Draft:The Trauma Cleaner: One Woman's Extraordinary Life in Death, Decay & Disaster

The Trauma Cleaner: One Woman's Extraordinary Life in Death, Decay & Disaster (The Trauma Cleaner) is a biography written by Australian author Sarah Krosnastein, chronicling the life and career of transgender woman Sandra Pankhurst. The book details Pankhurst's 1953 birth in Melbourne, her adoption by unwanting parents, marriage and divorce, and her transition from male to female. The book also details her early career (which included time spent as a sex worker, taxi dispatcher, drag queen, and funeral director), and also her eventual business, Specialist Trauma Cleaning Services, a cleaning company specialising in crime scene cleanup and hoarder restoration.

Summary
Krasnostein spent four years writing The Trauma Cleaner, during which she attended 20 jobs with Pankhurst across Melbourne.

Each section of the book is loosely and intuitively structured around a different trauma-cleaning job around Melbourne.

Adaptation
In 2022, the documentary film "Clean" was released, focusing on the life of Pankhurst. Although not directly affiliated with "The Trauma Cleaner," Cher Tan of The Guardian described "Clean" as a "sequel of sorts" to the book.

Release and reception
Jane Housham of The Guardian opined in a book review that Krasnostein brings "deep compassion" to her account of Pankhurst's life, though Housham thought the use of metaphors was overdone. Housham stated The Trauma Cleaner to be a "monumental biography of a singular and unforgettable woman." In an article covering The Trauma Cleaner, Lou Heinrich, also of The Guardian, opined that "Krasnostein’s playful yet heartfelt debut is one of the most arresting works of biography you will read in a long time."

A review by "CG" in The Saturday Paper presented The Trauma Cleaner as a "meticulously put-together biography". CG described Krasnostein's portrayal as an "act of love," which highlights her empathy and devotion to Pankhurst's story. CG credits Krasnostein's book as a poignant exploration of trauma, resilience, and the human capacity for connection and belonging. Marilyn Stasio of The New York Times referred to The Trauma Cleaner as a "one-of-a kind biography".

Lorien Kaye of The Sydney Morning Herald commended The Trauma Cleaner as "extradoinarily impressive." While acknowledging minor flaws, she praised the biography's overall quality. Kaye praised Kranostein for her exploration of resilience, coping mechanisms, and the pursuit of belonging amidst trauma. Kaye described a potentially voyeuristic aspect of reading about trauma but found Krasnostein mitigated this sensation by approaching matters with empathy and sensitivity. Kay highlighted the fascination Krosnostein and readers share with Pankhurst's resilience and empathy for others amidst trauma. She also observed that Kaye praised The Trauma Cleaner for not treating Pankhurst with undue reverence, stating the biography was "not a hagiography" (a biography of a saint or religious figure). Rather, notes Kaye, Krasnostein portrays Pankhurst's flaws but does so with the same compassion as Pankhurst herself and also celebrates the good in Pankhurst. Kaye found The Trauma Cleaner to contain some flaws, such as contradictory sentences and occasional exaggerations, though she noted any faults were "entirely forgiveable because of the astonishing quality" of the biography.