File:Visions Of Johanna.ogg

Summary

 * Sound sample from the song "Visions of Johanna" by Bob Dylan. It was created using Audacity. It is 30 seconds long, which is the maximum length permitted for a song of over 5 minutes in length.
 * Song length: 7:34
 * Reduced quality: Yes
 * Source : CD
 * Songwriter(s): Bob Dylan
 * Performed by: Bob Dylan
 * Producer(s): Bob Johnston
 * Copyright © 1966 by Dwarf Music; renewed 1994 by Dwarf Music

Rationale of fair use for use in Blonde on Blonde
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
 * It illustrates an educational article that specifically discusses the song from which this sample was taken. The section of music used illustrates the critical point made by Andy Gill, when he describes the opening of the song as animated by the contrast between two lovers: the carnal Louise, and "the more spiritual but unattainable" Johanna.
 * It is a sample of 30 seconds, which is less than 10% of a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
 * It is of a lower quality than the original recording.
 * It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
 * It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
 * The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.

Rationale of fair use for use in "Visions of Johanna"
This is a sound sample from a commercial recording. Its inclusion here is claimed as fair use because:
 * It illustrates an educational article that specifically discusses the song from which this sample was taken. The section illustrates the "haunting" aspect of the song characterized in the article by critic Robert Shelton. It also illustrates the bass part by Joe South, which Al Kooper describes in the article as "throbbing [and] rhythmically amazing".
 * It is a sample of 30 seconds, which is less than 10% of a much longer recording, and could not be used as a substitute for the original commercial recording or to recreate the original recording.
 * It is of a lower quality than the original recording.
 * It is not replaceable with an uncopyrighted or freely copyrighted sample of comparable educational value.
 * It is believed that this sample will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original recording.
 * The audio sample is a copyrighted work. U.S. copyright laws apply to this work. Should a free or public domain sample be located, it should be used in place of this audio sample.