Alicja Wahl

Alicja Wahl (October 12, 1932, Warsaw - October 19, 2020, Konstancin-Jeziorna) was a Polish artist, also known for her contribution to the cultural life of Warsaw in the 80s and 90s.

Biography
She studied at the Academy of Fine Arts in Warsaw from 1952 to 1957, majoring in Painting under the guidance of Prof. . In 1958, she completed an annex to her diploma in the Ceramics Department at the Academy of Fine Arts, under the supervision of Prof. . She pursued her studies at the Warsaw Academy of Fine Arts simultaneously with her twin sister,. Starting from 1961, the two artists began exhibiting together. Their first exhibition at the Krzywe Koło Gallery featured ceramics, and subsequent exhibitions showcased drawings and paintings.

In 1979, Alicja Wahl opened her own art gallery in her home in Warsaw's Żoliborz district, initially running it in collaboration with her sister, Bożena Wahl. This gallery was one of the first private art institutions of its kind in Poland. The specialized in presenting artists who embraced a wide range of surrealistic styles and poetics, as well as expressive and metaphorical figuration, reflecting the artistic interests of the gallery's founder. Alicja Wahl's ambition was to gather around her gallery the most outstanding Polish painters, sculptors, and graphic artists. The gallery exhibited artists such as, , , Henryk Tomaszewski, Franciszek Starowieyski, , Zdzisław Beksiński, Tadeusz Dominik, , , , , Waldemar Świerzy, and others. The gallery also hosted retrospective exhibitions of artists like Witkacy and Bruno Schulz, as well as. For many years, Galeria A. B. Wahl served as an important meeting place, where writers, theater and film artists, and diplomats frequented.

In her personal life, she was married to the writer from 1954 to 1968, with whom she had a daughter, Julia. Her granddaughter is Natalia Luniak, a toy designer, founder of Kalimba and president of the Alicja and Bożena Wahl Foundation.

Work
The Wahl sisters gained fame in the 1960s with their impressive drawings inspired by literary works from authors such as Homer, Miguel de Cervantes, Marcel Proust, Franz Kafka, Giuseppe Tomasi di Lampedusa, and more. These drawings presented their unique interpretations of symbols found in literature and were exhibited in galleries in Paris, New York, Stockholm, and Berlin. Critics noted their distinctive style, untouched by external influences and free from mannerisms.

In the 60s and 70s, Alicja Wahl collaborated with various publications and publishers as an illustrator among others:, and. She designed book covers for works by authors such as Oscar Wilde, Carl Zuckmayer, August Strindberg, Roman Bratny, and Leopold Buczkowski. She also created the famous illustrations for the first edition of Witkacy's, which caused such outrage by the censors that the entire print run was withdrawn to remove a "too erotic" illustration from the title page.

Alicja and her sister Bożena Wahl also contributed to the set design for Television Theater (e.g., "Oczy są ogniem, czoło jest zwierciadłem" directed by Olga Lipińska in 1966, "Zemsta sieroty" directed by in 1968, "Kurka wodna" directed by  in 1971, "Krzesło w szczerym polu" directed by Janusz Majewski in 1970, "Misterium niedzielne" directed by Krystyna Sznerr in 1971) and for cabarets such as "Wieczór ze Szpakiem" in 1966, "Divertimento c-moll" in 1966, and the Kabaret Starszych Panów, episode XVI "Zaopiekujcie się Leonem."

Alicja Wahl's works can be found in public collections such as the National Museum in Warsaw, the National Museum in Kielce, the National Museum in Szczecin, the Zachęta - National Gallery, and the Museum of Literature in Warsaw. Additionally, her art is part of private collections, including Grażyna Kulczyk's.

Style
Initially, the artistic works of both sisters represented a similar style and dealt with related realms of experiences, such as feelings of solitude, the drama of existence, the mysterious forces of nature, sisterhood, and sexuality. It was only in the 1970s that their styles became more distinct, with Alicja introducing color and brightening her palette, while still emphasizing figuration and feminine sexuality. In the 1970s, working in the isolated context of communist Poland, without access to second-wave feminist theoretical writings, she addressed this topic in a unique and intuitive way. Her erotic imagery was filled with tension, humor, and surreal creatures that combined human and non-human attributes. Her work from this period can be described as bodily surrealism.

Starting in the 1980s, Alicja Wahl began to focus on painting, which eventually dominated her artistic practice. She replaced her precise lines with broad strokes of paint, with light becoming a central element in modeling figures and creating the atmosphere of her canvases. Her expressive works from this period echoed influences from luminism, the styles of Caravaggio, and the techniques of William Turner. The predominant theme in her paintings during this period was the portrayal of the female figure.

Solo exhibitions or joint exhibitions with her sister

 * 2021 "Sisters Alicja i Bożena Wahl" Gallery lokal_30, Warsaw, Poland
 * 2021 "Sisters Alicja i Bożena Wahl" Arton Foundation, Warsaw, Poland
 * 1997, Warsaw, Poland
 * 1993 La Galerie Agnieszka Bielińska, Brussels, Belgium
 * 1993 Gallery A.B.Wahl, Warsaw, Poland
 * 1992 Gallery A.B. Wahl, Warsaw, Poland
 * 1985 Gallery A.B. Wahl, Warsaw, Poland
 * 1983 Gallery BWA Baszta Czarownic, Słupsk, Poland
 * 1983 Gallery BWA, Gorzów Wielkopolski, Poland
 * 1983 Gallery BWA, Konin, Poland
 * 1982 Gallery BWA, Tarnów, Poland
 * 1981 Gallery u Kalimacha, Toruń, Poland
 * 1981 Gallery A.B. Wahl, Warsaw, Poland
 * 1980 Kurt Schumacher, Bonn, Germany
 * 1980 Gallery BWA, Łódź, Poland
 * 1980 Polski Instytut Kultury, Paris, France
 * 1979 Gallery A.B. Wahl, Warsaw, Poland
 * 1976 Gallery Art, Warsaw, Poland
 * 1975 Galerie Hinskes – Kocea, Xanten, Germany
 * 1975 Galerie L Elisabeth Henning, Hamburg, Germany
 * 1974 Galerie Warschau, Berlin, Germany
 * 1974 Gallery Zapiecek, Warsaw, Poland
 * 1973 Galerie L Elisabeth Henning, Hamburg, Germany
 * 1971 Gallery Latina, Stockholm, Sweden
 * 1969 Gallery Mazowiecka, Warsaw, Poland
 * 1967 Galeria Le Ranelagh, Paris, France
 * 1966 Galeria Sztuki Nowoczesnej (dawne Krzywe Koło), Warsaw, Poland
 * 1962 Galeria Krzywe Koło, Warsaw, Poland
 * 1961 Galeria Krzywe Koło, Warsaw, Poland

Group exhibitions

 * 2023 "Tender Debauchery" Gallery lokal_30, Warsaw, Poland - among others: Natalia LL, Dorota Nieznalska, Zuzanna Janin, Jan Możdżyński, Anna Orbaczewska, Joanna Rajkowska, Teresa Tyszkiewicz
 * 2023 "I saw the other side of the sun with you: Female Surrealists from Eastern Europe" Cromwell Place, London, UK - among others: Alina Szapocznikow, Erna Rosenstein,, Franciszka Themerson
 * 2023 "Old veins, new tunnels" Gallery Heidi, Berlin, Germany - among others: Alina Szapocznikow, Leidy Churchman, Royce Weatherly
 * 1987 Galeria A.B. Wahl, Warsaw, Poland - among others: Jerzy Tchórzewski, Teresa Pągowska, Barbara Jonscher, Zdzisław Beksiński, Franciszek Starowieyski, Jerzy Stajuda
 * 1987 Gallery A.B. Wahl, Warsaw, Poland
 * 1981 "Tadeusz Brzozowski – Friends and Students" Gallery BWA Arsenał, Poznań, Poland – among others: Jan Dobkowski, Kazimierz Mikulski, Jerzy Stajuda, Jerzy Tchórzewski, Jacek Waltoś, Ryszard Winiarski
 * 1980 Gallery Radar, Warsaw, Poland
 * 1975 The Bronx Museum of the arts, New York, USA
 * 1974 Galerie Kubus, Munich, Germany
 * 1974 Gallery Latina, Stockholm, Sweden
 * 1974 "Erotic Art" Ventura, California, USA - among others: Jan Dobkowski, Jan Lebenstein, Stefan Żechowski
 * 1972 Wert-Galerie, Vienna, Austria - among others: Maria Anto, Jerzy Tchórzewski, Jacek Gaj, Leszek Rózga, Jerzy Stajuda, Jan Tarasin
 * 1968 Galerie Desbriere, Paris, France