Jugoslavijo

Jugoslavijo, commonly known by its first verse Od Vardara pa do Triglava (From Vardar to Triglav) is a 1974 Yugoslav folk song written by a Belgrade lawyer and compositor Milutin Popović Zahar and composed and sung by Danilo Živković. The song celebrates the homeland of Yugoslavia, proudly referring to its greatest extents, its rivers, mountains, forests, polja and the sea, its proud people, as well as the fight, blood and workforce that created it.

Background
It was conceived by Popović for a competition led by the NIN magazine in the early 1970s in a search for a new song that would replace "Hey, Slavs" as the national anthem of the country. Popović was soon after approached by Živković with a request to write lyrics for a song tentatively named "Makedonijo" set in the traditional Macedonian rhythm, initially intended for Aleksandar Sarievski. Popović and Živković would soon realize Popović's verses fit the metric time of Živković's composition, and the two agreed on merging them together. The song however did not end up being sent to the anthem contest because Popović was not confident enough in his skills as a lyricist, as he was first and foremost a composer, and thought there are more gifted, smarter and professional people than him when it came to creating texts, and that the responsibility was too great.

Release
The song was offered to Jugoton, the largest Yugoslav record label, and recorded on a 7-inch vinyl single. The first reactions to the song were exceptionally negative; critics panned it as "kitsch" all over the press and the commission for culture of SR Croatia imposed sales taxes on the song for emphasizing obsolete elements of Yugoslav history, namely for observing farmers and shepherds and not industrial workers. Surrounded with controversy, most radio stations were unwilling to take risks and broadcast the song, with one exception being Radio Šabac which satisfied requests of its listeners. Živković, who sung the song, later acknowledged that Popović had not received official permission from the League of Communists of Yugoslavia to record a patriotic song and decided to sue Popović for jeopardizing his career, leading to their eventual friendship fall-out. According to Popović, the circumstances took an unexpected turn after a trumpet player from the Belgrade military orchestra who had previously played with the pair, uninformed about the public controversy, performed the song on board the ship Galeb in front of Josip Broz Tito. Tito endorsed the song and referred to it as "the true folk anthem", and the public campaigns against the song were immediately reversed. The song challenged unwritten censorship practices against "introducing 'serious subject matter' into cultural products of 'low artistic value'" and paved the way for more patriotic songs in the so-called "newly-composed folk music" (novokomponovana narodna muzika) genre that was held to be low-quality. High social positions of its creators granted more space for such maneuvers.

In 1978 at the 11th World Festival of Youth and Students in Havana, Cuba, the Yugoslavian delegation was granted the honour of opening the ceremony. The Belgrade choir "Collegium Musicum" had chosen Jugoslavijo as the introductory song, which was received by the public with applause and calls for a reprise.

Popović and Živković were for a long time convinced that the song was of quality and confident in popularizing it, so in 1978 Živković went on recording a new version of the song with the Orchestra of Slavomir Kovandžić. Based on suggestions from military musicians, he wrote a melody resembling march rhythms performed in 1979 under the name "Domovino moja mila" (Homeland, my dear) by the Đerdan Ensemble. Although these versions were fairly popular, the song became a hit across the whole country and abroad after the 1980 arrangement by Zagreb-based ensemble published by PGP-RTB. It soon became a part of many repertoires, choirs, ensembles and interpretators of folk music. Although it never fulfilled its original purpose of replacing the anthem, the song was among Yugoslavs, the compatriots and the diaspora received profoundly and considered an unofficial second anthem.

Legacy
Since the breakup of Yugoslavia, like all songs celebrating the former country, Jugoslavijo remains controversial to be found played in public. By contrast, the song is well received by yugo-nostalgics and admirers of Yugoslavia in general and can be seen sung by folk choirs. The song has been featured in the 2016 Croatian film ZG80, which is set during the final years of tensions in the former Yugoslavia. It has also been used for the premiere tour for the 2006 comedy-drama Karaula (The Border Post). Song "Yugo" from the Slovenian pop rock group Rock Partyzani mixes a wide range of lyrics from the Yugoslav-era rock songs into one, which starts out with and includes the main verses from Jugoslavijo. The phrase 'Od Vardara do Triglava' itself nevertheless remains a common metonym in references to Yugoslavia and modern Yugosphere.