Amanda Root

Amanda Root (born 1963) is an English actress. She is perhaps best known for her starring role as Anne Elliot in the 1995 BBC adaptation of Persuasion. A familiar face on both stage and screen, she worked regularly with the Royal Shakespeare Company during her early career, performing as Juliet in Romeo and Juliet, and Lady Macbeth in Macbeth, among other roles. In 2009, she was nominated for a Tony Award for Best Featured Actress in a Play for her performance as Sarah in Alan Ayckbourn's The Norman Conquests.

Her film roles include The Iron Lady (2011), Their Finest (2016), The Black Prince (2017) and Summerland (2020). Root is also known for her television roles, including Dolly in Anna Karenina (2000), Mrs Davilow in Daniel Deronda (2002), and Winifred Dartie in The Forsyte Saga (2002−2003). In 2018, she played Carol Finch in ITV crime drama Unforgotten (2018), and in 2023, she portrayed Sue Farquhar in BBC drama The Sixth Commandment (2023).

Life and career
Root was born in Chelmsford, Essex, to Ken and Maureen Root. Her father was an accountant, whilst her mother had performed in amateur dramatic productions as a child. Both were supportive of her ambitions to become an actor. She attended Philip Morant School in Colchester, studying drama at O Level; she joined the Essex Youth Theatre as a teenager. After graduating from the Webber Douglas Academy of Dramatic Art, she began her career at the Leeds Playhouse in 1983 when she played Essie in George Bernard Shaw's The Devil's Disciple. She worked regularly with the RSC in Stratford-upon-Avon and London from 1983 to 1991, including playing the role of Juliet to Daniel Day-Lewis's Romeo; a very young Lady Macbeth; Cressida to Ralph Fiennes's Troilus, and Rosaline to his Berowne. She also appeared as Jessica opposite Ian McDiarmid's Shylock in The Merchant of Venice. She was a remarkably complete actress even in her early twenties, when physically she looked little more than a child. With her dark soulful eyes she could command a stage, and the Royal Shakespeare Company saw her talent very early on. She worked regularly with the RSC in Stratford-upon-Avon and London from 1983 to 1991, including playing the role of Juliet to Daniel Day-Lewis's Romeo; a very young Lady Macbeth; Cressida to Ralph Fiennes's Troilus, and Rosaline to his Berowne.

In 1985, Root made her television debut in the pilot episode of Ladies in Charge, as one of a trio of women setting up an agency to help others in postwar London. She then starred as the title character in Mary Rose, a television drama based on the play by J.M. Barrie. In 1988, she featured as the Storyteller in five episodes of children's series Jackanory, and the following year voiced Sophie in animated feature The BFG. The film was aired on ITV on Christmas Day. In 1991, she reprised her role as Adela in a Channel 4 adaptation of The House of Bernarda Alba alongside Glenda Jackson, having originally played the character in a 1986 stage production at the Lyric Hammersmith. She also starred as Nina in Chekhov's The Seagull at the Barbican Theatre. In 1993, Root played Hilda Maxwell in ITV period drama The Man Who Cried, opposite Ciarán Hinds. The series, adapted from the novel by Catherine Cookson, received positive reviews and was watched by 12.7 million viewers.

In 1994, she appeared in BBC comedy drama series Love on a Branch Line as Miss Mounsey. That same year, Root was sought by the actress Emma Thompson for the role of Marianne in Sense and Sensibility, based on the 1811 novel by Jane Austen. She participated in a read through in London with the cast but was unable to take on the role (it would later go to Kate Winslet) as she had already committed to star as Anne Elliot in another Austen adaptation, Persuasion. The film, made by the BBC for drama anthology series Screen Two, reunited Root with Ciarán Hinds, who played Captain Wentworth. It was broadcast on BBC Two in April 1995, and later gained a limited cinematic release in the United States, grossing over five million dollars. Well received by critics, it went on to win five TV BAFTAs, including for Best Single Drama. In 1996, she played Patricia “Pat” Green in Breaking the Code. Root's character was inspired by Bletchley code-breaker Joan Clarke, and starred Derek Jacobi as Alan Turing.

In 1998, Root starred in BBC crime drama Mortimer's Law, as Rachel Mortimer, a barrister who relocates to rural Wales to take up a vacant coroner's post. The series ran for six episodes but was not recommissioned. In 2000, she played Dolly in Anna Karenina, and later appeared as Mrs. Davilow in Daniel Deronda. That same year, Root returned to the stage in Yasmina Reza's Conversations After a Burial at the Almeida Theatre. She also made guest appearances in various crime dramas, including A Touch of Frost, Foyle's War, Waking the Dead, Poirot and Midsomer Murders. In 2004, she appeared in ten episodes of period drama The Forsyte Saga as Winifred Dartie. The following year, she featured in the docudrama Julian Fellowes Investigates, playing murder victim Vera Sidney. In 2006, she portrayed Alice Hoschede, wife of Impressionist painter Claude Monet, in the BBC miniseries The Impressionists. She also made her third appearance at the Almeida Theatre as Polina Bardin in Enemies by Maxim Gorky, in a new interpretation by David Hare.

In 2008, Root was cast as Sarah in Alan Ayckbourn's The Norman Conquests. It was first staged at the Old Vic Theatre in London, before making its Broadway transfer to the Circle in the Square Theatre in New York. The production, directed by Matthew Warchus, was positively received by critics, and gained seven Tony nominations, winning Best Revival. Root was nominated for Best Featured Actress in a Play; her performance was described as “remarkable” by The New York Times. The cast were also nominated for an Olivier Award for Best Company Performance.

In 2011, she starred as Hester Collyer in a stage production of The Deep Blue Sea at the Chichester Festival Theatre. She also played Amanda in Margaret Thatcher biopic The Iron Lady opposite Meryl Streep and continued to make further guest appearances in television crime dramas, such as DCI Banks, The Tunnel and Death in Paradise. In 2016, she appeared as Cecy in wartime comedy drama Their Finest. In 2017, Root featured in an episode of hit BBC drama Sherlock as Emma Welsborough. Later that same year, she starred as Queen Victoria in historical drama The Black Prince; the film explored the complex relationship between Victoria and Duleep Singh, the last Maharajah of the Sikh Empire. In 2018, she played Carol Finch in six episodes of ITV drama Unforgotten, and Virginia Scott-Watson in Patrick Melrose. On stage, she played governess Miss Madrigal in a Chichester Festival Theatre production of The Chalk Garden. In 2020, she appeared on television in popular BBC drama Call the Midwife and ITV thriller miniseries The Sister, and on film in British drama Summerland as social worker Mrs Lawrence.

In 2021, she played Sister Brumfett in one episode of Dalgliesh. The following year, she played Cynthia in a film adaptation of Alan Bennett's 2018 play Allelujah!. She also appeared in BBC mystery thriller The Capture. In 2023, Root featured in two episodes of romantic comedy drama series You & Me. She also had a supporting role in true-life crime drama The Sixth Commandment, based on the murder of Peter Farquhar. Root played Farquhar's sister-in-law Sue Farquhar. In 2024, she featured in three episodes of black comedy drama Baby Reindeer as Elle. The series premiered on Netflix on 11 April to critical acclaim.

Philanthropy
In 2010, after hearing a talk by American attorney and former International Justice Mission president Gary Haugen, Root founded Talitha Arts, a non-profit organisation that uses the creative arts to provide therapeutic support for survivors of trafficking and domestic abuse throughout the UK and overseas. The organisation gained charitable status in 2015, and has since expanded to support children, refugees, ex-offenders, and people experiencing homelessness as well as those living with dementia. In 2016, Root was awarded a Point of Light Award by Prime Minister Theresa May in recognition of her work. She was also shortlisted for Lorraine Kelly's Inspirational Woman of the Year Award; she was informed of her nomination in a surprise live announcement on the Lorraine programme. In 2020, Root announced that she was stepping down as Artistic Director after ten years in the role.

Theatre
Her stage credits include:
 * Essie in The Devil's Disciple (Bernard Shaw), Leeds Playhouse, 1983
 * Juliet in Romeo and Juliet and Hermia in A Midsummer Night's Dream, RSC small-scale tour 1983; The Other Place 1984
 * Jessica in The Merchant of Venice, RSC Royal Shakespeare Theatre, 1984
 * Moth in Love's Labours Lost, RSC Royal Shakespeare Theatre, 1984
 * Lucy Ellison in Today by Robert Holman, RSC The Other Place, October 1984; The Pit Barbican Centre, May 1985
 * Apricot in The Dragon's Tail by Douglas Watkinson, Apollo Theatre, October 1985
 * Neuroza in Tell Me Honestly (Kenneth Branagh), Not the RSC Festival, Almeida Theatre 1985
 * Adela in The House of Bernarda Alba (Federico García Lorca, directed by Núria Espert), Lyric Hammersmith, September 1986; Globe Theatre, January 1987
 * Harriet in The Man of Mode (George Etherege), RSC Swan Theatre, July 1988; The Pit, April 1989
 * Lady Macbeth in Macbeth, RSC Barbican Theatre, May 1989
 * Betty McNeil in Some Americans Abroad (Richard Nelson), RSC The Pit, July 1989
 * Cordelia in King Lear, RSC Almeida Theatre. September 1989
 * Cressida in Troilus and Cressida, RSC Swan Theatre, April 1990; The Pit, June 1991
 * Rosaline in Love's Labours Lost RSC Royal Shakespeare Theatre, September 1990; Barbican Theatre, March 1991
 * Nina in The Seagull (Anton Chekhov), RSC Swan Theatre; November 1990; Barbican Theatre July 1991
 * Cleopatra in Caesar and Cleopatra (Shaw), co-starring with Alec McCowen, Greenwich Theatre, February 1992
 * Nora in The Plough and the Stars (Sean O'Casey), West Yorkshire Playhouse, April 1993
 * The Manageress in 50 Revolutions (Murray Gold), Oxford Stage Company, Whitehall Theatre, September 1999
 * Edith in Conversations After a Burial (Yasmina Reza), Almeida Theatre, September 2000
 * Polina Bardin in Enemies (Maxim Gorky in a version by David Hare), Almeida Theatre, May 2006
 * Sarah in The Norman Conquests, an interlinked trilogy by Alan Ayckbourn, Old Vic, October 2008
 * Corinne in The Country, Arcola Theatre (Martin Crimp), September 2010
 * Hester Collyer in The Deep Blue Sea (Terence Rattigan), Chichester Festival Theatre, July 2011
 * Bea in Jumpy (Nina Raine), Duke of York's Theatre, August 2012
 * Carol in The Herd (Rory Kinnear), Bush Theatre, September 2013
 * Zhenya in Donkey Heart (Moses Raine), Trafalgar Studios, January 2015
 * Heather Espy in Racing Demon (David Hare), Theatre Royal Bath, June 2017
 * Miss Mardrigal in The Chalk Garden (Enid Bagnold), Chichester Festival Theatre, June 2018