Ghana Special 2: Electronic Highlife & Afro Sounds In The Diaspora, 1980–93

Ghana Special 2: Electronic Highlife & Afro Sounds in the Diaspora, 1980–93 is a compilation album released by Soundway Records on 10 May 2024. The compilation collects highlife, a style of music from Ghana, which underwent a shift to more electronic styles in the 1980s.

Background and release
Ghana Special 2 is the sequel to Ghana Special: Modern Highlife, Afro-Sounds & Ghanaian Blues 1968–1981, a compilation of Ghanaian highlife released by Soundway in 2009.

By the late 1970s, economic recession and political instability had led many Ghanaians to emigrate. David Hutcheon of Mojo writes that "in Ghana, the venerated highlife giants were replaced by punks who could record quickly and cheaply using synths. Many of them were based in Europe or North America". Performing music in Ghana was also made more difficult by high tariffs on recording equipment. This led to diverse hybrid styles of highlife, such as burger highlife, being made by the Ghanaian diaspora. Ghana Special 2 collects highlife from this period, up to the Ghanaian return to democracy in 1993.

The tracks on this compilation tend to run longer than those on the first volume, because they are generally taken from LP or cassette releases rather than 45s. Some of the featured artists, like Pat Thomas and Gyedu-Blay Ambolley, were well known in Ghana before the 1980s, while others became well known for playing highlife in new ways.

Promotion
On 11 July 2024 Pat Thomas and Charles Omoah played a show with K.O.B. and the Kwashibu Area Band at Haus der Kulturen der Welt in Berlin to promote the album.

Critical reception
Paul Simpson of AllMusic described the compilation as "documenting an era in which [Ghana's] music was heavily influenced by post-disco and boogie, new wave, and Caribbean sounds such as zouk and soca." He found the best track to be "Barima Nsu" by Kwasi Afari Minta, which he called a "hypnotic and haunting ten-minute whirlwind".

David Hutcheon of Mojo rated the album 4/5 stars, saying "the bulk of this collection of outsider art holds up 30-plus years on." PopMatters rated the compilation 7/10, calling it "a brilliant slice of pop music history, telling stories of movement and innovation via irresistible grooves." Adrian Nowak of Westdeutscher Rundfunk called the album an "exciting chronicle of rare pearls and a wonderful testimony to the unifying power of music."

Track listing




Personnel

 * Dan Elleson – restoration, mastering
 * Lewis Heriz and Meurig Rees – artwork