Glossary of literary terms

This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in particular, see Glossary of poetry terms.

A
abecedarius: A special type of in which the first letter of every word, strophe or verse follows the order of the alphabet.

acatalexis: An acatalectic line of verse is one having the metrically complete number of syllables in the final foot.

accent: Any used to describe the stress put on a certain while speaking a word. For example, there has been disagreement over the pronunciation of "Abora" in line 41 of "Kubla Khan" by Samuel Taylor Coleridge. According to Herbert Tucker of the website "For Better For Verse", the accent is on the first and last syllable of the word, making its pronunciation: AborA.

accentual verse: Accentual verse is common in children's poetry. Nursery rhymes and the less well-known skipping-rope rhymes are the most common form of accentual verse in the English language.

acrostic: A poem or other form of writing in which the first letter, syllable, or word of each line, paragraph, or other recurring feature in the text spells out a word or a message. Example: An Acrostic (1829) by Edgar Allan Poe.

act: An act is a major division of a theatre work, including a play, film, opera, or musical theatre, consisting of one or more scenes.

adage: An adage expresses a well-known and simple truth in a few words. (Similar to and .)

adjective: Any word or phrase which modifies a or, grammatically added to describe, identify, or quantify the related noun or pronoun.

adverb: A descriptive word used to modify a,, or another adverb. Typically ending in -ly, adverbs answer the questions when, how, and how many times.

aisling: A poetic genre based on dreams and visions that developed during the 17th and 18th centuries in Irish-language poetry.

allegory: A type of writing in which the settings, characters, and events stand for other specific people, events, or ideas.

alliteration: Repetition of the initial sounds of words, as in "Peter Piper picked a peck of pickled peppers".

allusion: A figure of speech that makes a reference to or a representation of people, places, events, literary works, myths, or works of art, either directly or by implication.

anachronism: The erroneous use of an object, event, idea, or word that does not belong to the same time period as its context.

anacrusis: In poetry, a set of non-metrical syllables at the beginning of a verse used as a prelude to the metrical line.

anadiplosis: The repetition of the last word of one at the beginning of the following clause to gain a special effect; e.g. "Labour and care are rewarded with success, success produces confidence, confidence relaxes industry, and negligence ruins the reputation which diligence had raised." (The Rambler No. 21, Samuel Johnson)

anagnorisis: The point in a at which a character recognizes the true state of affairs.

analepsis: An interjected scene that takes the narrative back in time from the current point the story has reached.

analogue:

analogy: A comparison between two things that are otherwise unlike.

anapest: A version of the in poetry in which the first two of a line are unstressed, followed by a stressed syllable; e.g. intercept (the syllables in and ter are unstressed and followed by cept, which is stressed).

anaphora:

anastrophe:

anecdote: A short account of a particular incident or event, especially of an interesting or amusing nature.

annals:

annotation: A textual comment in a book or other piece of writing. Annotations often take the form of a reader's comments handwritten in the margin, hence the term, or of printed explanatory notes provided by an editor. See also.

antagonist: The adversary of the hero or of a drama or other literary work; e.g. Iago is the antagonist in William Shakespeare's Othello.

antanaclasis:

antecedent: A word or phrase referred to by any relative.

antepenult:

anthology:

anticlimax:

antihero:

antimasque:

anti-romance:

antimetabole:

antinovel:

antistrophe:

antithesis:

antithetical couplet:

antonym:

aphorism:

apocope:

Apollonian and Dionysian:

apologue:

apology:

apothegm:

A terse, pithy saying, akin to a,, or.

aposiopesis: A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished.

apostrophe: A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes absent from the scene.

apron stage:

Arcadia:

archaism:

archetype: Any story element (e.g. idea, symbol, pattern, or character-type) that appears repeatedly in stories across time and space.

aristeia:

argument:

arsis and thesis:

asemic writing:

aside:

assonance:

astrophic: (of one or more ) Having no particular pattern.

asyndeton: The omission of between successive. An example is when John F. Kennedy said on January 20, 1961, "...that we shall pay any price, bear any burden, meet any hardship, support any friend, oppose any foe to assure the survival and the success of liberty."

aubade: (French: "dawn song") A which dramatically expresses the regret of parting lovers at daybreak.

audience:

autobiography:

autoclesis: A rhetorical device by which an idea is introduced in negative terms in order to call attention to it and arouse curiosity.

autotelic:

avant-garde:

B
ballad:

ballade:

ballad stanza:

bard: A distinguished poet, especially one serving in an official capacity whose task it was, in many cultures of Celtic origin, to celebrate national events, particularly heroic actions and military victories.

bathos: Bathos refers to rhetorical anticlimax—an abrupt transition from a lofty style or grand topic to a common or vulgar one—occurring either accidentally (through artistic ineptitude) or intentionally (for comic effect).

beast fable: An "animal tale" or "beast fable" generally consists of a short story or poem in which animals talk. It is a traditional form of allegorical writing.

beast poetry:

belles-lettres:

bestiary: A medieval didactic genre in or in which the behavior of animals (used as symbolic types) points a moral.

beta reader:

bibliography:

Bildungsroman: A story that follows the psychological and moral maturation of the or main character from childhood to adulthood. It is a type of coming-of-age story.

biography:

blank verse: Verse written in without rhyme.

boulevard theatre:

bourgeois tragedy:

bouts-rimés: A versifying game originating in 17th-century France in which the idea was, given certain, to compose lines for them and make up a which sounded natural.

brachiology: Terse and condensed expression, characteristic of the. See also.

breviloquence:

burlesque:

burletta:

Burns stanza:

Byronic hero: A type of in a dramatic work whose defining features derive largely from characters in the writings of English Romantic poet Lord Byron as well as from Byron himself. It is a variant of the archetypal.

C
cadence: In poetry, the rise or fall in pitch of the intonation of the voice, and its modulated inflection with the rise and fall of its sound.

caesura: A break or pause in a line of poetry, dictated by the natural rhythm of the language and/or enforced by punctuation. A line may have more than one caesura, or none at all. If near the beginning of the line, it is called the initial caesura; near the middle, medial; near the end, terminal. An accented or masculine caesura follows an accented, an unaccented or feminine caesura an unaccented syllable. The caesura is used in two essentially contrary ways: to emphasize formality and to stylize; and to slacken the stiffness and tension of formal metrical patterns.

calligram:

canon: A body of writings established as authentic. The term often refers to biblical writings which have been accepted as authorized, as opposed to the Apocrypha.

canso:

canticle:

canto: A subdivision of an or narrative poem, comparable to a chapter in a.

canzone: An Italian or Provençal form of, consisting of a series of in form but without a, and usually written in  lines with ; or more generally, any simple and song-like composition such as a. See also ' and '.

captivity narrative:

caricature: A portrait in literature (as in art) which ridicules a person by exaggerating and distorting their most prominent features and characteristics. Caricatures often evoke genial rather than derisive laughter.

carmen figuratum:

carpe diem:

catachresis: The misapplication of a word, especially in a mixed.

catalect: A literary work which is detached (or detachable) from the main body of a writer's work. Compare.

catalexis: The omission of the last or syllables in a regular metrical line; often done in and  verse to avoid monotony.

catastrophe:

catharsis:

caudate sonnet:

cavalier poet:

Celtic art:

Celtic revival:

chain rhyme:

chanson de geste: A type of Old French popular between the 11th and 14th centuries which relates the heroic deeds of Carolingian noblemen and other feudal lords. Such works exhibit a combination of history and legend, and also reflect a definite conception of religious chivalry.

chansonnier: A collection of Provençal poems in manuscript form.

chant royal: A metrical and rhyming scheme dating to the Middle Ages and related to forms. It consists of five eleven-line rhyming in the pattern ababccddedE, followed by an  rhyming in the pattern ddedE. There is also a (as indicated by the capital letters) at the end of each stanza and including the last line of the envoi. Typically, no rhyme word may be used twice except in the envoi.

chapbook: A form of popular literature sold by pedlars or chapmen, mostly from the 16th to the 18th centuries. Chapbooks consisted of,, , nursery rhymes, and fairy stories, and were often illustrated with wood-blocks.

character:

characterization:

charactonym:

Chaucerian stanza:

chiasmus: A reversal of grammatical structures in successive phrases or clauses; e.g. "His time a moment, and a point his space." (An Essay on Man, Epistle I, Alexander Pope) The device is related to.

chivalric romance:

choriamb:

chronicle:

chronicle play:

cinquain: A five-line with a variable and rhyme scheme, possibly of medieval origin.

classical unities:

classicism:

classification:

clerihew:

cliché: An element of an artistic work, saying, or idea that has become overused to the point of losing its original meaning or effect, even to the point of being trite or irritating, especially when at some earlier time it was considered meaningful or novel.

climax:

cloak and dagger:

close reading: A technique of literary analysis that relies upon detailed, balanced, and rigorous critical examination of a text in order to discover its meanings and to assess its effects.

closed couplet:

closet drama:

collaborative poetry:

colloquialism:

comédie larmoyante:

comedy:

comedy of humors:

comedy of intrigue:

comedy of manners:

comic relief:

commedia dell'arte:

commedia erudita:

common measure:

commonplace book: A notebook or journal in which a writer records ideas, themes, quotations, words, and phrases as they occur to them.

conceit:

concordance:

confessional literature:

confidant/confidante:

conflict:

connotation:

consistency:

consonance: The close repetition of identical consonant sounds before and after different vowels, e.g. "slip, slop"; "creak, croak"; "black, block". Compare.

contradiction:

context:

contrast:

convention:

coup de théâtre:

couplet: Two lines with rhyming ends. Shakespeare often used a couplet to end a.

courtesy book:

courtly love:

Cowleyan ode:

cradle book: See.

crisis: That point in a story or play at which tension reaches a maximum and a resolution is imminent. There may be several crises, each preceding a.

cross acrostic:

crown of sonnets:

curtain raiser:

curtal sonnet:

D
dactyl:

dandy:

Débat:

death poem:

decadence:

decasyllable:

decorum:

denotation: The most literal and limited meaning of a word, regardless of what one may feel about it or the suggestions and ideas it (which may be much more affecting than or very different from its literal meaning).

dénouement: The resolution or unravelling of the complications of the in a play or story, often following the in a final scene or chapter in which mysteries, confusions, and doubtful destinies are clarified. See also.

description:

deus ex machina: A whereby a seemingly unsolvable problem in a story is suddenly resolved by an unexpected and seemingly unlikely occurrence, typically so much as to seem contrived.

deuteragonist:

dialect:

dialogic: A work primarily featuring ; a piece of, relating to, or written in dialogue.

dialogue:

dibrach:

diction:

The words selected for use in any oral, written, or literary expression. Diction often centers on opening a great array of lexical possibilities with the connotation of words by maintaining first the denotation of words.

didactic: Intended to teach, instruct, or have a moral lesson for the reader.

digest size:

digression:

dime novel:

diameter:

dimeter: A line of verse made up of two (two ).

dipody: A pair of metrical considered as a single unit. Dipodic verse, commonly found in and, is characterized by the pairing together of feet in which one usually has a stronger.

dirge:

discourse:

dissociation of sensibility:

dissonance:

distich:

distributed stress:

dithyramb:

diverbium: The spoken in Roman drama, as distinguished from the, the sung part.

divine afflatus:

doggerel:

dolce stil nuove:

domestic tragedy:

A type of in which the leading characters belong to the middle class rather than to the royal or noble ranks usually represented in tragic drama, and in which the action largely concerns family affairs rather than public matters of state.

donnée: A French word which signifies something "given" in the sense of an idea or notion implanted in the mind or imagination; i.e. the original idea or starting point from which a writer elaborates a complete creative work. It may be a phrase, a conversation, the expression on a person's face, a tune, indeed almost any kind of experience which precipitates a series of thoughts and ideas in the writer's mind.

doppelgänger:

double rhyme:

drama:

dramatic character:

dramatic irony:

dramatic lyric:

dramatic monologue:

dramatic proverb:

dramatis personæ: Collectively, the characters represented in a play or other dramatic work. This phrase is the conventional heading for a list of characters printed in a theatrical programme or at the beginning of the text.

dramaturgy:

dream allegory:

dream vision:

droll:

dumb show:

duodecimo:

duologue: A conversation between two characters in a play, story, or poem. See also.

duple meter/duple rhythm: Any poetic based on a of two  (i.e. a duple foot), as opposed to, in which the predominant foot has three syllables. Most English metrical is in duple meter, either  or, and thus displays an alternation of  syllables with single unstressed syllables. In the context of classical Greek and Latin poetry, however, the term often refers to verse composed of.

dystopia:

dynamic character: A character who, during the course of a narrative, grows or changes in some significant way. Dynamic characters are therefore not only complex and three-dimensional but also develop as the develops. In the, for example, the growth of the is coincident with the course of the plot.

E
echo verse:

eclogue:

ekphrasis: A vivid, graphic, or dramatic written commentary or description of another visual form of art.

electronic literature: Literary works made for digital media, such as hypertext fiction, kinetic poetry or interactive fiction.

elegy:

elision:

emblem:

emblem book:

emendation: The correction or alteration of text or manuscript where it is, or appears to be, corrupt.

enallage: A figurative device which involves the substitution of one grammatical form for another. It is commonly used in ; e.g. "to palm someone off" or "to have a good laugh". Compare.

end rhyme:

end-stopped line: A line in poetry that ends in a pause, indicated by a specific punctuation, such as a period or a semicolon.

English sonnet:

enjambment: The continuing of a unit over the end of a line. Enjambment occurs when the sense of the line overflows the meter and line break.

entr'acte:

envoi:

epanalepsis:

epic poetry: A long poem that narrates the victories and adventures of a hero. Such a poem is often identifiable by its lofty or elegant.

epic simile:

epic theater:

epigraph: An inscription on a statue, stone, or building. The legend on a coin. A quotation on the title page of a book. A heading a new section or paragraph.

epilogue:

epiphany:

episode:

episteme:

epistle:

epistolary novel:

epistrophe: Repetition of a word or phrase at the end of or sentences.

epitaph:

epithalamion:

epithet:

epizeuxis:

epode:

eponymous author:

erasure: The placing of a concept under suspicion by marking the word for it as crossed or struck through (e.g. " philosophy "), in order to signal to readers that it is both unreliable and at the same time indispensable. The device of placing words sous rature ("under erasure") has been adopted in modern philosophy and literary criticism, notably in deconstruction.

Erziehungsroman:

essay:

ethos:

eulogy:

euphony:

euphuism:

exaggeration:

exegesis:

exemplum:

exordium:

experimental novel:

Explication de Texte:

exposition:

extended metaphor:

extrametrical verse:

eye rhyme: A kind of in which the spellings of paired words appear to match but without true correspondence in pronunciation; e.g. "dive/give", "said/maid", "bear/dear". Some were originally true rhymes but have become eye rhymes through changes in pronunciation; these are sometimes called historical rhymes.

F
fable:

fabliau:

fairy tale:

falling action:

falling rhythm:

fancy and imagination:

fantasy:

farce:

feminine ending:

feminine rhyme: A with two, with one and one unstressed; e.g. "merry" rhymed with "tarry". Contrast.

fiction:

figurative language:

figure of speech:

figure of twins: See.

fin de siècle:

flashback: An interjected scene that takes the narrative back in time from the current point the story has reached.

flashforward: An interjected scene that takes the narrative forward in time from the current point of the story in literature, film, television, and other media.

flat character:

foil:

folio:

folk drama:

folklore:

foot:

foreshadowing:

form:

fourteener:

frame story: A story which contains either another tale (i.e. a story within a story) or a series of stories. Well-known examples include the One Thousand and One Arabian Nights and Geoffrey Chaucer's Canterbury Tales.

free indirect discourse:

free verse: A type of that does not conform to any regular : both the length of its lines and its use of (if at all) are irregular. In lieu of a regular metrical pattern, free verse uses more flexible or rhythmic groupings, sometimes supported by  and other devices of repetition. Free verse should not be confused with, which does observe a regular meter in its unrhymed lines.

French forms:

fustian:

G
gallows humor:

gathering:

genetic fallacy:

genre:

Georgian poetry:

gesta: Accounts of deeds or tales of adventure, often with morals attached to each tale, which were especially popular in the Middle Ages.

ghazal:

gloss: An that explains or translates a difficult word or phrase, usually added to a text by a later copyist or editor (as in many modern editions of Chaucer). When placed between the lines of a text, it is known as an interlinear gloss, but it may also appear in the margin, as a footnote, or in an appendix, and may form an extended commentary.

Gothic double:

gnomic verse:

golden line:

Goliardic verse:

Gongorism:

Gonzo journalism:

Gothic novel:

Grand Guignol:

Greek chorus:

Greek tragedy:

Grub Street:

Gushi:

H
hagiography:

haibun: A form of written in a terse, style and accompanied by.

haikai: A broad genre comprising the related forms of haikai-renga and.

haiku: A modern term for standalone hokku.

half rhyme:

hamartia: The error or false step that leads a or in a  to his or her downfall, as discussed by Aristotle in his Poetics. The protagonist's misfortune may be caused by some moral shortcoming or defect of character, or by his or her own misjudgment, ignorance, or.

headless line:

head rhyme:

hemistich:

hendecasyllable:

hendecasyllabic verse:

hendiadys:

A, used for emphasis, in which a single idea is expressed by means of two substantives joined by the "and" (e.g. by two nouns, as with "house and home" or "law and order"), rather than by a noun qualified by an adjective; the substitution of a conjunction for a subordination. Examples may also combine two adjectives ("nice and juicy") or two verbs ("come and get it"). A combination of three substantives is a.

hendiatris: A, used for emphasis, in which a single idea is expressed by means of three substantives joined by the "and" (e.g. "wine, women and song" or "sex, drugs and rock and roll"). A combination of two substantives is a.

heptameter:

heptastich:

heresy of paraphrase:

heroic couplets:

heroic drama:

heroic quatrain:

heroic stanza:

hexameter: A line from a poem that has six feet in its meter. Another name for hexameter is "The Alexandrine".

hexastich:

hiatus:

high comedy:

higher criticism:

historical fiction:

historical linguistics:

historic present:

history play:

hokku: In Japanese poetry, the opening stanza of a renga or renku (haikai no renga).

holograph:

Homeric epithet:

homily:

Horatian ode:

Horatian satire:

hovering accent:

hubris:

hudibrastic:

humor:

humours:

hymn:

hymnal stanza:

hypallage:

hyperbaton: A that alters the order of the words in a sentence or separates words that are ordinarily associated with each other. The term may also be used more generally for all different figures of speech that transpose the natural word order in sentences.

hyperbole: A which contains a blatant exaggeration for emphasis, e.g. "I haven't seen you for ages" or "as old as the hills".

hypercatalectic:

hypermetrical:

hypocorism:

hypotactic: A term referring to the use of different subordinate in a sentence to qualify a single verb or modify it.

hysteron proteron:

I
iamb:

A metrical unit (i.e. a ) of poetic, having one followed by one stressed syllable, as in the word "beyond" (or, in Greek or Latin, one short syllable followed by one long syllable). Lines of poetry made up predominantly of iambs are referred to as iambics or as iambic verse, which is by far the most commonly used metrical verse in English. Its most important form is the 10-syllable, either (as in  and ) or unrhymed (in ).

iambic pentameter:

idiom:

idyll:

imagery:

imagism:

incipit:

indeterminacy:

inference:

in medias res:

innuendo:

interjection: A word that is tacked onto a sentence in order to add strong emotion and which is grammatically unrelated to the rest of the sentence. Interjections are usually followed by an exclamation point.

internal conflict:

internal rhyme:

interpretation:

intertextuality: Refers to the way in which different works of literature interact with and relate to one another to construct meaning.

intuitive description:

irony:

J
Jacobean era:

jeremiad:

ji-amari: The use of one or more extra syllabic units (on) above the 5/7 standard in Japanese poetic forms such as waka and haiku.

jintishi:

jitarazu: The use of fewer syllabic units (on) than the 5/7 standard in Japanese poetic forms such as waka and haiku.

jueju:

juncture:

Juvenalian satire:

K
kabuki:

Kafkaesque:

kenning:

kigo: In Japanese poetry, a seasonal word or phrase required in haiku and renku.

King's English:

kireji: In Japanese poetry, a "cutting word" required in haiku and hokku.

Künstlerroman:

L
lacuna:

lai:

Lake Poets:

lament:

laureate:

lay:

legend:

legitimate theater:

Leonine rhyme:

level stress (even accent):

light ending:

light poetry:

light rhyme:

light stress:

limerick:

linked rhyme:

link sonnet:

literary ballad:

literary criticism:

literary movement:

literary epic:

literary fauvism:

literary realism:

literary theory:

literature:

litotes:

liturgical drama:

logaoedic:

logical fallacy:

logical stress:

logos:

long metre:

long poem:

loose sentence:

Lost Generation:

low comedy:

lullaby:

lune:

lushi:

lyric: A short poem with a song-like quality, or designed to be set to music, often conveying feelings, emotions, or personal thoughts.

M
macaronic language:

madrigal:

magic realism:

malapropism:

maqama:

Märchen: See.

marginalia:

Marinism:

marivauge:

masculine ending:

masculine rhyme:

masked comedy:

masque:

maxim:

meaning:

medieval drama:

meiosis:

Melic poetry:

melodrama: A work that is characterized by extravagant theatricality and by the predominance of plot and physical action over characterization.

memoir:

Menippean satire:

mesostic:

metaphor: Making a comparison between two unlike things without using the words like, as, or than.

metaphysical conceit:

metaphorical language:

meter:

metonymy:

metrical accent:

metrical foot:

metrical structure:

Microcosm Theatre:

Middle Comedy:

miles gloriosus:

Miltonic sonnet:

mimesis:

Minnesang:

mise en scène:

mock-heroic (mock epic):

mode:

monodrama:

monody:

monogatari:

monograph:

monologue:

monometer (monopody):

monostich:

mood:

mora:

moral:

morality play:

motif:

motivation:

mummers' play:

Muses:

musical comedy:

muwashshah: A multi-lined strophic verse form which flourished in Islamic Spain in the 11th century, written in Arabic or Hebrew.

mystery play:

mythology:

N
narration:

narrative poem:

narrative point of view:

narratology:

narrator:

naturalism: A theory or practice in literature emphasizing scientific observation of life without idealization and often including elements of determinism.

neo-Aristotelianis: A view of literature and criticism propagated by the Chicago School – Ronald S. Crane, Elder Olson, Richard McKeon, Wayne Booth, and others – that means "A view of literature and criticism that takes a pluralistic attitude toward the history of literature and seeks to view literary works and critical theories intrinsically."

neologism: The creation of new words, often arising from, word combinations, direct translations, or the addition of or to existing words.

non-fiction:

novel: A of that relies on  and possesses a considerable length, an expected complexity, and a sequential organization of action into story and plot distinctively. Novels are flexible in form (although is the standard), generally focus around one or more characters, and are continuously reshaped and reformed by a speaker.

novella:

novelle:

O
objective correlative:

objective criticism:

obligatory scene:

octameter:

octave:

octet: An eight-line of poetry.

ode: A lyrical poem, sometimes sung, that focuses on the glorification of a single subject and its meaning. Often has an irregular structure.

Oedipus complex:

onomatopoeia: The formation of a word by imitation of a sound made by or associated with its referent, such as "cuckoo", "meow", "honk", or "boom".

open couplet:

oulipo:

ottava rima: A verse form in which each has eight lines following the rhyme scheme ABABABCC. An ottava rima was often used for long narratives, especially and  poems.

Oxford Movement:

oxymoron:

P
palinode: A poem or song in which the poet recants or counter-balances a statement made in an earlier poem.

pantoum:

pantun:

parable:

paraclausithyron:

paradelle:

paradox:

paraphrase:

pararhyme:

paratactic: The combining of various units, usually, without the use of to form short and simple phrases.

partimen:

pastourelle:

pathetic fallacy:

Pathya Vat:

parallelism:

parody:

pastoral: A work depicting an idealized vision of the rural life of shepherds.

pathos:

phrase: A sequence of two or more words forming a unit. In the poem “Kubla Khan” by Samuel Taylor Coleridge, the words “pleasure-dome” are a phrase read not only in this poem, but also in Mary Shelley’s Frankenstein when she uses also uses the phrase.

periodical literature:

peripetia:

persona:

personification:

phronesis:

picaresque novel:

plain style:

Platonic idealism:

plot:

poetic diction:

poetic transrealism:

point of view:

polysyndeton:

post-colonialism:

postmodernism:

present perfect: A verb tense that describes actions just finished or continuing from the past into the present. This can also imply that past actions have present effects.

primal scene:

procatalepsis:

prolepsis:

An interjected scene that takes the narrative forward in time from the current point of the story in literature, film, television, and other media.

prologue:

progymnasmata:

prose:

prosimetrum:

prosody:

protagonist:

protologism:

proverb:

pruning poem:

Psalm:

pun:

purple prose:

pyrrhic:

Q
quatrain:

quintain:

R
recusatio:

redaction:

red herring:

refrain:

regency novel:

regionalism:

renga: A genre of Japanese collaborative poetry.

renku: In Japanese poetry, a form of popular collaborative linked verse formerly known as haikai no renga, or haikai.

renshi: A form of collaborative poetry pioneered by Makoto Ooka in Japan in the 1980s.

repetition:

reverse chronology:

rhapsodes:

rhetoric:

rhetorical device:

rhetorical operations:

rhetorical question:

rhyme:

rhymed prose:

rhyme royal:

rhythm: A measured pattern of words and phrases arranged by sound, time, or events. These patterns are [created] in verse or prose by use of stressed and unstressed syllables.

rising action:

robinsonade:

roman à clef:

romance:

Romantic hero:

romanzo d'appendice:

round-robin story:

Ruritanian romance:

Russian formalism:

S
Saj':

satire:

scansion:

scene: A subdivision of an in a, an opera, or any other form of theatrical entertainment, distinguished from preceding and following scenes by a curtain, the dimming of stage lights, and/or a brief emptying of the stage; or more generally, a particular part of a story depicting actions happening in one place at one time and between specific characters, often defined by its continuity.

scènes à faire:

sea shanty:

sensibility:

sestet:

setting:

Shadorma:

Shakespearean sonnet:

Sicilian octave:

simile: A comparison of two different things that utilizes “like” or “as”.

slant rhyme:

skaz:

sobriquet:

soliloquy:

sonnet: A 14-line poem written in. There are two types of sonnets: Shakespearean and Italian. The Shakespearean sonnet is written with three and a in ABAB, CDCD, EFEF, GG rhythmic pattern. An Italian sonnet is written in two with an  followed by a  in ABBA, ABBA, CDECDE or CDCDCD rhythmic pattern.

sonneteer:

speaker:

spondee: A consisting of two syllables of approximately equal stress.

Spenserian stanza:

sprung rhythm:

stanza: A group of lines in a offset by a space and then continuing with the next group of lines, with each group consisting of a set pattern or number of lines.

static character:

stereotype:

stichic: Having lines of the same meter and length throughout, but not organized into regular. An example is the form of Samuel Taylor Coleridge's poem "Frost at Midnight".

strambotto:

stream of consciousness writing:

structuralism:

sublime: Of a profound and immeasurable experience, unable to be rationalized.

subplot:

syllogism:

symbolism:

synecdoche: A involving the expression of an entire idea by something smaller, such as a phrase or a single word, such that a term for one part of something is used to refer to the whole, or vice versa.

synesthesia:

A that describes or associates one sense (i.e., touch, taste, see, hear, smell) in terms of another, typically in the form of a.

syntax: The study of how words are arranged in a sentence.

T
tautology: A tautology is when something is defined or explained by saying exactly the same thing again in different words.

tableau:

tail rhyme:

Tagelied:

tale:

tanka: In Japanese poetry, a short poem in the form 5,7,5,7,7 syllabic units.

tan-renga: In Japanese poetry, a where the upper part is composed by one poet and the lower part by another.

techne:

telestich: A poem or other form of writing in which the last letter, syllable or word of each line, paragraph or other recurring feature in the text spells out a word or a message.

tenor:

tercet:

terza rima:

tetrameter:

tetrastich:

text:

textual criticism:

textuality:

Theatre of Cruelty:

Theatre of the Absurd:

theme:

thesis:

thesis play:

third-person narrative:

threnody:

tirade:

tone:

tornada: In Occitan lyric poetry, a final, shorter stanza (cobla) addressed to a patron, lady, or friend.

tract:

tragedy:

tragedy of blood:

tragic flaw: See.

tragic hero:

tragic irony:

tragic comedy:

transcendentalism:

transferred epithet:

transition:

translation:

tribrach:

trimeter:

triolet:

triple rhyme:

triple meter:

triple rhythm:

triplet:

tristich:

tritagonist:

trivium:

trobar clus:

trochee: A two-syllable metrical with the accent syllable on the first foot.

trope:

troubadour:

trouvère:

tuckerization:

truncated line:

tumbling verse:

type character:

type scene:

U
ubi sunt:

underground art:

underground press:

understatement:

unities: See.

universality:

University Wits:

uta monogatari:

unreliable narrator:

V
variable syllable:

variorum:

Varronian satire:

vates:

vaudeville:

verb displacement:

verisimilitude: The quality of resembling reality.

verism:

vers de société:

vers libre:

verse:

verse paragraph:

versiprose:

verso:

Victorian literature:

vignette: A short scene that captures a single moment or a defining detail about a character, idea, or other element of a story.

villain:

villanelle:

virelay:

virgule:

voice:

volta:

A turn or switch that emphasizes a change in ideas or emotions, often marked by the words “but” or “yet”. In a, this change separates the from the.

Vorticism:

vulgate: The use of informal, common speech, particularly of uneducated people. Similar to the use of vernacular.

W
waka:

Wardour Street English: A pseudo-archaic form of affected by some writers, particularly those of.

weak ending:

weak foot:

well-made play:

Wellerism:

Weltschmerz: A depressive mood of disappointment with—and alienation from—the world, prevalent in Romantic and decadent literature.

Western fiction:

wit:

word accent:

wrenched accent:

Z
za: The site of a session; also, the sense of dialogue and community present in such a session.

zappai: