Chima (clothing)

 is a generic term for the skirt worn together with, or a short jacket in , Korean traditional clothing. It is also referred to as ' or '  in hanja in the Korean language.

History
While the has evolved over time, the  has remained relatively unchanged throughout time. Basic forms of ancient date back to the Goguryeo era (37 BC–668 AD). According to the murals of Goguryeo and an earthen toy excavated from the neighbourhood of Hwangnam-dong, Gyeongju, Goguryeo women usually wore the over the chima, covering the top of the chima.In addition, a painting of a woman wearing a saekdong chima can be seen in a mural tomb related to Goguryeo's figure Pungsokdo in Gangseo-gu, Nampo, North Korea. Later on in the Goguryeo Kingdom, the became shorter and shorter, showing off more of the.

One popular fashion was the A-line chima.

In Silla, China's Tang dynasty influenced the culture of Koreans; several types of Tang dynasty's clothing was also introduced in Korea. The, a form of high-waist  (a generic term for Chinese skirt) worn over a short Chinese jacket was introduced in Silla  and in Balhae. This form of high-waist ' which ties to the chest can still be seen in the chima worn in present days Korean women's hanbok; it is also likely that the current women's hanbok has been derived from the Tang dynasty's high-waist ' with a short   or from a later revival of the Tang dynasty fashion.

In Joseon, the clothing which was worn during the Silla period was progressively altered until it became what is now recognized as the traditional hanbok. The Chinese court clothing which were worn in China's Tang dynasty appears to have largely influenced the design of the women's hanbok.

Silhouette
The is a floor length wrap around skirt with a wide waistband positioned above the chest. With the high placement of the waistband it allows the skirt to have a more billowy look, which can give greater freedom of movement. Traditionally, women needed to wear about five to seven layers of undergarments which consisted of pants and underskirts, this made the skirt look more voluminous and provide a more elegant look. However, modern women usually wear one layer of undergarment, typically panties.

There are different kinds of : single-layered, double-layered, and quilted. Furthermore, refers to a  with a separated back, whereas a  has a seamed back. The upper class usually use ramie as the fabric to make for summer while plain and patterned silks are used throughout the remainder of the year. By contrast, commoners were restricted to using cotton for their. Women in the upper class wore a long ' which falls down to the floor while women in the lower class wore a shorter ' which length reaches to the calf of the leg. Korean noblewomen wore full length to designate their social status.

Colour
Different colours and lengths indicated important social distinctions such as: age, marital status, and class.

The use of primary colours in hanbok,, was typically preferred by the ruling class and people who came from the upper, privileged, social class. Korean commoners rarely wore primary coloured hanbok, and they were only allowed to wear it for special occasions, such as seasonal festivals, weddings, and for ceremonial events. Nowadays, the hanbok worn by Korean is colourful due to the Western influences which Korean to become a free society where Koreans could choose what and what colours they want to wear. Wearing colourful hanbok is, however, a clear contrast from the traditional use of white hanbok.

For thousands of years and nearly exclusively, most Koreans only wore white clothes. They donned colored clothing on special occasions. In Korean culture, white has traditionally been a symbol of nobility and innocence; and a result, Koreans would wear white during their lives from birth to death. Moreover, the Korean commoners' clothing were mainly un-dyed and plain. Korean people often being nicknamed "the white clad [people]". In Goryeo and Joseon, the use of white clothing was banned by King Chung Yeol in the 13th century and by many Joseon kings which even included King Sejong, but this did not stop the tradition of wearing white clothing to continue until the early 20th century. In Modern times, the use of white hanbok is often associated with resistance and is mostly worn for funerals.

Girls and unmarried women usually wore red skirts, while married women and middle-aged women wore blue skirts and elderly women wore gray skirts. In addition, Goguryeo women also wore that is a colourfully striped skirt by patchworking, and a  in form of gored skirt, made by sewing several pieces of fabric without gathering.