Colette Whiten

Colette Whiten (born 1945, Birmingham, England) is a sculptor, and installation and performance artist who lives and works in Toronto, Canada. Whiten is a recipient of the Governor General's Medal.

Early life and education
Colette Whiten was born in Birmingham, England. and graduated from the Ontario College of Art in 1972, and was a recipient of the Governor General's Medal.

Career
In contrast to the "Minimalism" of the 1960s and 1970s. Whiten's art included elements of performance in her sculptures by emphasizing the body processes involved in her work. She built stocks and scaffolding-like structures of wood, concrete blocks, and rope, each of which she designed with a particular male model in mind. The scaffolding would then hold the models' bodies in predetermined poses, while a team worked to cast them in plaster. In order to cast the bodies, Whiten would first shave the men and coat the body in petroleum jelly. The casts were then used to produce fiberglass body parts.

For her 1972 exhibition at the Ontario College of Art, Whiten exhibited her body-part sculptures, along with the scaffolds that she used to create them, and photographic silkscreens and slide projections that she had taken to document the process of their creation. The effect was that the stocks resembled severed limbs, and the scaffolds torture devices. Until 1975 the performance of creating the work was often as important as the final cast.

Although Whiten's work reversed the more common gender roles between artist and model, she denied that her work had a feminist agenda. One of her fiberglass pieces is a bust of a man sucking his thumb."

Whiten's People Sculpture(1983) is a work of self-rusting steel panels with cutouts of figures that commissioned by the Sudbury Chamber of Commerce and stands in a small park at the corner of Brady and Paris streets in downtown Sudbury, Ontario.

In the mid-1980s, Whiten's work took a new course when she began making small-scale stitched works. The cross-stitched needlework's imagery was sourced from daily newspapers. The first series focussed on the male newsmakers of the world, specifically political leaders, represented in a traditionally female craft. The second series of needlepoint works again used images from media as sources, but of women. The women represented by the media are typically in groups, either mourning or protesting.

In 1992, she returned to making large-scale works, this time making beaded images sourced from mass media events. In these works Whiten considers how media shapes an individual's understanding of current events. Some of the beaded images represented actual headlines from the news, while others source news photos. A number of these works were in the exhibition, Colette Whiten: Seducing the Receiver at the Oakville Galleries in Ontario.

Whiten's sculpture La Scala, created in collaboration with Paul Kipps, is on outdoor public display in downtown Toronto.

Whiten has taught at the Ontario College of Art. since 1974. She has also taught at York University from 1975 to 1977.

Colette Whiten is represented by Susan Hobbs Gallery in Toronto.

Awards and achievements
Upon graduation from the Ontario College of Art in 1972, Whiten received the Governor General's Academic Medal for her first cast piece exhibition. She also received Toronto Arts Foundation's Visual Arts Award in 1991. Whiten received the Governor General's Award in 2013 in the Visual and Media Arts category.

Selected exhibitions
<!--
 * Agnes Etherinton Art Centre, Queen's University, Kinston, Ontario, 1973
 * "8e Biennale de Paris," Musée d'Art Moderne de la Ville de Paris, 1973
 * "Some Canadian Women Artists," National Gallery of Canada, Ottawa, 1975
 * "Colette Whiten: New Needleworks," The Power Plant, Toronto, 1992
 * "Seducing the Receiver," Oakville Galleries, Oakville, Ontario; Galeria Carles Poy, Barcelona, Spain; Susan Hobbes Gallery; Agnes Etherington Art Centre, Queen's University Kingston, Ontario; London Regional Art & Historical Museum, London, Ontario; and Dunlop Art Gallery, Regina, Saskatchewan, 1995–98
 * "Wack!: Art and the Feminist Revolution,"The Museum of Contemporary Art, Los Angeles, 2007

Solo Exhibitions

2009 Susan Hobbs Gallery, Toronto 2000 VITA, Susan Hobbs Gallery, Toronto

1998 Susan Hobbs Gallery, Toronto Seducing the Receiver, Dunlop Art Gallery, Regina

1997 London Regional Art & Historical Museum, London - Agnes Etherington Art Centre, Kingston

1996 Windsor Art Gallery, Windsor Southern Alberta Art Gallery, Lethbridge Susan Hobbs Gallery, Toronto Galeria Carles Poy, Barcelona, Spain

1995 Seducing the Receiver, Oakville Galleries, Oakville

1994 Susan Hobbs Gallery, Toronto

1993 Centre d’art d’Herblay, France Galeria Carles Poy, Barcelona, Spain

1992 New Needleworks, The Power Plant, Toronto

1989 Carmen Lamanna Gallery, Toronto

1988 Powerhouse Gallery, Montréal Centennial Gallery, Oakville Galleries, Oakville

1987 Carmen Lamanna Gallery, Toronto

1985 Carmen Lamanna Gallery, Toronto

1982 Carmen Lamanna Gallery, Toronto

1981 Alberta College of Art, Calgary

1980 Carmen Lamanna Gallery, Toronto

1979 McIntosh Gallery, University of Western Ontario, London

1978 London Regional Art Gallery, London Carmen Lamanna Gallery, Toronto

1977 Carmen Lamanna Gallery, Toronto

1975 Carmen Lamanna Gallery, Toronto

1974 Scarborough College, University of Toronto, Toronto

1973 Agnes Etherington Centre, Queens University, Kingston

Group Exhibitions

2014 You've Really Got a Hold on Me, Oakville Galleries, Oakville

2010 ''Marburg! The Early Bird!'', Marburger Kunstverein, Marburg, Germany

2009 De L’Écriture/With Writing, Yukon Art Centre, Whitehorse; Robert McLaughlin Gallery, Oshawa

2008 Momentum, Susan Hobbs Gallery, Toronto ''WACK! Art and The Feminist Revolution'', Vancouver Art Gallery, Vancouver; PS1, New York

2007 ''WACK! Art and The Feminist Revolution'', The National Museum of Women in the Arts, Washington, DC; MOCA, Los Angeles

2005 Moral Fibre, Mount Saint Vincent University Art Gallery, Halifax Visages de l’histoire: Portraits de Vancouver, Centre d’art contemporain de Basse-Normandie, France

2004 Facing History, Canadian Cultural Centre, Paris

2003 The Bigger Picture, Ottawa Art Gallery, Ottawa

2002 Over Getting Over, Southern Alberta Art Gallery, Lethbridge

2001 Facing History, Presentation House Gallery, Vancouver

1997 Las niñas de mis ojos, Colette Whiten, Margarita Andreu, Permindar Kaur, Trayecto Galeria, Vitoria-Gasteiz, Spain a little object, The Centre for Freudian Analysis and Research, London, England

1996 Love Gasoline, Mercer Union, Toronto

1994 Stedelijk Museum De Lakenhal, Leiden, The Netherlands De Bergkerk, Deventer, The Netherland

1993 Corpus, Mendel Art Gallery Saskatoon; Walter Phillips Gallery Banff Witness, Presentation House, Vancouver Oakville Galleries, Oakville Leonard & Bina Ellen Art Gallery Montréal; Edmonton Art Gallery, Edmonton Dunlop Art Gallery, Regina Southeast Museum of Photography, Daytona Beach, Florida

1992 En Scene, W139, Amsterdam, the Netherlands Mosta America, Museu Da Gravura, Cidade de Curitiba, Brasil

1991 The Photographic Image, 49th Parallel, New York Regina Work Project, Mackenzie Art Gallery, Regina Denonciation, L’Usine Fromage, Ecole d’Architecture de Normandie, Rouen, France

1990 Photographic Inscription, Institute for Foreign Cultural Affairs, Stuttgart, Germany

1989 Canadian Biennial of Contemporary Art, National Gallery of Canada, Ottawa

1988 Information Systems, YYZ, Toronto

1986 Human Touch: from Canada to Belgium, Brussels, Liege, Paris

1985 Recent Canadian Sculpture, Winnipeg Art Gallery, Winnipeg

1982 Contemporary Figurative Sculpture, Agnes Etherington Centre, Queens University, Kingston Realism: Structure and Illusion, MacDonald Stewart Art Centre, Guelph

1981 The Winnipeg Perspective 1981: Ritual, Winnipeg Art Gallery, Winnipeg 3+3+9: Sculptors in Exchange: Australia and Canada, Art Gallery at Harbourfront, Toronto

1976 Forum ‘76, Montréal Museum of Fine Arts, Montréal Sculpture, Vancouver Art Gallery, Vancouver

1975 Carmen Lamanna Gallery at the Owens Art Gallery, Mount Allison University, Sackville Some Canadian Women Artists, National Gallery of Canada, Ottawa

1974 Contemporary Ontario Art, Art Gallery of Ontario, Toronto

1973 8e Biennale de Paris, Musee d’art Moderne de la Ville de Paris, Paris -->

Selected bibliography

 * Agnes Etherington Art Centre. Colette Whiten. Kingston: Agnes Etherington Art Centre, 1973
 * Borsa, Julianna. "Colette Whiten and Carmen Lamanna Gallery." Artmagazine (Toronto) 8, no. 34 (August–September 1977): 40-41.
 * Burnett, David. "Some Canadian Women Artists." Artscanada (Toronto) 32, no. 4 (winter 1975-76): 54-58.
 * Colette Whiten. Exh. cat. London, Ontario: London Regional Art Gallery, 1978. Text by Philip Monk.
 * Fleming, Marnie, Colette Whiten, and Oakville Galleries. Colette Whiten: Seducing the Receiver. Oakville, Ont.: Oakville Galleries, 1995
 * Towne, Elke. "Prince Charming and the Associated Press: The Needlepoint Work of Colette Whiten" (1987). Reprinted in Jessica Bradley and Lesley Johnston, eds. Sightlines: Reading Contemporary Canadian Art. Montréal: Artext, 1994.
 * Whiten, Colette, Paul Kipps, et al. Colette Whiten and Paul Kipps: Over Taking over. Lethbridge: Southern Alberta Art Gallery, 2002
 * Whiten, Colette, Alain Reinaudo, et al. Colette Whiten: coproduction W 139 Amsterdam Hollande, Centre d'art d'Herblay France, Carles Poy Galeria Barcelone Espagne, Décembre 92 - Mai 1993. [France]: Cahiers des Regards, 1992
 * Whiten, Colette, Richard Rhodes, and Power Plant (Art gallery). Colette Whiten: New Needleworks. Toronto: Power Plant, 1992
 * Whiten, Colette, and Mirjam Westen. Colette Whiten. Herblay: Centre d'art d'Herblay, 1993
 * Zemans, Joyce. "The Sculpture of Colette Whiten." Art Magazine (Toronto) 6, no. 19 (fall 1974): 16-18.