File:Messiaen - Mode de valeurs et d'intensites series upper line -- Boulez - Structures Ia.png

Olivier Messiaen's Mode de valeurs et d'intensités highest of three unordered divisions of the mode (Grant 2001, 61; Toop 1974, 144) or, less precisely, "three series forms [caption: "for pitch, duration, dynamics, and articulation"]...treated as unordered collections," (Whittall 2008, 172)—which Boulez, "the pupil intending to teach the master a lesson," adapted as an ordered series for his Structures Ia (Whittall 2008, 172).

Created by Hyacinth (talk) 08:55, 9 November 2011 using Sibelius 5.

See

Fair use for Structures (Boulez)
The image linked here is claimed to be used under fair use as:
 * 1) it is an analysis of the compositional process which created the piece, not the piece;
 * 2) the transcription is only being used for informational purposes;
 * 3) it is inferior to the original piece;
 * 4) Its inclusion in the article adds significantly to the article because it shows a part of the serial techniques used.

Fair use for Serialism
The image linked here is claimed to be used under fair use as:
 * 1) it is an analysis of the compositional process which created the piece, not the piece;
 * 2) the transcription is only being used for informational purposes;
 * 3) it is inferior to the original piece;
 * 4) Its inclusion in the article adds significantly to the article because it shows a part of the serial techniques used.

Fair use for Punctualism
The image linked here is claimed to be used under fair use as:
 * 1) it is an analysis of the compositional process which created the piece, not the piece;
 * 2) the transcription is only being used for informational purposes;
 * 3) it is inferior to the original piece;
 * 4) Its inclusion in the article adds significantly to the article because it shows pointillism, no shared pitch, articulation, dynamic, or duration between the notes.