File:Stout-FUFM-1.jpg

Licensing
Though this image is subject to copyright, I feel its use is covered by the U.S. fair use laws because:
 * 1) This is an image created and uploaded for informational purposes only.
 * 2) The image is an accurate scan that includes all of the art and type in the title page of part one of the serialized printing of the story. The image includes the title given to the story: "Frame Up for Murder," and the notation that this marks the return of Nero Wolfe to the pages of The Saturday Evening Post after more than 20 years.
 * 3) This image is of much lower resolution than the original. It cannot be used for high-resolution printing, and any copies made from it will be of inferior quality.
 * 4) Use of this image in the article "Murder Is No Joke" adds to it significantly because it illustrates the first magazine appearance of the story, and it represents the only time Rex Stout rewrote and expanded a story for a magazine.
 * 5) Use of this image in the article adds to it significantly because it presents the work of prominent American illustrator Austin Briggs (1908–1973).
 * 6) The copyright owner's rights to reproduce the image are not limited in any way.

Licensing
Though this image is subject to copyright, I feel its use is covered by the U.S. fair use laws because:
 * 1) This is an image created and uploaded for informational purposes only.
 * 2) The image is an accurate scan that includes all of the art and type in the title page of part one of the serialized  printing of the story. The image includes the title given to the story: "Frame Up for Murder," and the notation that this marks the return of Nero Wolfe to the pages of The Saturday Evening Post after more than 20 years.
 * 3) This image is of much lower resolution than the original. It cannot be used for high-resolution printing, and any copies made from it will be of inferior quality.
 * 4) Use of this image in the article "Frame-Up for Murder" adds to it significantly because it illustrates the first magazine appearance of the story, and it represents the only time Rex Stout rewrote and expanded a story for a magazine.
 * 5) Use of this image in the article adds to it significantly because it presents the work of prominent American illustrator Austin Briggs (1908–1973).
 * 6) The copyright owner's rights to reproduce the image are not limited in any way.