Draft:Senke Jusshoku

Senke Jusshoku (千家十職) is the honorary title for the ten artisans, such as lacquerware makers and carpenters involved in Japanese tea ceremony, who worked for the three that are descended from Sen no Rikyū (Omotesenke, Urasenke, Mushakōjisenke) know as the. Because of the limited number of craftspeople who could make the tea utensils favored by the and their role in events and annual anniversaries, the craftsmen gradually became fixed in their positions. The number of craftsmen fluctuated from generation to generation, but during the Meiji era (1868-1912), they were reorganized into the current ten craftsmen. The name was first used in a Mitsukoshi Department Store exhibit in 1919 which was in the Taishō era. )

Craftspeople of the Senke School of Tea Ceremony
The tea ceremony is often held in a small tea room (茶室), and the ritual and protocol are strictly defined, requiring very specific and highly refined tools and utensils. Sen no Rikyū selected tea utensils with his unique tastes, such as bowls by Chōjirō and kettles by Tsuji Yojiro, a Kyoto kettle master. Sen no Sōtan, who wanted to preserve Rikyu's tea ceremony style, also instructed his craftsmen and valued those who could produce works to Rikyu's taste. In addition to tea bowls by the Raku family and tea caddies and incense containers by Tobirai Ikkan, Sotan also favored kettles by Nishimura Kyubei, whose name does not appear in the Senke Jusshoku.

The seventh head of the Omotesenke iemoto, Jyoshinsai, and the eighth head of the Urasenke, iemoto, Yugensai Ittousoushitsu, devised the seven tea ceremony procedures of the Senke school during the Genroku period at the end of the 17th century, and the form of the tea ceremony that has continued to the present day.

At the final tea ceremony held in 1758 on the 100th anniversary of Sotan, ten craftsmen were invited: Kichizaemon Raku, Zengoro Nakamura, Yuko Tsuchida, Genzei the bamboo craftsperson, Seiemon Oonishi, Risai Komazawa, Shougen Kuroda, Jyoeki Nakagawa, Zenbei the woodworking master, and Kichibee Okumura (Compared to the present day, the bamboo master Genzei and the carpenter Zenbei are present instead of Ikkan Hiki and Zengoro). This is one of the earliest records of ten craftsmen going in and out of the Senke, but the number fluctuated from eight to twelve throughout the Edo period. In addition, it is said that there were more than 20 other artisans that provided work to the Senke.

At the same time, the number of incoming and outgoing craftsmen gradually became fixed to produce tea utensils based on traditional forms and to play a role in the three Senke annual events and anniversaries. By the time of the 250th anniversary of Rikyu in 1840, Risai Komazawa, Seiemon Oonishi, Zengoro Nishimura, Kichizaimon Raku, Kichibee Okumura, Ikkan Hiki, Shougen Kuroda, Yuko Tsuchida, Jyoeki Nakagawa, and the lacquer painter Yo Sanemon had been appointed to the Senke staff, a lineup similar to that of today. The only one whose name is missing is Sotetsu Nakamura, presumably because he was in mourning for the death of the sixth head. Through this process, the artisans were organized into the current ten Senke artisans.

== List of the Ten Senke Schools ==
 * pottery (茶碗) - Kichizaimon Raku (ja:樂吉左衛門)
 * kettles (釜) - Seiemon Onishi (ja:大西清右衛門)
 * lacquerware (塗) - Sotetsu Nakamura (ja:中村宗哲)
 * joinery (指物) - Risai Komazawa (ja:駒沢利斎)
 * metal crafts (金物) - Jyoeki Nakagawa (ja:中川浄益)
 * pouches (仕覆), square fabric for tea ceremony (古帛紗), etc. - Yuko Tsuchida (ja:土田友湖)
 * scroll mounting (表具) - Kichibee Okumura (ja:奥村吉兵衛)
 * lacquered papier-mache (一閑張細工) - Ikkan Hiki (ja:飛来一閑)
 * bamboo crafts, ladles (竹細工・柄杓) - Shougen Kuroda (ja:黒田正玄)
 * Clay braziers -> Kyoto-ware ceramics - Zengoro Nishimura (ja:善五郎)