Euphrates Handmade Syrian Horses and Riders

The Euphrates Handmade Syrian Horses and Riders (EU_HSHRs ) are zoomorphic clay figurines representing horses and horses with riders. They date from the late Iron Age period (mid 8th–7th centuries BCE) and were produced in the Middle Euphrates region, alongside anthropomorphic figures known as Euphrates Syrian Pillar Figurines (EU_SPFs).

Other names in literature
The term "Euphrates Handmade Syrian Horses and Riders" has been recently proposed by B. Bolognani. It emphasises their geographic origin, the manufacturing technique, and the portrayed subjects. However, various other terms are also used in scholarly literature:
 * Horses and Horsemen or Horse, Horse-and-rider
 * Handgemachte Reiterfiguren des 1. Jahrtausends (HR), Typ I(?) ("Handmade rider-figurines of the 1st millennium BC (HR), Type I(?)")
 * Horses and Horse Riders

Modelling
The clay figurines are completely handmade and free standing. They were usually held with one hand while the other hand modelled the details. This is known as the “snowman” technique, which allows figurines to be worked in a three-dimensional space. The object is shaped all-around, with the under part of the figurine’s body used as a base of support. Unlike figurines made with moulds, these figurines could be viewed from all sides, although the side is the preferred view.

Decorations and colours
Decorations made of strips and blobs of clay are directly applied to the figurine’s body. These decorations are used to stress anatomical features and fabric patterns of the riders' clothing and the horses' harnesses. The colour of the clay is quite uniform, suggesting that the figurines were all well-fired. Minor variations could be related to the atmosphere in the kilns. This evidence may also suggest the common use of kilns as in contemporary Neo-Assyrian pottery. The connection with the Neo-Assyrian pottery is further indicated by the surface treatments, usually a pale brown slip and, in a few figurines, a cast of blue-green glaze. In the local ceramic assemblage, this surface treatment usually appears in imported pottery from Assyria and in some polychrome bricks.

No traces of paint have been observed on any of the figurines.

Geographical spread
EU_HSHR figurines are attested only west of the Euphrates and, in particular, the Euphrates valley seems to be the main centre of production. From this area several specimens have been collected at Carchemish, Tell Ahmar, Tell Amarna, Deve Höyük, Tell Shiukh Fawqani, Saraga Höyük, and Zeytinli Bahçe Höyük. The figurines are linked only to sites with a strong Neo-Assyrian presence as a result of prolonged control. The figurines do not appear at other nearby sites where the Neo-Assyrian invasion caused socio-economic impoverishment, such as Tell Sheikh Hassan, Tell Qara Quzaq, Tell Qara Quyu Tahtani, and Tell Khamis. Outside the Euphrates’ catchment area, there are sporadic finds to the west at sites like Zincirli Höyük, Tell Judaidah, Chatal Höyük, Tell Tayinat, Tell Abu Danne, and likely in Tell Rifaat and Neirab.

Chronology
According to contextual data, these figurines are attested in some Middle Euphrates sites during the mature Iron Age. In archaeological contexts, such artefacts usually come from upper layers dating from the Neo-Assyrian period (7th century BCE), but the beginning of production falls at the end of Neo-Syrian period (mid/late 8th century BCE). At the site of Carchemish, for example, the majority of finds belong to Iron Age III layers, but a minority came from Iron Age II layers.