Free Will (Gil Scott-Heron album)

Free Will is the second studio album by American poet Gil Scott-Heron, released in August 1972 on Flying Dutchman Records. Recordings sessions for the album took place on March 2 and 3, 1972, at RCA Studios in New York City, and production was handled by producer Bob Thiele. It is the follow-up to Scott-Heron's critically acclaimed studio debut, Pieces of a Man (1971), and it is the second album to feature him working with keyboardist Brian Jackson. Free Will is also Scott-Heron's final studio album for Flying Dutchman. The album reissued on compact disc in 2001 by Bluebird Records with alternative takes of eight tracks from the original album.

Music
Free Will featured a format that divides the LP's two sides, musically. The first side is made up of five recordings done by Scott-Heron and the entire band, which once again featured Brian Jackson playing a major role as he did on the previous album, Pieces of a Man. The title track opens up the album with a meditation on personal responsibility. One of Scott-Heron's best known performances, "The Get out of the Ghetto Blues" is a moving ghetto warning and features bluesy instrumentation by pianist Brian Jackson and guitarist David Spinozza. The second side functions more as a live rap session with Brian Jackson on flute and a couple of percussionists. "Ain't No New Thing" emphasizes Scott-Heron's black pride, which he previously displayed on his debut album, by presenting an argument about the placement of black culture into the American mainstream:

"We used to white people tryin' to rob us

Why don't they try stealing some of this poverty

It ain't no new thing … anything they don't understand

They try to destroy

We used to having black innovators

copied and sent back to us

We used to having people try to rob us,

it ain't no new thing"

"Wiggy" is a haiku-like appreciation of natural black hair. The themes of police brutality, violence, and self-exploration are still present as they were on Scott-Heron's previous albums. "No Knock", a reference to a police policy whereby knocking is not required before entering a house, and "... And Then He Wrote Meditations", a tribute to John Coltrane, continue these themes.

Personnel

 * Musicians
 * Gil Scott-Heron – vocals (all tracks)
 * Horace Ott – conductor, arranger
 * Brian Jackson – acoustic and electric pianos, vocals, flute, bells (1–5)
 * Gerald Jemmott – bass (1–5)
 * Pretty Purdie – drums (1–5)
 * Eddie Knowles – percussion (6–12)
 * Charles Saunders – percussion (6–12)
 * David Spinozza – guitar (1–5)
 * Hubert Laws – flute, piccolo (1–5)


 * Production
 * Bob Thiele – producer
 * Bob Simpson – mixing
 * Charles Stewart – cover photo