Filmworks 1986–1990

Filmworks 1986–1990 features the first released film scores of John Zorn. The album was originally released on the Japanese labels Wave and Eva in 1990, on the Nonesuch Records label in 1992, and subsequently re-released on Zorn's own label, Tzadik Records, in 1997 after being out of print for several years. "For Zorn, filmscores have always been a place to experiment, and the FilmWorks Series is in many ways a microcosm of his prodigious output. This original installment of the FilmWorks Series presents three scores ranging from punk-rockabilly (featuring the nasty guitars of Bob Quine, Bill Frisell and Arto Lindsay); a jazzy Bernard Herrmann fantasy; to a quirky classical/improv/world music amalgam for Raul Ruiz's bizarre film The Golden Boat. Zorn's infamous one-minute arrangement of Morricone's classic The Good, The Bad and The Ugly, is included as a bonus track. This is the place where it all began."

Reception
The Allmusic review by Joslyn Layne awarded the album 3 stars stating "Although certainly a younger effort, there is a lot of good music on this first film works compilation. It is interesting to hear where Zorn's scores began". Guy Peters stated "With releases like this, Zorn was basically working outside the jazz-frame and experimenting with avant-garde compositions, but a lot of the music owes so much to jazz that his crossover tactics can be found at full-effect. Like all of his music that is laden with shifts, gimmicks, cut-up techniques and the complete lack of convention, this volume of Filmworks may strike one as too self-conscious and studied (as in the structured improvisation of the game pieces), but it also shows you a fearless musician and composer at work, willing to take risks and not afraid to fail once in a while. It's certainly not an easy listen".

Track listing and liner notes
White and Lazy (1986) Director - Rob Schwebber
 * 1) "Main Title" – 0:55
 * 2) "Homecoming" - 1:15
 * 3) "The Heist" - 3:20
 * 4) "Meat Dream" - 1:50
 * 5) "Phone Call" - 0:50
 * 6) "End Title" - 1:59

Robert Quine - guitar

Arto Lindsay - guitar, vocals

Melvin Gibbs - bass

Anton Fier - drums

Carol Emanuel - harp

David Weinstein - keyboards

Ned Rothenberg - bass clarinet

Recorded and mixed June 1986 at Radio City Studios, New York City by Don Hünerberg.

The Golden Boat (1990) Director - Raúl Ruiz

07. "Fanfare" - 0:30

08. "Theme" - 2:59

09. "Jazz 1" - 2:51

10. "Horror Organ" - 1:06

11. "Mexico" - 1:56

12. "Mood" - 3:17

13. "Rockabilly" - 2:01

14. "Slow" - 2:47

15. "Jazz Oboes" - 2:33

16. "The Golden Boat (Turntable Mix)" - 2:58

17. "End Titles" - 2:53

Vicki Bodner - oboe

John Zorn - alto sax

Robert Quine - guitar

Anthony Coleman - keyboards

Carol Emanuel - harp

David Shae - turntable, vocals

Mark Dresser - bass

Ciro Baptista - Brazilian percussion

Robert Previte - drums, marimba

Recorded May 1990 at Platinum Island Studio, NY by Ricky Belt.

Mixed August 1990 at Science Lab, NYC by Jerry Gottus.

The Good, The Bad and The Ugly (1987)

18. "The Good, The Bad and The Ugly" - 1:04

Robert Quine - guitar

Bill Frisell - guitar

Fred Frith - bass

Wayne Horvitz - hammond organ

David Weinstein - keyboards

Carol Emanuel - harp

Robert Previte - drums, percussion, vocal

Recorded and mixed April 1987 at Radio City Studios, New York City by Don Hünerberg.

She Must Be Seeing Things (1986) Director - Sheila McLaughlin

19. "Main Title" - 1:04

20. "Swirling Shot" - 1:20

21. "Homecoming" - 3:22

22. "Catalina Flash" - 0:28

23. "Seduction" - 4:54

24. "Sex Shop Boogaloo" - 2:47

25. "Catalina Escapes" - 1:11

26. "Worms" - 1:04

27. "Death Waltz Fantasy" - 1:24

28. "Following Sequence" - 3:03

29. "Movie Set" - 1:20

30. "Climax" - 2:55

31. "Going To Dinner" - 2:38

32. "End Titles" - 3:27

Shelley Hirsch - voice

John Zorn - alto sax

Marty Ehrlich - tenor sax, clarinet

Tom Varner - French horn

Jim Staley - trombone

Bill Frisell - guitar

Carol Emanuel - harp

Anthony Coleman - piano, organ, celeste, harpsichord

Wayne Horvitz - hammond organ, piano, DX7

David Weinstein - mirage, CZ101 keyboards

David Hofstra - bass

Naná Vasconcelos - Brazilian percussion

Robert Previte - drums, percussion, vibes, timpani, orchestra bells

Recorded and mixed December 1986 at Radio City Studios, New York City by Don Hünerberg.


 * All music composed, arranged and produced by John Zorn, except 18. "The Good, The Bad and The Ugly", composed by Ennio Morricone, and 16. "The Golden Boat (Turntable Mix)", mixed by David Shae.
 * All music published by Theatre of Musical Optics (BMI), except 18. published by Unart Music (BMI).
 * Executive Producer: John Zorn, Associate Producer: Kazunori Sugiyama
 * Mastered by Bob Ludwig
 * Design by Anthony Lee and Tanaka Tomoyo (Karath Razar)
 * Notes by John Zorn
 * Special thanks to Akashi Masanori, Kaoru, Azuma, Don Hünerberg, Scott MacAulay, Rob Schwebber, Sheila McLaughlin, Raul Ruiz, Bob Hurwitz and David Breskin.
 * This recording is made possible in part through funding by Hip's Road.