Jen Liu

Jen Liu (born 1976) is an American visual artist. She works with video, performance, and painting and creates pieces about labor, economy and national identity. She was awarded a Guggenheim and a Creative Capital award.

Education and career
She received a BA from Oberlin College, and an MFA from the California Institute of the Arts, and is a full-time faculty member at Bennington College. Liu is represented by Upstream Gallery.

Works
Liu's work explore labor and gender. Her 2016 video, The Pink Detachment, is a reinterpretation of The Red Detachment of Women (1970), a Model Opera ballet from China’s Cultural Revolution. It premiered at the Berlinale Forum Expanded exhibition.

Her Pink Slime Caesar Shift series contains videos and animations that tell a story of female factory workers in South China altering the DNA of cow cells to transmit messages. Liu was awarded grants for this series from Creative Capital, and the Los Angeles County Museum of Art. It was featured in a solo exhibition at Upstream Gallery.

Awards
Liu has been awarded a Guggenheim Fellowship (2017), NYFA Fellowship, Los Angeles County Museum of Art Art+Technology Award (2018), a Creative Capital Award (2019), and a Pollock-Krasner Foundation grant.

Solo exhibitions (selection)
2020 2019 2018 2017 OK.Video/ruangruppa, Bogor Zoology Museum, Bogor 2016 2015
 * Jen Liu + Aleksandra Domanovic, MAK Center for Art + Architecture in collaboration with LACMA, Los Angeles
 * Jen Liu, ARIEL Platform for Feminist Art, Copenhagen
 * GOLD LOOP, solo commissioned video, curated by Christina Millare, funded by the British Arts Council
 * PINK SLIME CAESAR SHIFT: GOLD EDITION, commissioned choreographic performance and installation, curated by Renan Laruan as part of the Singapore Biennale 2019
 * PINK SLIME CAESAR SHIFT, Upstream Gallery, Amsterdam
 * The Red Detachment: Bai Wei’s Natural History¬, solo commission by
 * Digital Billboard Platform: Jen Liu’s The Pink Detachment, LAXART, Los Angeles
 * The Red Detachment of Women: Online, commissioned by Triple Canopy as part of the Standards issue
 * Utopia is No Place, Utopia is Process - Usdan Gallery, Bennington College, Bennington Vermong
 * The Pink Detachment, 66th Berlinale, Berlin
 * The Red Detachment of Women: Performance for 6 Dancers, co- commissioned by Triple Canopy and The Whitney Museum, Whitney Museum, New York