Keane of Kalgoorlie

Keane of Kalgoorlie, or a Story of the Sydney Cup is a 1911 Australian silent film set in the racing and gambling circles of Sydney, based on a popular play by Edward William O'Sullivan and Arthur Wright, adapted from the novel by Wright.

It was made by the husband and wife team of John and Agnes Gavin and is considered a lost film.

Synopsis
Sydney clerk Frank Keane is in love with Tess Moreton, who is desired by Gregory Harris. Keane farewells Tess at Circular Quay in order to go west to seek his fortune. Harris arranges with Harold Rose to send a telegram to Tess saying that Keane has married a Kalgoorlie barmaid. Tess believes this and marries Harris.

Ten years later, Keane and Tess meet again. Keane has become rich and wants to enter his horse in the Sydney Cup. He meets Harold Rose, who confesses the truth about falsifying the telegram, then shoots himself. Harris robs Rose's dead body and is spotted by a dosser, who blackmails him.

Tess overhears Harris and the blackmailer discussing a plan to abduct Keane's horse and prevent it from winning the race. With Tess' help, Keane ensures his horse wins the race. However, Harris then accuses him of the murder of Rose. However at a trial, a stolen watch proves his innocence, and Harris is arrested while Keane is freed. Harris kills himself and Keane and Tess get married.

Cast

 * John Gavin as Frank Keane
 * Agnes Gavin as Tess Murton
 * Alf Scarlett
 * Charles Woods as Dave Dyeball
 * Mr. Mainsbridge, wife and daughter
 * Charlie Lay
 * John (“Fatty”) Harris

Original novel
The book was published in 1907 and was turned into a play the following year. See Keane of Kalgoorlie (novel)

Film production
Wright later said he suggested the story might make an ideal film to John Gavin, who specialised in making films about bushrangers, "believing that a racing film would be welcomed as a change... It would be a shame to mention the price offered [for rights to the play] and accepted, but as I thought the picture would enhance the sale of the book, as the drama had done, I had no kick comings." Wright said he was paid on an instalment plan.

Production of the film was announced in April 1911, with Stanley Crick and Herbert Finlay producing the movie in Sydney.

There are sequences involving a boxing match and game of two-up, and the climax has Keane winning the Sydney Cup. During shooting racing authorities would not allow Randwick Racecourse to be used, so footage of a race in Western Australia, the Perth Cup, was used instead.

Wright claimed "Mob scenes did not cost a great deal" with extras for the two up school ovtained by scouring by ways "and a crowd secured willing to act for the fun of the thing." The two up scene was shot on Castlereagh St near Market St with comic Dick Davis handling the extras.

In 1927 Wright wrote "well known actors of the rank and file of those days filled the minor characters. Of those seen in the “still” of the doss-house scene at least two are long since dead."

Authorities also refused permission to film at Darlinghurst Gaol, location for an important scene where the hero is released from prison. In order to get the shot, Gavin snuck into the prison along with tradesmen, then was filmed by his crew when exiting. Gavin also "stole" a shot involving Keane greeting a real-life well known barrister, "Charlie" Wade, without the barrister's knowledge.

Reception
According to Arthur Wright, the film was released to "big business": "Wherever it was shown, box-office returns were a record for the times (prices 6d. and 3d. mostly). It packed the big tent show run, by the Mclntyres at North Sydney, where it was extensively advertised as- 'A great Australian sporting story by Nat Gould.' This, of course, in my modesty, I objected to, and dodgers were sent out with a correction, and the lecturer, Mr. Woods, who played the part of Dave Dyeball, the Domain Dosser, in the picture, apologised for the mistake; and made a eulogistic reference to the 'young Australian author' who was really responsible. Yes, someone made money out of 'K of K', and there should be money to be made again under the altered conditions with a talkie, with the racecourse as a background. The author gained but little from his offspring, except experience and a measure of amusement from participation in what was a new diversion." "The film made money for someone" he also wrote.