Hekimoğlu Türküsü

Hekimoğlu (English: The Ballad of Hekimoğlu) is a popular Turkish türkü (folk song) in the musical modal Chahargah with a rhythm of 4/4. Although the TRT archive lists Ümit Tokcan as the source under the repertoire number 110, Ümit Tokcan himself says that the folk song was actually compiled by Kadir İnanır. The region of the folk song is Fatsa, Ordu. It is claimed to be first written as a lament by Kalyoncuoğlu Recep, who is also known as Töreli Hafız. The türkü was repopularised in the 2000s by popular Turkish media franchise Valley of the Wolves, playing a crucial role in the series, it was covered by Oktay Kaynarca who played as the character "Süleyman Çakır" in the franchise.

In the footnote section of the 63rd page of the book titled "Ünye Songs and Folk Songs 3" published in September 2010; composer of the uncensored version of Hekimoğlu, Hamdi Tanses claims that the lament of Hekimoğlu, was burnt by his grandfather Kalyoncuoğlu Recep (Töreli Hafız), and that the words used in the lament are common in the folk language from the Çitlice village, located in Korgan.

Song
The anonymous türkü emerged in the early years of the 20th century with the title "Hekimoğlu Derler Benim Aslıma". Like many folk songs of the time, several versions exist. The most common version of the türkü is:
 * Hekimoğlu derler benim aslıma
 * Aynalı martin yaptırdım da narinim kendi neslime
 * Aynalı martin yaptırdım da narinim kendi neslime


 * Hekimoğlu derler bir küçük uşak,
 * Bir omuzdan bir omuza narinim on arma fişek


 * Konaklar yaptırdım mermer direkli,
 * Hekimoğlu dediğin de narinim aslan yürekli


 * Konaklar yaptırdım döşetemedim,
 * Ünye Fatsa bir oldu da narinim baş edemedim


 * Ünye, Fatsa arası Ordu'da kuruldu,
 * Hekimoğlu dediğin narinim o da vuruldu


 * I'm called Hekimoğlu, (lit., son of physician)
 * I had a Martini-Henry rifle with mirror made for myself, my narin
 * I had a Martini-Henry rifle with mirror made for myself, my narin


 * The one called Hekimoğlu is a small kid,
 * One shoulder to one shoulder narin, bandolier with ten bullets


 * I had mansions with pillars of marble built,
 * He whom you called Hekimoğlu, is lion-hearted


 * I had mansions built but I couldn't make them furnished,
 * Ünye and Fatsa joined their forces, my narin, I couldn't cope with them


 * Between Fatsa and Ünye, Ordu was established,
 * He whom you called Hekimoğlu was shot tooIn the first couplet, the word martin refers to a Peabody-Martini-Henry rifle. It is also debated that the word "ordu" used in the last couplet is used in the meaning of meaning of military (ordu). It is claimed by former member of the Grand National Assembly Mustafa Hasan Öz that the phrase in which Öz's grandfather's name was mentioned ("I couldn't cope with Dadyan Arslan") was replaced by "Ünye and Fatsa joined their forces, my narin, I couldn't cope with them" in case of a reaction from the public.

Censorship
There is a distinct difference between the folk lyrics of the folk song and the lyrics included in the TRT archive. Hekimoğlu in the language of the people is the depiction of a virtuous rebel who opposes oppression, injustice and bastardy. While the Hekimoğlu, who was included in Mehmet Özbek's book "Folklore ve Türkülerimiz" and transferred to the TRT archive, has been abstracted from all those virtues and turned into an obscure personality. The sharp accents in the lyrics of the folk song have been replaced by docile and orderly words.

For example, the following parts of the folk song were censored:
 * İster vali gelsin isterse paşa,
 * Gelme paşa gelme ben atmam boşa
 * Gelme paşa gelme ben atmam boşa


 * Çitlice'nin muhtarı puşttur pezevenk,
 * Hekimoğlu geliyor uçkur çözerek


 * Whether the governor comes or the pasha, no matter
 * Don't come over me, I shall not miss.
 * Don't come over me, I shall not miss.


 * The headman of Çitlice is an arsehole, pimp
 * Hekimoğlu is coming by having sexThe reason why the headman of Çitlice is called an arsehole in the song is due to Hekimoğlu's visit to the headman's house in Çitlice village following the murder of his Hekimoğlu's two nephews. According to author, Kurdologist and Turkologist Mehmet Bayrak, although the headman seems to be on Hekimoğlu's side, in reality he is in collaboration with the Turkish gendarme. As a matter of fact, he gives a tip-off through one of his men and Hekimoğlu gets cornered by the gendarmes because of the headman's trick. A big clash breaks out and Hekimoğlu, according to a rumour, breaks through the circle, but dies of his wounds before he can get far.

The couplets themself also vary depending on the variation, with them being changed to:
 * Bugün günlerden pazardır, pazar
 * Çiftlice muhtarı dediğin de narimin, puştluklar düzer
 * Çiftlice muhtarı dediğin de narimin, puştluklar düzer


 * Today is Sunday, Sunday
 * Whom you call Çiftlice headman, narimin fucks over peopleHekimoğlu notes.jpg
 * Whom you call Çiftlice headman, narimin fucks over peopleHekimoğlu notes.jpg

Variations
The türkü has been covered by many singers and bands such as:


 * Resul Dindar
 * Ayna
 * Gökhan Kırdar
 * Özdemir Erdoğan
 * Oktay Kaynarca
 * Mazhar ve Fuat
 * Fuat Saka
 * Tülay German (uncensored version)
 * Grup Çığ
 * Soner Olgun

Variations outside of Anatolia
Μανώλης Λιδάκης (Manolis Lidakis) sang the türkü in Greek as Στου μυαλού μου τ'άγρια βάθη (In The Wild Depths Of My Mind).