File:Sib7-214-222.png

Summary
Sibelius Symphony No. 7, measures 214 - 223 (reduction).

Copyright 1925 by Wilhelm Hansen, Copenhagen.

Source: Sibelius, Symphony No. 7, miniature score, published by Wilhelm Hansen.

I, the uploader, reduced the full copyrighted orchestral score to two staves and created this image using Lilypond 2.6.3 and ImageMagick. I hereby donate to the public domain the rights, if any, that I may have in this image as a result of these actions.

Justification for fair use in Symphony No. 7 (Sibelius)

 * 1) This image is used for an educational, non profit Wikipedia article
 * 2) This image is used for detailed criticism and commentary on Sibelius's Seventh Symphony.
 * 3) This image is a reduction of the copyrighted full orchestral score.  It would be impossible to reconstruct a single measure of the original full score from this reduction.
 * 4) There is no plausible way that this image could substitute for the copyrighted full score or negatively affect commercial demand for it.
 * 5) This image covers only a short excerpt from the copyrighted work.
 * 6) There is no free alternative

Lilypond source
\paper{ hsize = 2\cm topmargin = 5\cm bottommargin = 3\cm raggedlastbottom = ##t #(set-paper-size "letter") } \header { %% title = "Seventh Symphony" %% composer = "Jean Sibelius, Op. 105" } \version "2.6.3" global = { \key c \minor \time 6/4 } upperMusic = \relative c' {\set Score.currentBarNumber = #214 \clef bass \phrasingSlurDown 4^\markup{ \hspace #0 \raise #8 { \bold \fontsize #2 { "rallentando al -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --" }}}^\mf ( \( 4^\markup{ \hspace #0 Strings} ( 4^\< 4 4 4 ) | 4 (4 4 4 4 4 \) | 4 \( 4 4 4 <es es,>4 <e e,>4 ) | <f f,>4^\f ( <e e,>4 <f f,>4 <e e,>4\> <es es,>4 <d d,>4 \) | <es es,>4 \( <d d,>4 <es es,>4 <d d,>4 <des des,>4 <c c,>4 ) | <ces ces,>4^\mf^\markup{ \hspace #0 \raise #6 { \bold \fontsize #2 { "-- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- -- --" }}} ( <bes bes,>4 <ces ces,>4 <bes bes,>4 <a a,>4 <as as,>4 \) | \time 3/2 %% \times 4/6 {<g g,>8^\markup{  \note #"2" #1 " = " \note #"4" } \times 4/6 {<g g,>8^\<^\markup{ \hspace #-8 \raise #3 { \bold \large {\hspace #-3 "(" \note #"2" #1 " = " \note #"4" #1 ".)"}}} ( \( <as as,>8 ( <g g,>8 <as as,>8 <a a,>8 <bes bes,>8 )} \times 4/6 { <b b,>8 (<c c,>8 <b b,>8 <c c,>8 <cis cis,>8 <d d,>8 \)} \times 4/6 { <es es,>8\! \( <d d,>8 <es es,>8 <d d,>8 <es es,>8 <e e,>8 ) } | \times 4/6 { <f f,>8 ^\f ( <e e,>8 <f f,>8 <e e,>8 <es es,>8 <d d,>8 \)} \times 4/6 { <es es,>8^\markup{\italic dim.} \( <d d,>8 <es es,>8 <d d,>8 <des des,>8 <c c,>8 ) } \times 4/6 { <ces ces,>8 ( <bes bes,>8 <ces ces,>8 <bes bes,>8 <a a,>8 <as as,>8 \) }| \times 4/6 {<g g,>8^\mf^\markup{ \hspace #0 \raise #5 { \bold \large {\hspace #-3 "Adagio" }}} ( \( <as as,>8 ( <g g,>8 <as as,>8 <a a,>8 <bes bes,>8 )} \times 4/6 { < b b ,>8^\markup{\italic cresc.} (<c c,>8 <b b,>8 <c c,>8 <cis cis,>8 <d d,>8 \)} \times 4/6 { <es es,>8 \( <d d,>8 <es es,>8 <d d,>8 <es es,>8 <e e,>8 ) } | \times 4/6 { <f f,>8^\f ( <e e,>8 <f f,>8 <e e,>8 <es es,>8 <d d,>8 \)} \times 4/6 { <es es,>8^\markup{\italic dim.} \( <d d,>8 <es es,>8 <d d,>8 <des des,>8 <c c,>8 ) } \times 4/6 { <ces ces,>8 ( <bes bes,>8 <ces ces,>8 <bes bes,>8 <a a,>8 <as as,>8 \) }| } bassMusic = \relative c, {\clef bass \slurUp \phrasingSlurDown s1 s2 | s1 cis4_\pp_\< ( \( d4 | es4 d4 es4 d4 es4 e )  | f4_\mp ( e4 \) f4 \( e4\> es4 d4 | es4 d4 es4 d4 des4 c4 |   b4\p ) \) s4 s1 | \time 3/2 s2  \times 4/6 {s4 s4 cis8_\p_\< ( \( d8} \times 4/6 { es8 d8 es8 d8 es8 e )} | \times 4/6 { f8_\mf ( e8 \) f8 \( e8 es8 d8} \times 4/6 {es8 d8 es8 d8 des8 c8 } b8_\p ) \) s8 s4 | s2  \times 4/6 {s4 s4 cis8_\< ( \( d8} \times 4/6 { es8 d8 es8 d8 es8 e )} | \times 4/6 { f8_\mf ( e8 \) f8 \( e8_\> es8 d8} \times 4/6 {es8 d8 es8 d8 des8 c8 } b8_\p ) \) s8 s4 | } brassMusic = \relative c' { \clef bass \stemUp s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | \time 3/2 s1 s2 | s2 s4 s4^\markup{\hspace #0 \raise #2 Brass} r8 d4.~^\markup {\hspace #0 \italic marcato} | d1 c2--\! | g4-- r8\! c8 d2-- c2-- | } brassChordsMusic = \relative c' { \clef bass \stemUp \slurDown s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | s1 s2 | \time 3/2 s1 s2 | s1 s2 | 1. ~ | 1. ~ | } tmpMusic = \relative c { \clef bass \stemDown \oneVoice s4 r1 s4 | r2_\markup{Timp.} r4 r4 g2~_\startTrillSpan_\pppp\< | g1. ~ | g1.\! ~ | g1. ~ | g2 _\stopTrillSpan r4 r2 r4 | \time 3/2 \voiceTwo r2 r4 g4~_\startTrillSpan_\markup{ \italic {quasi niente}} g2~ | g1~ g4._\stopTrillSpan r8 | r1 s2 | r4 r8 g8\p c4-. r4 g4-. r4 | } \score { \context StaffGroup << \context Staff = upper << {\context Voice =  stringsVoice { \voiceOne <<  \global \upperMusic>>}} >> %%			     {\context Voice =  bassVoice { \voiceTwo <<  \global \bassMusic>>}}>> \context Staff = lower << {\context Voice =  brassVoice { \voiceOne <<  \global \brassMusic>>}} {\context Voice = brassChordsVoice { \voiceTwo <<  \global \brassChordsMusic>>}} {\context Voice = tmpVoice { \voiceTwo <<  \global \tmpMusic>>}}>> >>  \layout{} }