Jean Tinguely

Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century. Tinguely's art satirized automation and the technological overproduction of material goods.

Life
Born in Fribourg, Tinguely grew up in Basel, and in 1941-1945 studied at the Kunstgewerbeschule. He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli, to pursue a career in art. He belonged to the Parisian avant-garde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau réalisme) in 1960. His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City,  although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas.

Tinguely married fellow Swiss artist Eva Aeppli in 1951.

In 1971, he married his second wife Niki de Saint Phalle with whom he collaborated on several artistic projects, such as the Hon – en katedral or Le Cyclop. Tinguely and Saint Phalle collaborated artistically for over three decades.

Tinguely died of heart failure in 1991 at the age of 66 in the Inselspital in Bern.

Public works

 * Chaos I (1974), sculpture in The Commons, Columbus, Indiana, US
 * Le Cyclop outside of Milly-la-Forêt.
 * The Stravinsky Fountain (fr: La Fontaine Stravinsky) near the Centre Pompidou, Paris (1983), a collaboration with Niki de Saint Phalle.
 * Carnival Fountain (Fasnachtsbrunnen) (1977) in Basel.
 * Tinguely Fountain (1977) in Basel.
 * Lifesaver Fountain on Königstrasse in Duisburg, Germany, a collaboration with Niki de Saint Phalle
 * Jo Siffert Fountain (commonly called Tinguely Fountain), Fribourg, Switzerland
 * La Cascade, sculpture in the Carillon Building lobby, Charlotte, North Carolina, US
 * Métamatic generative sculptures (1950s)
 * Luminator (1991), on loan until 2014 to the EuroAirport Basel-Mulhouse
 * "Heureka", (1964) "Zürihorn" at Zürichsee, Zürich Switzerland

Hon – en katedral
Hon – en katedral (Swedish: "She, a Cathedral") was an art installation made in collaboration with Niki de Saint-Phalle that was shown at the Moderna Museet in Stockholm in 1966. The exhibition consisted of a sculpture of a colorful pregnant woman lying on her back with her legs wide apart. The sculpture was 25–26 meters long, about 6 meters high and 11 metres wide. It was built of scaffolding and chicken wire covered with fabric and fiberglass, painted with brightly coloured poster paint. Through a door-sized entry in the location of the woman's vagina, visitors could go into the sculpture. Inside was a screen showing Greta Garbo films, a goldfish pond, and a soft drink vending machine. Johann Sebastian Bach's organ music played through speakers. The exhibition was created by Saint-Phalle, Tinguely, and Per Olov Ultvedt. It had 80,000 visitors during the exhibition period from 4 June to 9 September 1966.

Noise music recordings

 * 1963 "Sounds of Sculpture", 7", Minami Gallery, Tokyo, Japan_[Tinguely's sculptures recorded by avant-garde composer Toshi Ichiyanagi during Japanese exhibition]
 * 1972 'Méta', book+7_, Propyläen Verlag, Stockholm
 * 1983 'Sculptures at The Tate Gallery, 1982'_, Audio Arts cassette
 * 1983 'Meta-Harmonie H' incl. in 'Meridians 2_ compmqenan ate a pie
 * 2001 'Relief Meta-Mechanique Sonore I' incl. in 'A Diagnosis' compilation, Revolver-Archiv für Aktuelle Kunst, Frankfurt am Main, Germany

Influence on others

 * In Arthur Penn's Mickey One (1965) the mime-like Artist (Kamatari Fujiwara) with his self-destructive machine is reminiscent of Tinguely
 * Survival Research Laboratories, directed by Mark Pauline (USA)
 * Prominent kinetic sculptor Arthur Ganson described Tinguely as his "primary spiritual artistic mentor", and paid homage to him in his work "Tinguely in Moscow".