Draft:Patricio Ferrari

Patricio Ferrari (born November 25, 1975) is an Argentinian poet, translator, editor, and literary scholar. He speaks seven languages (Spanish, English, French, Italian, Portuguese, German, Hindi) and publishes in five. As editor and literary translator, he has published 20 books in publishing houses including New Directions (U.S.), Tinta-da-China (Portugal), Pre-Textos (Spain), Buenos Aires Poetry (Argentina), and Éditions de la Différence (France).

Between Cultures & Languages
Early Life in Argentina

Born in Merlo, Argentina to immigrants from Piedmont and Calabria, Patricio Ferrari grew up in the province of Buenos Aires. From an early age, he was exposed to English at the San Patricio Language Institute, a language school established by his mother, Graciela S. Guglielmone, in 1971. In his childhood, he showed a deep affinity for soccer. In 1989, his devotion and defensive skills led him to join the under-14 squad for Argentino de Merlo. His journey with the club culminated in 1992 when he advanced to play for their reserve team.

United States & France

At the age of 16, drawing from his already multilingual background, Patricio Ferrari ventured beyond Argentina’s borders to the United States to immerse himself in both academic and athletic pursuits. In 1992, facilitated by Rotary International, he attended Strath Haven High School in Swarthmore, Pennsylvania. In the fall of 1994, Ferrari received a full soccer scholarship at Campbellsville College in Kentucky. His journey took an unexpected turn the following year after he transferred to Slippery Rock University to play for their Division II team. It was during this time that a meniscus injury, coupled with a growing interest in the French language and poetry, marked a shift for Ferrari and a focus on more academic and literary endeavors.

In 1997, at the age of 21, through Slippery Rock’s study abroad program, he attended the Collège International de Cannes. There, he received an academic scholarship, allowing him to dive into the works of Baudelaire, Verlaine, and Rimbaud. This period resulted in Ferrari’s first foray into exophony in French.

After earning summa cum laude honors in 1999 with a dual major in French and Philosophy, Ferrari relocated to Athens, Georgia. There, he dedicated a year to working and auditing Hindi classes at the University of Georgia.

India

In January 2001, he embarked on a journey to India, living with local families in Allahabad during the Kumbh Mela and exclusively communicating in Hindi. His exploration extended across the Hindi Belt for several months, culminating in a trip to the Andaman Islands. In Little Andaman, he contracted dengue fever and malaria concurrently. This near-death experience resulted in a strenuous month-long hospitalization in Calcutta, during which he battled a severe health crisis.

Following the harrowing experience, he sought solace and healing in Jantanwala Village, Uttarakhand, through Vipassana meditation. Eventually, Ferrari made Mussoorie his home, enrolling at the Landour Language School situated in the tranquil environs of Landour. Surrounded by the breathtaking beauty of the Himalayas and residing with a local family, he composed his Indian diaries, blending English and Hindi.

France

In 2002, Ferrari moved to Paris, setting up residence on Rue de la Folie Méricourt in the vibrant République, Oberkampf, and Canal Saint-Martin areas of the 11th arrondissement. It was in this culturally rich setting that he embarked on his Master of Arts in Comparative Literature at the Université Sorbonne Nouvelle – Paris III. His dissertation, which he completed in French under the advisement of Daniel-Henri Pageaux, was a comparative study of the poetry of Jorge Luis Borges and Fernando Pessoa.

Portugal

In 2006 Ferrari moved to Lisbon where he immersed himself deeply in the Portuguese language and culture. His work primarily involved the transcription of hundreds of previously unpublished writings by Fernando Pessoa, including marginalia. During this period he edited several of Pessoa's posthumous works in the three languages in which he wrote (Portuguese, English, French).

A particularly significant project during this time was the bilingual A Biblioteca Particular de Fernando Pessoa [Fernando Pessoa’s Private Library], co-authored with Jerónimo Pizarro and Antonio Cardiello. This book emerged from their collaborative digitization efforts at the Casa Fernando Pessoa, a project that has been available online with open access since 2010.

Ferrari’s scholarly endeavor culminated in 2012 when he was awarded a Ph.D. in Linguistics from the Universidade de Lisboa. His dissertation, “Meter and Rhythm in the Poetry of Fernando Pessoa,” shed light on the pivotal role that poetic meter and rhythm played in shaping Pessoa’s heteronyms as well as his own trilingual poetry.

England & Sweden

After earning his Ph.D., Ferrari began his postdoctoral work with a focus on Fernando Pessoa’s unpublished English writings. In 2013, after months in London conducting research at the British Library and the Warburg Institute, he co-organized the “Writers and their Libraries” symposium alongside Wim Van Mierlo and Jerónimo Pizarro at the School of Advanced Study, University of London. Following the London sojourn, Ferrari ventured to Stockholm to work with Stefan Helgesson at Stockholm's Universitet. There, he deepened his research on Pessoa’s formative years in Durban, South Africa, and the influence of such English poets as Thomas Chatterton and Thomas Wyatt on some of Pessoa’s early fictitious authors. This period resulted in Fernando Pessoa as an English Reader and Writer (2015), co-edited with Jerónimo Pizarro, featuring a wide range of essays by international scholars.

United States

In 2014, Ferrari returned to the U.S. to collaborate with George Monteiro at Brown University, where he concluded his postdoctoral research, organizing the inaugural international symposium focused exclusively on Fernando Pessoa’s English writings. The symposium's proceedings were subsequently compiled in Inside the Mask: The English Poetry of Fernando Pessoa (2018).

Since 2008 Ferrari has contributed to the field of literary criticism, publishing numerous articles in peer-reviewed journals including Luso-Brazilian Review, Pessoa Plural, Portuguese Studies, Proverbium, Rhythmica, The Translator, and Variaciones Borges, among others, highlighting his scholarship and dedication to literary studies.

Professional Life
After moving to New York City in 2017, Ferrari began a new phase, accepting positions as an adjunct professor at Rutgers University-Newark and Sarah Lawrence College. His commitment to poetry, literary translation, language and cultural preservation led him to engage with the Endangered Language Alliance (ELA), a non-profit organization devoted to the documentation of indigenous, minority, and endangered languages.

Since 2018 he has also served as Managing Director of San Patricio Language Institute, a language school established by his mother, Graciela S. Guglielmone, in 1971, in Merlo, Buenos Aires.

Exophonic Writing and Literary Translation While studying under the mentorship of U.S. poets C.D. Wright, Forrest Gander, and Cole Swensen, Ferrari delved into exophonic writing, self-translation, and transcreation. His period at this institution culminated in 2017 with an MFA in Poetry. His thesis, “Elsehere,” a collection of multilingual poems, challenges the conventions of language while exploring the fluidity of borders and selves. Ferrari's exophonic works, including selections from “Mud Songs” (vol. I of the “Elsehere” trilogy), have been showcased in Fence, Asymptote, Buenos Aires Poetry and Words Without Borders.

In his role as a literary translator and editor, Ferrari has contributed to the publication of 20 books. Noteworthy among these are The Galloping Hour: French Poems by Alejandra Pizarnik (co-translated with Forrest Gander; New Directions, 2018),, The Complete Works of Álvaro de Campos by Fernando Pessoa (co-translated with Margaret Jull Costa; New Directions, 2023), and Habla terreña by Frank Stanford (co-translated with Graciela S. Guglielmone; Pre-Textos, 2023). Other translations include writings by Laynie Browne and Martin Corless-Smith (from the English), António Osório (from the Portuguese), and Vidrohi (from the Hindi).

Honors & Awards Ferrari has been recognized with an Honorable Mention in Literary Translation (Lois Roth Award) for The Complete Works of Alberto Caeiro by Fernando Pessoa and has received the Lisbon Township Merit Award in acknowledgment of his significant contributions to the study of Pessoa, one of Europe’s most esteemed modernist poets.

Sidelights
In 2024 Ferrari received his U.S. citizenship.

He resides in New York City where he founded and hosts the World Poetry in Translation reading series, an innovative platform that highlights foreign poets and translators from a spectrum of languages, both widely spoken and less recognized. The series celebrates the intricate art of translation to enhance the understanding and appreciation of global linguistic diversity, while creating a vital space for dialogue and appreciation of the world’s rich tapestry of languages. He participates widely in poetry readings and conversations about the craft of literary translation.

Since 2013 he has been an advisory board member of Portuguese Literary & Cultural Studies (UMass, Dartmouth) and since its inception in 2012, of Pessoa Plural (Brown University), an international peer-reviewed scholarly journal dedicated to studies of Fernando Pessoa. He was the review editor of the latter between 2014 and 2021. Since 2014 he has been foreign correspondent of the Institut des textes & manuscrits modernes (Paris).

Ferrari divides his time between New York City, Buenos Aires, and Dallas, where he bridges a life between cultures and between languages. He shares his life with his partner, Jennifer Keller.

As Literary Editor & Translator

 * Pessoa, Fernando.The Complete Works of Alberto Caeiro. Edited and introduced by Jerónimo Pizarro and Patricio Ferrari. Translated from Portuguese by Margaret Jull Costa and Patricio Ferrari. New York: New Directions, 2020.


 * Pizarnik, Alejandra. The Galloping Hour: French Poems of Alejandra Pizarnik. Edited and introduced by Patricio Ferrari. Translation from French by Patricio Ferrari and Forrest Gander. Bilingual edition. New York: New Directions, 2018.
 * Pizarnik, Alejandra. Poemas franceses. Edition, postface and translation from French by Patricio Ferrari. Bilingual edition. Collection Plaquettes. Santiago de Chile: Cuadro de Tiza Ediciones, 2018.

As Literary Translator

 * Browne, Laynie. Amuletos. Poemas nuevos y escogidos. Preface by Ron Silliman. Translated from English by Patricio Ferrari and Graciela S. Guglielmone. Bilingual edition. Buenos Aires: Zindo & Gafuri ediciones, 2018.


 * Pessoa, Fernando. The Complete Works of Álvaro de Campos. Edited and introduced by Jerónimo Pizarro and Antonio Cardiello. Translated from Portuguese with a biographical note by Margaret Jull Costa and Patricio Ferrari. New York: New Directions, 2023.


 * Corless-Smith, Martin. Verde amargo. Translated from English by Patricio Ferrari and Graciela S. Guglielmone. With a preface by Cole Swensen and an afterword by Patricio Ferrari. Bilingual edition. Buenos Aires: Buenos Aires Poetry, 2022.
 * Stanford, Frank. Habla terreña. Bilingual edition. Translated from English with notes by Patricio Ferrari and Graciela S. Guglielmone. Preface by James McWilliams. Valencia: Pre-Textos, 2023.

As Literary Editor

 * Pessoa, Fernando.  Obra Completa de Alberto Caeiro. Edited and introduced by Jerónimo Pizarro and Patricio Ferrari. Lisbon: Tinta-da-china, 2016. [Publ. in English by New Directions, 2020]
 * Pessoa, Fernando. Teatro Estático. Edited by Filipa de Freitas and Patricio Ferrari in collaboration with Claudia J. Fischer. Preface and afterword by the editors. Lisbon: Tinta-da-china, 2017. [Publ. in Spanish by Bid&Co, 2019; publ. in Italian by Quodlibet, 2022].
 * Pessoa, Fernando. No Matter What We Dream: Selected English Poems. Edited, selected, and introduced by Patricio Ferrari and Jerónimo Pizarro. 2nd edition. Lisbon: Tell-a-story, 2015. [First ed. 2014].
 * Pessoa, Fernando. Eu Sou Uma Antologia: 136 autores fictícios. Edited and introduced by Jerónimo Pizarro and Patricio Ferrari. 2nd edition. Lisbon: Tinta-da-china, 2022. [First ed. 2013; Publ. in Spanish by Pre-textos, 2018].
 * Pessoa, Fernando. Poèmes français. Edited by Patricio Ferrari in collaboration with Patrick Quillier. Introduced by Patricio Ferrari. Preface by Patrick Quillier. Paris: Éditions de la Différence, 2014.
 * Pessoa, Fernando. Argumentos para Filmes. Edited and introduced by Patricio Ferrari and Claudia J. Fischer. Lisbon: Ática, 2011. [Publ. in Spanish by Ed. La Umbría y la Solana, 2017].
 * Pessoa, Fernando. Provérbios Portugueses. Compiled and translated into English by Fernando Pessoa. Edited and introduced by Jerónimo Pizarro and Patricio Ferrari. Lisbon: Ática, 2010. [Publ. in Spanish by Ed. Tragaluz, 2019].
 * Pizarnik, Alejandra. Antologia poética. Selection, preface, and notes by Ana Becciú and Patricio Ferrari. Translation from Spanish by Fernando Pinto do Amaral. Lisbon: Tinta-da-china, 2020.
 * Quental, Antero. Os Sonetos Completos de Antero de Quental. With Partial English Translation by Fernando Pessoa. Preface to Antero de Quental’s Sonnets by J. P. Oliveira Martins. Edited with an introductory note and postface by Patricio Ferrari. Lisbon: Ática, 2010.

As Author (Art Coffee-Table Books)

 * Os Objectos de Fernando Pessoa. Casa Fernando Pessoa Collection. Bilingual edition. Lisbon: D. Quixote, 2013. (With Jerónimo Pizarro and Antonio Cardiello).
 * A Biblioteca Particular de Fernando Pessoa. Casa Fernando Pessoa Collection. Bilingual edition. Lisbon: D. Quixote, 2010. (With Jerónimo Pizarro and Antonio Cardiello).

As Editor (Academic Journals)

 * Ferrari, Patricio, guest ed. Inside the Mask: The English Poetry of Fernando Pessoa. Providence [RI]: Gávea-Brown, 2018. Print. (Special Issue of Pessoa Plural, nº 10, Brown University, eds. Jerónimo Pizarro, Onésimo Almeida, Paulo de Medeiros, Fall 2016).


 * Ferrari, Patricio and Jerónimo Pizarro, guest eds. Fernando Pessoa as English Reader and Writer. Portuguese Literary & Cultural Studies, nº 28, University of Massachusetts, Dartmouth, Tagus Press (Spring 2015). Print.

Poetry in Literary Journals and Magazines (Selection)
As Author


 * “Mare,” “Wharfrom.” Asymptote, Co-existance Issue, Winter 2024, Yew Leong, Editor-in-Chief. Taipei, Taiwan. Digital.
 * “Mudonna,” “Amor Mio, a Mooring,” “Portsmouth (S 34° 36’ 47’’ | W 58° 22’ 38’’).” FENCE, n.40,  Vol. 22 # 1 (Winter  2023): 7-13. Print. Emily Wallis Hughes and Jason Zuzga, eds. Print.
 * “Nostra.” Buenos Aires Poetry. Revista & editorial de poesía. Juan Arabia, Poetry Editor. (June 27, 2021). Digital.

Poetry Translations in Literary Journals and Magazines (Selection)
As Literary Translator


 * Arabia, Juan. “Outside Lies the Serpent”, “Bulmenia III,” and “Hilda Hilst Attends her Graveside Burial” The Brooklyn Rail. Anselm Berrigan, ed. (December 2022 / January 2023). (“Outside Lies the Serpent” and “Hilda Hilst Attends her Graveside Burial” rep. in the print issue of the magazine, p. 141). (Spanish to English).
 * Brownderville, Greg. “Tres poemas de Gust [Ráfaga” (“Madera a la deriva “El buzón,” “Arkansas Blacks”). ] nexos, Álvaro Ruiz Rodilla, Poetry editor, Mexico City, March 18, 2023. Digital. (With a Translator’s Note). (English to Spanish in collaboration with Graciela S. Guglielmone).


 * Corless-Smith, Martin. “Nada ha trascendido la muerte.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed., Buenos Aires (September 26, 2021): 5. Print. (English to Spanish in collaboration with Graciela S. Guglielmone).


 * Gander, Forrest. “Postfuego forestal,” nexos, Álvaro Ruiz Rodilla, ed., Mexico City, November 12, 2022. Digital. (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Gander, Forrest. “Hijo.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed. Buenos Aires (February 6, 2022): 5. Print. (Rep. in Buenos Aires poetry, February 19, 2021). (English to Spanish in collaboration with Graciela S. Guglielmone).


 * Holman, Bob. “Seven Spanish renditions.” Buenos Aires Poetry. Pipa passes | Poesía Estados Unidos, Juan Arabia ed. January 11, 2022. Digital. (English to Spanish).
 * Merwin, W.S. “La mañana.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed., Buenos Aires (July 23, 2023): 5. Print. (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Merwin, W.S. “Testigo”, “Qué es lo moderno.” Buenos Aires Poetry. Poesía Estados Unidos |Pipa passes, Juan Arabia ed. July 17, 2023. Digital. (English to Spanish in collaboration with Graciela S. Guglielmone).


 * Osório, António. “Speck,” “Two Falls,” “Going In,” “The Zoo,” “Highway,” “The Giraffe,” “Slaughter,” “The Ambiguous Veterinarian,” “The Wolf,” “The Clowns.” The Brooklyn Rail. Anselm Berrigan, ed., June 2022. NYC. (“The Ambiguous Veterinarian,” “Slaughter,” “The Giraffe,” rep. in the print issue of the magazine, p. 134). (Portuguese to English in collaboration with Susan Margaret Brown).


 * Osório, António. “A Meaning.” The New Yorker. Kevin Young, Poetry editor.  6 June 2022, p. 51. New York. Print. (Portuguese to English in collaboration with Susan Margaret Brown). [63 | “A Meaning” by António Osório, The New Yorker, May 30, 2022]
 * Osório, António. “Sea and Anchor,” “Mother, You Whom I return to Earth,” “Milky Way,” “In Illo Tempore.” The Southwest Review. Greg Brownderville, ed. Vol. 106, No.  4 (Winter 2022): 306-311. Dallas [TX]. Print. (Portuguese to English in collaboration with Susan Margaret Brown).
 * Osório, António. “Crater of the Beginning,” “September,” “The Circus.” The Paris Review. Vijay Seshadri, editor. No. 233. (Summer 2020): 24-26 Print. (Portuguese to English in collaboration with Susan Margaret Brown).
 * Ó Tuama, Pádraig. “Poesía Irlanda |’Dos poemas de Feed the Beast’” | “El carnicero del Edén,” “Alimenta a la bestia.” | Pipa passes | Poesía Estados Unidos, Buenos Aires Poetry, Juan Arabia ed. June 28, 2023. Digital. (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Pessoa, Fernando. “Five poems from The Keeper of Sheep by Alberto Caeiro” [IV, IX, XIII, XX, XLIX (with Translators’Note). ] Asymptote, Lee Yew Leong, Editor-in-Chief, Summer 2020. Digital. (Portuguese to English in collaboration with Margaret Jull Costa).
 * Pessoa, Fernando. “Three poems by Alberto Caeiro [1, 68, 93.” ] The Paris Review. Vijay Seshadri, editor, New York, no. 233. (Summer 2020): 208-212. Print. (Portuguese to English in collaboration with Margaret Jull Costa).
 * Pessoa, Fernando. “Untitled [Ah, how refreshing it is when we fail to do our duty! by Álvaro de Campos” ]  The New York Review, Jana Prykril, Poetry editor. 22 June 2023. Print. (Portuguese to English in collaboration with Margaret Jull Costa).
 * Pessoa, Fernando. “Lisbon (1926),” “[Almost unwittingly (if we only knew!)… by Álvaro de Campos”“Note.” ] BOMB Magazine, Benjamin Samuel, Managing Editor, n. 164 (Summer 2023): 40-41. Print. (Portuguese to English in collaboration with Margaret Jull Costa).
 * Pessoa, Fernando. “[No, You’re  right, I’m wrong… by Álvaro de Campos.” ] Poetry Magazine, Charif Shanahan, guest ed., May 2023, Volume 222, Number 2, pp. 108-109. Print. (Translators’ Note included in the online version). (Portuguese to English in collaboration with Margaret Jull Costa).
 * Pessoa, Fernando. “Three Sonnets.” The Paris Review, Vijay Seshadri, Poetry editor, New York, no. 239 (Spring 2022): 209-211. Print.  (Portuguese to English in collaboration with Margaret Jull Costa).


 * Pizarnik, Alejandra. “Memory Near Oblivion,” “To You.” The Paris Review. Vijay Seshadri, editor. No. 224 (Spring 2018): 61-63. Print. (“To You,” rep. in Buenos Aires Poetry, July 20, 2020). (French to English in collaboration with Forrest Gander).
 * Pizarnik, Alejandra. “Sex, Night.” Poetry Daily.  May 5, 2019. Digital. (French to English in collaboration with Forrest Gander).


 * Stanford, Frank. “Joven arriero.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed., Buenos Aires (August 21, 2022): 5. Print. (Rep. in Buenos Aires poetry, September 11, 2023). (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Stanford, Frank. “Lullaby to a Child Who They Say Will Not Live Through the Night,” “Milksnake,” “Blue Yodel Silence You Are,” “Fire Left by Travellers.” The Southwest Review. Greg Brownderville, ed. Vol. 107.2 (Summer 2022): 6-13. Dallas [TX]. Print. (English to Spanish in collaboration with Graciela S. Guglielmone).


 * Seshadri, Vijay. “Cliffhanging.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed., Buenos Aires (April 30, 2022): 5. Print. (Rep. in Buenos Aires poetry, May 2, 2022). (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Swensen, Cole. “Vientos.” Perfil. Narcolepsia. Coordinated for an approximation to poetry, Juan Arabia, ed., Buenos Aires (December 11, 2022): 5. Print. (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Waldrop, Rosmarie. “Profundo tono,“ ”Pensar.” Buenos Aires Poetry. Pipa passes | Poesía Estados Unidos, Juan Arabia ed., Buenos Aires, January 22, 2023. Digital (English to Spanish in collaboration with Graciela S. Guglielmone).
 * Yadav, Ramashankar [Vidrohi]. “Mohenjo Daro.” Asymptote, Indian Language Literature Feature, January 16, 2017. Digital. (Rep. in The Wire, January 28, 2017). (Hindi to English in collaboration with Rashmi Gajare).

Translation (Documentary)

 * Grubin, David. “Language Matters with Bob Holman.” History/Documentary, 1h 50m, 2015. (English to Spanish translation in collaboration with Graciela S. Guglielmone, 2016).

On Translation / Literary Criticism (In Journals) (Selection)

 * “Fernando Pessoa’s Unselving.” The Paris Review. Blog: On Books. New York, June 23, 2023. Digital. Digital.
 * “Coming to Poetry as a Verb: On Juan Arabia’s ‘Juicio.’” La piccioletta barca. Paraphrasis –A Column on Translation. Ignacio Oliden and Facundo Rodriguez, eds., Cambridge, February 21, 2021. Digital.
 * “The Untranslatable.” The Paris Review. Newsletter. New York, 25 June 2020. Digital. (On the poetry of António Osório in collaboration with Susan M. Brown).
 * “Where the Voice of Alejandra Pizarnik was Queen.” The Paris Review. The Daily: Arts & Culture. New York, July 28, 2018. Digital.
 * “The Literary Life of Pessoa’s Alter Ego.” Literary Hub. July 29, 2020. Digital. (In collaboration with Jerónimo Pizarro).

Literary Criticism & Scholarly Articles in Peer-reviewed Journals (Org. chronol.)

 * “Addendum to The Complete Works of Álvaro de Campos.” In Pessoa Plural, nº 23. Jerónimo Pizarro, editor in chief, Brown University, Warwick University, University of Los Andes. (Spring 2023): 89-157. Digital. (In collaboration with Margaret Jull Costa). [Doi]
 * “Milton, Anon e Prosódia na Trilogia dos Gigantes.” Teatro Estático. In Pessoa Plural, nº 19. Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro, eds., Brown University, Warwick University, University of Los Andes. (Fall 2021): 1-83. Digital. (In collaboration with Teresa Felipe). [Doi ]
 * “’A Rhythm of Another Speech.’ Pessoa’s Theory and Practice of Poetry Translation.” Fernando Pessoa and Translation. Paulo de Medeiros & Jerónimo Pizarro, guest eds. The Translator, Loredana Polezzi and Rita Wilson, eds. Vol. 26, Number 4 (December 2020):  324-354. Print & Digital. (In collaboration with Claudia J. Fischer). [Doi]


 * “The Poems of Frederick Wyatt.” Inside the Mask: The English Poetry of Fernando Pessoa. In Pessoa Plural, Special Issue, nº 10, Patricio Ferrari, guest ed. Brown University, Warwick University, University of Los Andes. Homage to George Monteiro (Fall 2016): 226-301. Print & Digital. (In collaboration with Carlos Pittella). [Doi ]
 * “Twenty-one Haikus by Fernando Pessoa.” Pessoa Plural, nº 9, Fabrizio Boscaglia and Duarte Drumond Braga, guest eds., Brown University, Warwick University, University of Los Andes (Spring 2016): 184-229. Digital. (In collaboration with Carlos Pittella). [Doi ]
 * “Bridging Archives: Twenty-five Unpublished English Poems by Fernando Pessoa.” Pessoa Plural, nº 8, Carlos Pittella, guest ed., Brown University, Warwick University, University of Los Andes (Fall 2015): 365-431. Print & Digital. [Doi ]
 * “Four Unpublished English Sonnets (and the Editorial Status of Pessoa’s English Poetry).” Fernando Pessoa as English Reader and Writer. Portuguese Literary & Cultural Studies, Patricio Ferrari and Jerónimo Pizarro, guest eds., nº 28, University of Massachusetts, Dartmouth, Tagus Press (Spring 2015): 227-246. Print. (In collaboration with Carlos Pittella).
 * “Pessoa and Borges: In the Margins of Milton.” Variaciones Borges, Daniel Balderston, ed., nº 40, University of Pittsburgh (Fall 2015): 3-21. Print.


 * “Proverbs in Fernando Pessoa’s Works.” Proverbium: Yearbook of International Proverb Scholarship, Wolfgang Mieder, editor-in-chief, The University of Vermont, vol. 31 (Fall 2014): 235-254. Print. (Rep. In Fernando Pessoa, K. David Jackson, Academic Advisor, Cengage/Gale, 2022).
 * “Pessoa on Camões’s Os Lusíadas: Meter, Grammar and Rhythm.” Rhythmica, Revista Española de Métrica Comparada, María Victoria Utrera Torremocha, ed., year XII, nº 12 (Fall 2014): 11-51. Print. (In collaboration with Javier Arias).


 * “Fernando Pessoa e Ofélia Queiroz: objectos de amor.” Pessoa Plural, nº 4, Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro, eds., Brown University, Warwick University, University of Los Andes (Fall 2013): 154-197. Digital. (In collaboration with Jeróniom Pizarro & Antonio Cardiello). [Doi ]


 * “Genetic Criticism and the Relevance of Metrics in Editing Pessoa’s Poetry.” Pessoa Plural, nº 2, Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro, eds., Brown University, Warwick University, University of Los Andes (Fall 2012): 1-57. Digital. [Doi ]
 * “Fernando Pessoa and Aleister Crowley: New discoveries and a new analysis of the documents in the Gerald Yorke Collection.” Pessoa Plural, nº 1, Onésimo Almeida, Paulo de Medeiros, and Jerónimo Pizarro, eds., Brown University, Warwick University, University of Los Andes (Spring 2012): 284-313. Digital. (In collaboration with Marco Pasi). [Doi ]


 * “On the Margins of Fernando Pessoa’s Private Library: A Reassessment of the Role of Marginalia in the Creation and Development of the Pre-heteronyms and in Caeiro’s Literary Production.” Luso-Brazilian Review, vol. 48, nº 2, University of Wisconsin-Madison (Fall 2011): 23-71. Print. [Jstor. ]
 * “Fernando Pessoa y Alejandra Pizarnik: escritos, marginalia y otros apuntes en torno a la métrica y al ritmo.” Bulletin of Spanish Studies: Hispanic Studies and Researches on Spain, Portugal and Latin America, volume LXXXVIII, nº 2, University of Glasgow (March 2011): 221-48. Print. [Doi]


 * ”Fernando Pessoa, poète-lecteur-théoricien: des expériences métriques et rythmiques entre-langues.” Loxias, revue en ligne de littératures française et comparée (avec comité de lecture), Odile Gannier, ed., year VII, nº 30, Université de Nice Sophia-Antipolis (Fall 2010). Digital.
 * “Nichts und Mittelpunkt der Welt. Der Einfluss Max Stirners auf Fernando Pessoa.“ Der Einzige. Jahrbuch der Max-Stirner-Gesellschaft, Maurice Schuhmann, ed. Leipzig: edition unica (2010): 212-44. Print. (In collaboration with Bernard Kast).


 * “Fernando Pessoa as a Writing-reader: Some Justifications for a Complete Digital Edition of his Marginalia.” Portuguese Studies, vol. 24, nº 2, special issue dedicated to Fernando Pessoa, Department of Portuguese and Brazilian Studies, King's College London, Jerónimo Pizarro and Steffen Dix, guest eds. (2008): 69-114. Print. [Jstor ]