Bhoopali

Bhoopali, also known as Bhoop, Bhopali, or Bhupali, is a Hindustani classical raga. Bhupālī, is a raag in Kalyan Thaat. It is a pentatonic scale (uses 5 notes in ascending and descending scale). Most of the songs in this raga are based on Bhakti rasa. Since it uses 5 notes, belongs to the "Audav jaati" of ragas.

The same raga in Carnatic music is known as Mohanam.

Raga Bhoopali, Raga Yaman, and Raga Bhairav tend to be the three basic ragas of Hindustani music, learned first by its students.

Theory
Karhade (2011) explains that raga Bhopali consists of just 5 notes - सा रे ग प ध (sa, re, ga, pa and dha). It does not use Ma (also called Madhyam) and Ni (also called Nishadh). It is said that the absence of Ni (representative of physical pleasure) and Ma (representative of loving) means this raga is about non-attachment.

The Introduction consists of two parts – Aaroh आरोह (where the notes are simply recited on an ascending scale) and Avaroha (where the notes are simply recited on a descending order)

Thereafter, with these same five notes, different combinations are made by the singer, similar to short phrases, also called "chalan".

Aroha and avaroha
The scale of Bhopali uses only Shuddh swaras.
 * Aroha (ascent): Sa Re Ga Pa Dha Sa'
 * Avaroha (descent): Sa'! Dha Pa Ga Re Sa

Vadi and samavadi
Gandhar – ga
 * Vadi

Dhaivat – Dha
 * Samavadi

Alap

 * S, D1 D1...S, R - - S...D1 S..., D1 - - - P1, S - - - D1 S - - D1 P1, P1 D1, D1 D1 S

Pakad and chalan
The Pakad (catchphrase that often helps in identifying a raga) is:

S R G R S D1 S R G

or:

S R G R S D1 S R G P G D P G R S

or:

G R P G G R S R D1 S

or:

G R S D1 S R G R P G D P G R S

or:

G R P G S R D1 S

Some chalans (elaborations of the pakad) are:


 * 1) S R G R S D1 S R G
 * 2) S R G R S D1 P1
 * 3) P1 D1 S R G R G
 * 4) S R P G
 * 5) G R S R G P
 * 6) G P D P D D S’
 * 7) P G P D P D S’ R’ G’ R’ G’
 * 8) G’ R’ S’ D P G R S

Note: Normally written swaras (individual notes) indicate the middle octave. A swara immediately followed by 1 indicates the mandra saptak (lower octave) and  '  indicates the taar saptak (higher octave).

A few movements in Bhopali are important to note. There is typically a slide when descending between Sa and Dha, as well as between Pa and Ga. These slides parallel each other and can be used to create a symmetry about how the Swaras are developed. Also, many performers will bring out the Kalyan flavor of Bhopali by using abhasi of the notes Shuddha Ni and Tivra Ma. That is to say, these notes are only vaguely suggested in passing ornaments, not actually sung for long enough for the Swara to become a clear part of the Raga. Some examples would be:

(N1)D1 S

P(m)P(m) D P

where the notes in parentheses are connected by slides or sung as meend.

Bandish
This bandish is bound with Teentaal (16 beats).

1 2 3 4 | 5 6 7 8 | 9 10 11 12 | 13 14 15 16 |

Asthayi:

D S D2 P | G2 R2 S R2 |

G2 _ G2 P | G2 R2 S _   |

S R2 G2 P | R2 G2 P D2 |

G2 P D2 P | G2 R2 S _  |

Antara:

G2 _ G2 G2 |P _ D2 P |

S' _ S'  S'   |D3 R3 S'  _|

G3 G3 R3 S'|R3 R3 S' D3|

S' _ D2 P |G2 R2 S _|

The Asthayi starts with the 9th beat.

Organisation and relationships
Raga Bhoopali belongs to the Kalyan Thaat.

Related ragas: Deshkar (a pentatonic raga belonging to the Bilawal Thaat with the same scale as Bhoopali). Shuddha Kalyan is another similar raga.

Samay (Time)
First part of night. 7-9

Rasa
Bhakti Rasa (Devotional)

The essence from the raga evokes the Shanti Rasa – peaceful and calming.

The Rasa can also be called Shanta Rasa

Film songs
Bhoopali is a popular raga used in Indian folk songs, and thus in Hindi and other regional film songs.

Hindi:
 * "Jyoti Kalash Chhalke" (Bhabhi Ki Chudiyan) (1961)
 * "Pankh Hote To Udd Aati Re" (Sehra) (1963)
 * "Main Jahaan Rahoon" (Namastey London) (2007)
 * "Dil Hoom Hoom Kare" (Rudaali) (1993)
 * "Sayonara Sayonara" (Love in Tokyo) (1966)
 * "Dekha ek khwaab to yeh silsile hue" (Silsila) (1981)
 * "Aayat" (Bajirao Mastani) (2015)
 * "Neel Gagan Ki Chaanv men" (Amrapali) (1966)

Marathi:
 * "Ghanashyama Sundara" (Amar Bhoopali) (1951)
 * "Dehaachi Tijori" (Aamhi Jato Amuchya Gava) (1951)
 * "sujana kasā mana corī" (Sangeet Natak)
 * "śarayū tīrāvarī ayodhyā" (Geet Ramayan)

Kannada:
 * "Malgudi Days Theme Music"
 * "Mohana Muraliya Naada Leelege"
 * "Olave Jeevana Saakshaatkaara"
 * "Bellane Belagayitu"
 * "Aashaadha Maasa Bandeetavva"
 * "Belliya Raja Baaro Kullara Raja Baa"
 * "Uttunga Naadininda Ondu Hudugi (Folk)"
 * "Nigi Ningee Ningi Ningee"
 * "Hottito Hottitu Kannadada Deepa"
 * "Udayavaagali Namma Cheluva Kannada Naadu"
 * "Bayaside Ninnanu Bhaavada Melake"
 * "Ellaadaru Iru, Entaadaru Iru"
 * "Karunaalu Baa Belake"
 * "Tungaa Teeradi Ninta Suyativara"
 * "Teraa Yeri Ambaradaage"
 * "Tunturu Alli Neera Haadu"
 * "Sarasada Ee Prati Nimisha"
 * "Amara Madhura Prema"
 * "Malli Malli Minchulli"
 * "Nanna Aase Hannaagi Nanna Baala Kannaade"
 * "Innu Hattiraa Hattiraa Baruveya"
 * "Radha Madhava Vinoda Haasa"
 * "Yaava Janmada Maitri"
 * "Kogile O Kogile"
 * "Naliyutaa Hrudaya Haadanu Haadide"
 * "Kogileye Kshemave"
 * "Santasa Araluva Samaya"
 * "Doni Sagali Munde Hogali"
 * "Mudala Maneya Muttina Neerina"
 * "Appaa I Love You Paa"
 * "Jenina Holeyo Haalina Maleyo"
 * "Naavaaduva Nudiye"
 * "Om Karadi Kande"
 * "Neela Megha Gaali Beesi"
 * "Ee Hasiru Siriyali Manavu Mereyali"
 * "Ee Sambhaashane"
 * "Baanallu Neene Bhuviyallu Neene"
 * "Yogi Manege Bandaa"
 * "Mella Mellane Bandane"
 * "Jayatu Jaya Viththala"
 * "O Pandu Ranga Prabho Viththala"
 * "Avatarisu Baa Narayana"
 * "Pillangoviya"