Lions (Kemeys)

Lions is a pair of 1893 bronze sculptures by Edward Kemeys, installed outside of the main entrance to the Art Institute of Chicago in Chicago, Illinois. The sculptures are well-recognized public artworks.

The sculptures were commissioned by Florence Lathrop Field as a gift to the museum in memory of her late husband Henry Field.

Description


The bronze sculptures are modeled after African lions. Each sculpture weighs more than two tons. The northern sculpture weighs approximately 5100 lb. They are approximately 10 ft in length. Today, the sculptures have a green patina. The sculptures flank the outside of the main entrance to the Art Institute of Chicago Building (home to the Art Institute of Chicago), being located along the east side of South Michigan Avenue at the road's intersection with East Adams Street in the city of Chicago in the U.S. state of Illinois. The sculptures have occasionally been referred to as the "great protectors".

The artist, Edward Kemeys, described the statues as "guarding the building." Both are depicted in active poses. Kemeys described the northern lion as positioned "on the prowl," and said that it "has his back up, and is ready for a roar and a spring." He described the southern lion as positioned "in an attitude of defiance" and "attracted by something in the distance which he is closely watching." Kemeys referred to the design of the southern sculpture as "the most difficult I have ever attempted." Kemeys was a leading figure in America's animalier arts movement. Like other artists in the animalier movement (which began in France), he studied living animals as inspiration for his works.

The sculptures are often described as being bronze re-castings of temporary plaster lion sculptures that Kemeys had created for display on the grounds of the 1893 World's Columbian Exposition outside of the Palace of Fine Arts (today's Museum of Science and Industry building). However, documents and photographs from the World's Fair contradict this claim, indicating instead that the lion sculptures displayed at the World's Columbian Exposition had been created by A. Phimister Proctor and Theodore Baur rather than Kemeys.

History
The bronze sculptures for the Art Institute of Chicago were commissioned by Florence Lathrop Field, an early benefactor of the museum. Fields' late husband Henry Field had been an admirer of Kemeys' sculptures, and her brother Bryan Lathrop, a trustee of the Art Institute, had been a patron of Kemeys.

After the board of trustees of the Art Institute of Chicago had made a decision for there to be guardian lion sculptures outside of the new museum building, the president of the board of trustees, Charles L. Hutchinson, favored commissioning such as work from one of a dozen better-known sculptors. Those considered included Augustus Bauer, Daniel Chester French, Frederick William Macmonnies, Philip Martiny, and Augustus Saint-Gaudens. Bryan Lathrop wrote him in September of 1892, strongly recommending he choose Kemeys. Lathrop proposed having his sister, Florence Lathrop Field, acquire and gift the Art Institute such sculptures. Lathrop stated that Field had wanted to donate them anonymously. However, in voting to accept the gift on January 31, 1893, the board of trustees executive committee also voted to thank the donor. The sculptures were cast in Chicago by the American Bronze Founding Company in 1893, and were unveiled on May 10, 1894.



The sculptures are regarded to be iconic features of Chicago, being among the city's most well-known sculptures. The Chicago Lions rugby union team, founded in 1964, is named for the statues. An unofficial Twitter account exists for the sculptures. They are, nowadays, decorated in the winter holiday season with wreaths and bows in an annual "wreathing of the lions" ceremony. This tradition was begun in 1991 and has been done nearly every year since. The wreathing ceremony is traditionally held the day following the United States Thanksgiving holiday observance. Often, when a Chicago major league sports team is making a strong postseason run, the sculptures will be adorned with oversized mock-ups of hats or helmets in order to show support for the team. In late April 2020 (amid the COVID-19 pandemic), mock-ups of a surgical mask were placed on the sculptures in order to bring public attention to health safety measures implemented in Illinois at the time that required masking in public. A mock-up of a mask was similarly placed on the Chicago Picasso. Within a day vandals had removed one of the masks on the lion sculptures, which was quickly replaced.



In 2015, as part of the Statue Stories Chicago public art exhibit, QR codes were installed near each of the statues. If scanned, the codes would allow the lions to "speak", with one of them being voiced by Tracy Letts and the other by Francis Guinan. Tina Landau of the Steppenwolf Theatre Company wrote a script in which the two sculptures were portrayed as "gently feuding brothers". In 2018, as part of another Statue Stories of Chicago installation, the sculptures were voiced by Letts and Mandy Patinkin.

In 2020, the base of the northern sculpture was vandalized, with the words "inside mania" spray painted beneath the statute. A woman was criminally charged for the vandalism. In July 2021, the northern sculpture itself was vandalized with spray painted tagging.

In 1910, the sculptures were moved slightly from their original placement to new positions 12 ft nearer to the museum building. They remained in place until being temporarily removed from early 2000 until 2001, being removed in order to accommodate repair work to the entrance of the building. During this time, the sculptures underwent conservation work. They were removed a second time in 2022 to again undergo conservation work (cleaning and waxing). A time capsule was placed after the 2001 conservation work, accompanying a much older time capsule that is also concealed by the sculptures. During the 2022 conservation work, the time capsules were temporarily removed, being returned unopened when the sculptures were reinstalled. Furthermore, the south sculpture was found to have two Indian Head cent coins underneath it, which were temporarily removed and again returned to their place underneath the sculpture when it was reinstalled.