Come Fly with Me (film)

Come Fly with Me is a 1963 British Jet Age romantic comedy film directed by Henry Levin and released by MGM. Featuring an ensemble cast of Dolores Hart, Hugh O'Brian, Karlheinz Böhm, Pamela Tiffin, Karl Malden, and Lois Nettleton, it is based on Bernard Glemser's 1960 chick-lit novel Girl on a Wing, which was published again in 1969 under the title The Fly Girls. It follows three young international air hostesses looking for romance and excitement, weaving abundant soap opera elements into its tale of opportunity for glamorous travel and adventures with men that came with being an airline hostess.

Plot
On her first day on the New York-Paris route with Polar-Atlantic international airlines, accident-prone stewardess Carol delays departure because she locked herself in a bathroom. Once airborne, flight engineer Teddy plays a practical joke on her.

Co-pilot Ray, breaks the news she’s been had, igniting an obsession with him in Carol. In contrast, sophisticated, willful Donna, an experienced hostess, is just as single-minded about achieving affluence and social prestige. As soon as she learns that a young Baron, Franz von Elzingen, can provide both, she sets her cap for him.

Ray invites Carol to "dinner" but leaves her cold when his still-not-ex girlfriend, the married Katie, waylays him. Tall, soft-spoken Texan Walter sends a drunk packing when he goes too far with no-nonsense hostess Hilda Bergstrom (Bergie); taken, she accepts his invitation for a night on the town. Donna and Carol trick the economy class-flying Walter into picking an extremely chic eatery, appalling Bergie. Afterwards they awkwardly take in a movie but find themselves having a ball at an amusement park, until a casual exchange triggers Walter revealing that his wife had died four months earlier, he's traveling at his sister's advice to get over it, and Bergie reminds him of her...in a good way. Fearful of getting hurt, she cuts the date short.

Katie’s enraged French husband comes to the hotel looking for her; Carol warns the trysters, then curls on the bed in Katie’s place, pretending she is Ray's plaything. Ray still gets socked in the jaw, on principle. Carol then lectures Ray on his shabby “values”.

Next stop, Vienna. Aware he might be intercepted by police, the Baron leaves his gold cigarette case – which had earlier caught Donna's eye – on his seat with a note for her in it to meet him at a cafe. The cash-poor aristocrat prefers being a diamond smuggling “mule” over a job and has left his cache with the clueless stewardess, who cannot race to deliver it back to him at their rendezvous.

The pair are off in his Jaguar E-type to waterski and frolic overnight. Before they part, he convinces Donna to bring him back a carton of custom cigarettes he has made for him in New York, duping her into being a transatlantic mule.

Meanwhile, Bergie freezes Walter out, and Carol plays patty-cake with Ray, who gets demoted to flying backwater air charters for the airline because of his misadventures with l'amour.

At the hotel again in Paris, the three stewardesses are led to a luxury suite, which Donna lords over the others as the Baron's lavishing on her. Walter admits he'd sprung for it and is chastised by Bergie for wasting money he doesn't have. Flummoxed, he admits he's rolling in dough – his $40 million then worth ten times that in the 2020s. Now fearing he’s looking for a "joyride" instead of a wife, Bergie chases him out after, in a fit of anger, he accidentally calls her Julie (his deceased wife's name).

Reinstated in his old job, Ray consoles a crying, orphaned child traveling alone by taking him to the cockpit to “fly the airplane”. Carol is so taken by this tender side of Ray that she encourages the passengers to fill out cards to praise him to the airline's president.

In a change of heart, the Baron insists to his overlord, an upper-class Englishman, he is finished using Donna as his mule. However, Donna is apprehended at airport customs and charged with smuggling stolen diamonds discovered in a package the Baron had told her contained cigarettes.

Temporarily released by the police as a cat's paw, she meets the Baron at an out-of-the-way cafe. He tries to placate her with money for a good attorney, but she refuses it, then returns the heirloom necklace he'd stolen her heart with. Leaving in disgust, she sees a police car staking them out and believes the Baron is giving himself up. She kisses him goodbye using his preferred farewell, “Auf Wiedersehen” (“until we see each other again”). Before her flight can leave Vienna, an emissary of the Baron brings her his cigarette case which contains a card with the message “Auf Wiedersehen”.

On board, the girls discover the plane is empty – but for one shy Texan in economy class. Destination? Wherever Bergie wants to go, as long as she’d like.

Carol goes to the cockpit, but before she can deliver another lecture to Ray on "values" he straps her into a jump seat, gags her, and sets about framing a marriage proposal.

Cast

 * Dolores Hart as Donna Stuart
 * Hugh O'Brian as First Officer Ray Winsley (Co-Pilot)
 * Karlheinz Böhm as Baron Franz Von Elzingen (credited as Karl Boehm)
 * Pamela Tiffin as Carol Brewster
 * Karl Malden as Walter Lucas
 * Lois Nettleton as Hilda "Bergie" Bergstrom
 * Dawn Addams as Katie Rinard
 * Victor Rietti as Passenger (cameo)
 * John Crawford as Pilot
 * Andrew Cruickshank as Cardwell
 * James Dobson as Flight Engineer Teddy Shepard
 * Robert Easton as Navigator
 * Maurice Marsac as Monsieur Rinard
 * Lois Maxwell as Gwen Sandley
 * Richard Wattis as Oliver Garson
 * Guido Wieland as Vienna Policeman

Production
Henry Levin was signed to direct in April 1962.

The film was known in production as Champagne Flight, The Friendliest Girls in the World and Girl on a Wing.

The film was shot in Panavision and Metrocolor during 1962 in New York City, Paris, Versailles, Vienna, and the Woerthersee with studio interiors shot at MGM British Studios in Borehamwood, England. The shoot took 12 weeks.

It filmed at the same time as Follow the Boys.

It premiered in the United States on 27 March 1963.

Glemsser wrote a follow-up novel in 1972, titled The Super-Jet Girls. It was not made into a film.

Critical reception
Variety gave the film a mixed review, writing, "Sometimes one performance can save a picture and in Come Fly with Me it's an engaging and infectious one by Pamela Tiffin. The production has other things going for it like an attractive cast, slick pictorial values and smart, stylish direction by Henry Levin, but at the base of all this sheer sheen lies a frail, frivolous and featherweight storyline that, in trying to take itself too seriously, flies into dramatic air pockets and crosscurrents that threaten to send the entire aircraft into a tailspin."