Draft:Sleep of the Just

"Sleep of the Just" is a song by English singer-songwriter Elvis Costello, which was released on his tenth studio album King of America (1986). The song written by Costello, credited under his real name Declan MacManus, and produced by T Bone Burnett, Costello and Larry Kalman Hirsch. As a musician, Costello is credited on the track as "The Little Hands of Concrete". It is a love song, inspired by his new relationship with Cait O'Riordan of the Pogues, and is unusual in Costello's catalogue for being a positive love song.

The song has been positively reviewed by critics, some of whom commented that the lyrics were straightforward and affecting. A demo version was issued on the 2005 Rhino re-release of King of America.

Background and recording
After the release of his album Goodbye Cruel World (1984), Elvis Costello distanced himself from his long-term backing group the Attractions, and started touring with T Bone Burnett. He also began a relationship with Cait O'Riordan of the Pogues. Recording for Costello's next studio album, King of America, commenced in July 1985 in Los Angeles, with Burnett as producer, and musicians including members of the TCB Band and others. The Attractions joined some of the sessions in August, but Costello was unhappy with the outcome and did not invite them back. King of America was released in February 1986 on the F-Beat in the United Kingdom.

In his 2005 liner notes to the album, Costello wrote of "I'll Wear It Proudly" and "Sleep of the Just" that, "In some ways they were the heart of the record."

Album February 1986/

Northern Ireland "an act of secret revenge" inspired by an exchange a British soldier at the border between Northern Ireland and the Irish Republic.

one interpretation "ends with soldiers raping a local girl".

"Modern details - the burning bus - meld in with memories passed down from Patrick MacManus."

"Froom's ghostly organ floating through"

"It is a sombre note on which to end an album which contains so many hints of cheerfulness breaking in, despite Elvis's best endeavours."

Paul Iorio for Cash Box "the resolute calm of 'Sleep of the Just'" was one of two examples of how ""Costello's singing — and this can’t be overemphasized — has never sounded better"

"a fragmented dreamlike vignette which seems to concern soiled innocence in the form of a girl's misfortune at the hands of a soldier"

"the strange, mournful ballad that closes King of America, Costello is — attracted to both the small-town girl (Madonna?) who poses for a centerfold and the gung-ho young soldiers who pin her picture to the barracks wall."

"probes the emotional collateral damage done by soldiers and their one-night stands. For her, it is a nightmare; for him, she is just another photo on the barracks wall"

EC " "Sleep of the Just" is probably one of the more complicated songs, lyrically, on the album, but that's pretty straightforward too, really. I think it's quite obvious. It's about hypocrisy. It's just about a soldier whose sister is a porno model and he's standing there all proud and full of himself in his uniform and looking dawn on her and all the time, it's her picture that's up on his barracks' wall. It's very simple."

Gouldstone "Both brother and sister are ashamed of each other's profession, though neither of them is morally superior to the other."

Dai Grifffiths

"The distortion of the piano on "Sleep of the Just" was achieved in the studio (by running the mikes through a Leslie cabinet) so that we could play to the altered sound."; (sonsequence of playing 'live' -) first of several "highlights mentioned: "Mitchell's mysterious introduction to "Sleep of the Just""

""Sleep of the Just":  Songwriters sometimes take secret revenge on people who piss them off by making them the villain in a song. I finished this song on the bus to Letterkenny after a curt exchange of views with one of "our brave lads" at the border of what we laughingly call "our country." Anyway he ended up in here along with his sister, the topless model."

"contains clever wordplay but little empathy with its subject"

Credits and personnel
Musicians

The Costello Show:
 * The Little Hands Of Concrete – vocals, acoustic guitar
 * Mitchell Froom – doctored piano
 * T-Bone Wolk – electric bass
 * Jerry Scheff – brushes & drums

Technical personnel

Produced by	J. Henry (T-Bone) Burnett & Declan Patrick Aloysius MacManus with Larry Kalman Hirsch.