.
In 2006, Ivy Queen received the first Premio Juventud "Diva Award", which honored the singer for her musical career and is her only Premio Juventud thus far. In 2009, "Dime", from the album Ivy Queen 2008 World Tour Live!, became her most nominated work at the Billboard Latin Music Award ceremony, where she was awarded both "Hot Latin Song of the Year, Female" and "Tropical Airplay Song of the Year, Female" out of five total nominations. Later in 2010, the song gained Ivy Queen an award from the American Society of Composers, Authors and Publishers (ASCAP) for "Urban Song of the Year". (Full article...)
"Despacito" (Latin American Spanish:[despaˈsito]; transl. "Slowly") is a song by Puerto Rican singer Luis Fonsi featuring Puerto Rican rapper and singer Daddy Yankee as the lead single from Fonsi's 2019 studio album Vida. Released on January 13, 2017, the song was written by Fonsi, Erika Ender and Daddy Yankee, and produced by Mauricio Rengifo and Andrés Torres. A remix version featuring Canadian singer Justin Bieber was released on April 17, 2017, which helped to improve the chart performance of the song in numerous countries, including various number-one positions. "Despacito" has been widely credited by music journalists as being instrumental in the renewed popularity of Spanish-language pop music in the mainstream market.
"La Bomba" (transl. "the Bomb") is a song recorded by Puerto Rican singer Ricky Martin for his fourth studio album, Vuelve (1998). The song was written by Luis Gómez Escolar, K. C. Porter, and Draco Rosa, while the production was handled by the latter two. It was released by Columbia Records as the third single from the album on June 16, 1998. A Spanish-language salsa, dance, samba, bomba, and pop song, it is a metaphor in which Martin compares the music that makes the listener high from the rhythm of the dance to an alcoholic drink. The song received widely positive reviews from music critics, who complimented the danceable rhythm and highlighted it as one of the album's best tracks.
"La Bomba" won the award for Best Danceable Tune at the 1999 Premios Eres. The song was commercially successful, reaching the top-five in several Spanish-speaking countries, including Guatemala and Spain. The accompanying music video was filmed in Miami, and directed by Wayne Isham. It shows Martin singing and dancing surrounded by people. The song was included on the set lists for all of Martin's tours since 1998, while he also performed it at the 8th Annual Latin Grammy Awards. Several contestants on various dance competition talent shows have danced to the song, including Louis Smith and Flavia Cacace. (Full article...)
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Todo a Su Tiempo (English: All in Due Time) is the second studio album by American recording artist Marc Anthony, released by RMM Records on May 31, 1995. The album was produced by Sergio George, who was also involved with production of Anthony's debut studio album, Otra Nota. The album comprises five new compositions, three of which were written by Omar Alfanno, and four cover versions. Eight singles were released from the album, all but one of which topped the Billboard Tropical Songs chart.
Eloise in the Gulf of Mexico before striking Florida
Hurricane Eloise was the most destructive tropical cyclone of the 1975 Atlantic hurricane season. The fifth tropical storm, fourth hurricane, and second major hurricane of the season, Eloise formed as a tropical depression on September 13 to the east of the Virgin Islands. The depression tracked westward and intensified into a tropical storm while passing to the north of Puerto Rico. Eloise briefly attained hurricane intensity soon thereafter, but weakened back to a tropical storm upon making landfall over Hispaniola. A weak and disorganized cyclone, Eloise emerged into open waters of the northern Caribbean Sea; upon striking the northern Yucatan Peninsula, it turned north and began to re-intensify. In the Gulf of Mexico, the cyclone quickly matured and became a Category 3 hurricane on September 23. Eloise made landfall along the Florida Panhandle west of Panama City before moving inland across Alabama and dissipating on September 24.
The storm produced torrential rainfall throughout the islands of Puerto Rico and Hispaniola, causing extensive flooding that led to severe damage and more than 40 deaths. Thousands of people in these areas became homeless as flood waters submerged numerous communities. As Eloise progressed westward, it affected Cuba to a lesser extent. In advance of the storm, about 100,000 residents evacuated from the Gulf Coast region. Upon making landfall in Florida, Eloise generated wind gusts of 155 miles per hour (249 km/h), which demolished hundreds of buildings in the area. The storm's severe winds, waves, and storm surge left numerous beaches, piers, and other coastal structures heavily impaired. (Full article...)
Lyrically, the song follows the protagonist talking to her lover, assuring him that she is going to be with him. Queen performed the song for the first time on Don Francisco Presenta. Furthermore, the video for the song reached the top of the music video countdown hosted by Terra Networks. (Full article...)
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POW/MIA flag The United States Department of Defense has estimated that approximately 61,000 Puerto Ricans served in the military during the Korean War, most of them volunteers. A total of 122 Puerto Ricansoldiers were among the 8,200 people listed as missing in action (MIA). According to the Defense POW/MIA Accounting Agency, there are 167 who are unaccounted for. This list does not include non-Puerto Ricans who served in the 65th Infantry, nor those who were "POW" (Prisoners of War) or "KIA" (Killed in Action). Nor does the total of this list include people of Puerto Rican descent who were born in the mainland of the United States.
One of the consequences of the Spanish–American War was that Puerto Rico was annexed by the United States in accordance with the terms of the Treaty of Paris of 1898, ratified on December 10, 1898. On January 15, 1899, the military government changed the name of Puerto Rico to Porto Rico. (On May 17, 1932, the US Congress changed the name back to "Puerto Rico".) On March 21, 1915, the first shots by the United States in World War I were fired by the Porto Rico Regiment of Infantry from Castillo San Felipe del Morro at a German merchant ship in San Juan Bay. US Citizenship was extended to the political body known as Porto Rican citizens via the Jones–Shafroth Act of 1917, (the Puerto Rican House of Delegates had rejected an earlier bill in 1914 because it did not include universal male suffrage). Even though Puerto Ricans were "American" nationals since 1900 (due the Foraker Act) which made them eligible for the Selective Service Draft lottery, they were excluded from the initial draft law. The Puerto Rican legislature and local leaders demanded that Puerto Ricans were included in the draft and allowed to fight in the war. Puerto Ricans who resided on the island had been serving as volunteers in the "Porto Rico Regiment of Infantry," dating back to 1899. As was the case nationwide and under Spanish control, the Puerto Rican units created during WWI (the 94th Infantry Division) were racially segregated. Puerto Ricans of African descent where assigned to the 375th Regiment which was part of the 94th Infantry Division which was the Puerto Rican contribution to what came to be known as the National Army. (Full article...)
Drafted by the Yankees in 1990, Posada was originally an infielder before moving to catcher during his minor league career. He debuted in the major leagues in 1995, but it was not until 1998 that he found regular playing time. A solid-hitting catcher, Posada established himself as a mainstay in the Yankees lineup and as one of the "Core Four" players who contributed to the Yankees' winning seasons. In 2003, he finished third in voting for the American League (AL) Most Valuable Player Award and became only the second Yankees catcher after Yogi Berra to hit 30 home runs in a season. Posada added one of his best seasons in 2007 at age 37 when he batted .338. Following a stint as designated hitter in 2011, he retired. (Full article...)
... that Bavi Edna Rivera is the first Hispanic woman bishop and the 12th woman bishop in the Episcopal Church?[3]
... that Puerto Rico has the largest and richest Jewish community in the Caribbean? and that Puerto Rico is the only place in the Caribbean with the three Jewish denominations of Judaism, the Conservative, Reform and Orthodox? See: Jewish immigration to Puerto Rico[4]
... that Bishop Juan Alejo de Arizmendi (July 17, 1760-October 12, 1814) was a patriot and the first Puerto Rican to be consecrated Bishop and that he was immortalized by Puerto Rican artist José Campeche in a painting in 1803?[6]
... that world-renowned religious minister and member of the Honorary Committee of The Presidential Prayer Team, Rev. Nicky Cruz was once the leader of a notorious New York City street gang called The Mau Maus?
... that Gothic churches are rare in the New World, but that Puerto Rico has two: Porta Coeli, built in 1606 in San German, and Iglesia San José, built in the 1530s in Old San Juan?
... that Luis Cardinal Aponte Martínez, Cardinal Archbishop Emeritus of San Juan is the only Puerto Rican to become a Roman Catholic cardinal?
... that Carlos Manuel Rodríguez Santiago is the first Puerto Rican person, the first Caribbean-born layperson and the first layperson in the history of the United States to be beatified?[8]
Image 3The 45-star flag, used by the United States during the invasion of Puerto Rico, was also the official flag of Puerto Rico from 1899 to 1908. (from History of Puerto Rico)
Image 4Royal Cédula of Graces, 1815, which granted legal entry of some foreigners to Puerto Rico. (from History of Puerto Rico)
Image 5The original Lares revolutionary flag. The first "Puerto Rican Flag" used in the unsuccessful Grito de Lares (Lares Uprising). (from History of Puerto Rico)
Image 6Raising the US Flag over San Juan, October 18, 1898. (from History of Puerto Rico)
Image 12Sugar cane workers resting at the noon hour, Rio Piedras. Photograph by Jack Delano, a photographer for the Farm Security Administration. Ca. 1941. (from History of Puerto Rico)
Image 13The first Supreme Court of Puerto Rico, established in 1900. (from History of Puerto Rico)
Image 14El Imparcial headline: "Aviation (US) bombs Utuado" during Nationalist revolts. (from History of Puerto Rico)
Image 15Hurricanes Irma and Maria sharply reduced the availability of electricity throughout the island (from History of Puerto Rico)
Image 17Los Reyes Magos painted by Hipolito Marte Martinez, "In Puerto Rico, Melchior is always represented with dark skin" (from Culture of Puerto Rico)
Image 20Flag flown by Fidel Vélez and his men during the "Intentona de Yauco" revolt. (from History of Puerto Rico)
Image 21"El desastre es la colonia" (the disaster is the colony), words seen on light meter six months after Hurricane Maria (from Culture of Puerto Rico)
Image 24An 1899, caricature by Louis Dalrymple (1866–1905), showing Uncle Sam harshly lecturing four black children labelled Philippines, Hawaii, Puerto Rico and Cuba (from History of Puerto Rico)
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