List of artworks by Louise Bourgeois

This is a list of individual works of visual art (sculpture, drawings, and paintings) by Louise Bourgeois, sorted by year.

Sculpture

 * Quarantania (1941).  Seven wooden pine elements on a wooden base. 84 3/4 × 31 1/4 × 29 1/4 inches
 * Paddle Woman (1947). Bronze.  57.75 × 16.25 × 12 inches.
 * The Three Graces (1947). Bronze, painted white.  81 × 25 × 12 inches.
 * Persistent Antagonism (1947–1949). Painted wood with metal ring.  68 × 12 × 12 inches.  San Francisco Museum of Modern Art.
 * The Blind Leading the Blind (1947–1949). Bronze, dark patina.  69.25 × 69 × 23 inches.
 * Untitled (1947–1949). Bronze, painted white and black.  64 × 12 × 12 inches.
 * Observer (ca. 1947–1949). Painted Wood. 76.5 inches high
 * Quarantania (1947–1953). Bronze, painted white and blue.  80.5 × 27 × 27 inches.
 * Sleeping Figure (ca. 1950). Balsa Wood 72.5 × 11.625 × 11.75
 * Friendly Evidence (ca. 1950). painted wood. 75 inches high
 * One and Others (1955). Painted and stained wood. 18 5/8 x 20 x 16 7/8 inches
 * Clutching (1962). Bronze, silver nitrate patina.  12 × 13 × 12 inches.
 * End of Softness (1967). Bronze, gold patina.  7 × 20.3.75 × 15.25 inches.
 * Germinal (1967). Bronze, gold patina.  5.625 × 7.375 × 6.25 inches.
 * Unconscious Landscape (1967–1968). Bronze.  12 × 22 × 24 inches.
 * Fillette (1968). Latex. Approximately 24 inches long.
 * Janus in Leather Jacket (1968). Bronze.  12 × 22 × 6.5 inches.
 * Avenza Revisited II (1968–1969). Bronze, black polished patina.  51.5 × 41 × 75.5 inches.
 * Le Trani Episode (1971). Bronze, dark patina.  16.5 × 23.125 × 23.25 inches.
 * Number Seventy-two (The No March) (1972). Marble.  120 × 120 × 84 inches.  Storm King Art Center Collection.
 * Maisons Fragiles (1978). Steel, two units.  84 × 27 × 14 inches & 72 × 27 × 14 inches.  Cheim & Read, New York.
 * Nature Study (1984). Bronze.  47 × 12 × 12 inches.
 * Nature Study, Eyes (1984). marble, steel and wood. 20 × 45½ × 31½" (50.8 × 115.57 × 80.01 cm). Albright-Knox Art Gallery Collection
 * She-Fox (1985). Marble.  Approximately 6 feet high.
 * Untitled (Fingers) (1986). Bronze.  4 × 8.5 × 18.5 inches.
 * Untitled (With Hand) (1989). Pink marble.  31 × 30.5 × 21 inches.  Private collection, Jerry Gorovy; New York City.
 * Curved House (1990). Marble.   14 × 37 × 13 inches.  (BOUR-2228) CR# BO.2246.
 * J'y suis, j'y reste (1990). Pink marble, glass, and metal.  35 × 40.5 × 31 inches.  (BOUR-1790) CR# BO.574.
 * Cove, 1988 (cast 1992). Bronze, 66 x 36 x 20 in. (167.6 x 91.4 x 50.8 cm).  Collection Landing, Nasher Sculpture Center.
 * Cell (Arch of Hysteria) (1992–1993). Steel, bronze, cast iron, and fabric.  119 × 145 × 120 inches.   Centro Andaluz de Arte Collection.
 * Arch of Hysteria (1993). Bronze, polished patina. 84 x 101.5 x 58.5 centimeters.
 * Helping Hands (Tribute to Jane Addams) (1993) Sculpture Garden - 5 pieces of carved black granite hands that sit on six rough-hewn stone pedestals. Relocated to Chicago Women's Park & Gardens, 1801 S Indiana Ave., Chicago, IL in 2011 | https://www.chicagoparkdistrict.com/parks-facilities/helping-hands-artwork |
 * Spider (1994). Steel, glass, water, and ink.  44.76 × 77.95 × 64.76 inches.  Private collection.
 * The Nest (1994). Steel.  101 × 189 × 158 inches.  San Francisco Museum of Modern Art
 * In and Out (1995). Metal, glass, plaster, fabric, plastic.  83 × 65 × 113 inches.  (BOUR-2335) CR# BO.2794.
 * Spider (1996) Bronze cast with silver nitrate patina. 9 ft. 3 in. x 27 ft. 4 in. x 26 ft. National Gallery of Art Sculpture Garden
 * Untitled (No. 2) (1996). Pink marble on steel base.  26 × 31 × 25 inches.  (BOUR-3105) CR# BO.1049..
 * "Couple II" (1996), fabric and knee brace. 27 × 60 × 32 inches. Albright-Knox Art Gallery Collection
 * Eye Benches I, II and III (1996-1997), Olympic Sculpture Park, Seattle, Washington
 * Eyes, 1997 (1997), Tjuvholmen Sculpture Park, Oslo, Norway
 * Pink Days and Blue Days (1997) Steel, fabric, wood, bone, rubber, glass, and mixed media. 117 × 87 × 87 inches
 * Ears (1998). Pink marble.  39.5 × 28.5 × 72 inches.  (BOUR-3424) CR# BO.5179.
 * Maman (1999). Steel, marble (one unit); bronze, marble (six units).  365 × 351 × 403 inches.
 * Cell × (Portrait) (2000). Steel, glass, wood, red fabric.  76.75 × 48.25 × 48.25 inches.  (BOUR-4278) CR# BO.4201.
 * Cell XIV (Portrait) (2000). Steel, glass, wood, metal, red fabric.  74 × 48 × 48 inches.  (BOUR-4309) CR# BO.4398.
 * Cell XV (For Turner) (2000). Steel, painted aluminum, mirrors, glass, water, electrical light.  108 × 120 × 68 inches.  (BOUR-3259) CR# BO.4399.
 * Mamelles (2000). Pink marble.  27 × 114 × 29.5 inches.  (BOUR-4043) CR# BO.6723.
 * Temper Tantrum (2000). Pink fabric.  9 × 13 × 20 inches.  (BOUR-4284) CR# BO.4216.
 * Cell XXIV (Portrait) (2001). Steel, stainless steel, glass, wood, fabric.  70 × 42 × 42 inches.  (BOUR-4480) CR# BO.5493.
 * Cell XXV(The View of the World of the Jealous Wife)  (2001). Steel, wood, marble, glass, fabric.  100 × 120 × 120 inches.  (BOUR-4728) CR# BO.5680.
 * Rejection (2001). Fabric, lead, steel.  25 × 13 × 12 inches.  (BOUR-4588) CR# BO.5497.
 * Eyes (nine elements) (2001). Williams College Museum of Art.
 * Seven in a Bed (2001). Fabric, stainless steel, glass, wood.  68 × 33.5 × 34.5 inches.  (BOUR-5005) CR# BO.6002.
 * Untitled (2001). Fabric, steel.  11 × 27 × 21 inches.  (BOUR-4746) CR# BO.5686.
 * Untitled (2001). Blue and purple fabric, steel.  85 × 12 × 12 inches.  (BOUR-4731) CR# BO.5687.
 * Untitled (2001). Rust and tan fabric, steel.  106 × 23 × 16 inches.  BOUR-4732) CR# BO.5688.
 * Untitled (2002). Fabric, steel, wood.  14 × 15 × 6 inches.  (BOUR-5386) CR# BO.6766.
 * Untitled (2002). Tapestry fabric, stainless steel.  74.5 × 15 × 12 inches.  (BOUR-5637) CR# BO.7400.
 * Untitled (2002). Fabric, aluminum.  12 × 12 × 12 inches.  (BOUR-5812) CR# BO.7996.
 * Untitled (2002). Pink marble.  10 × 36.25 × 16.5 inches.  (BOUR-5347) CR# BO.8272.
 * Crouching Spider (2003). Bronze and stainless steel. 106½ × 329 × 247 inches (270.5 × 835.6 × 627.3 cm).
 * Father and Son (2005). Water, steel, aluminum, bronze. 6 feet tall and 5 feet tall figures in a fountain. Installed in Olympic Sculpture Park, Seattle, Washington

Drawings

 * Femme Maison (1947). Ink on paper.  9.92 × 7.09 inches.  Solomon R. Guggenheim Museum 92.4008.
 * Spider (1947). Ink, charcoal on tan paper.  11.25 × 7.5 inches.  Private collection.
 * Untitled (1947). Pencil and red ink on tan paper.  11.5 × 9 inches.  (BOUR-0839) CR# BO.4721.
 * Untitled (1947). Ink on tan paper.  11.25 × 8.25 inches.  (BOUR-0841) CR# BO.4723.
 * Untitled (1950). Ink on tan paper.  20.25 × 13 inches.  University of California, Berkeley Art Museum
 * Untitled (1970). Ink and collage on paper.  8.5 × 11 inches.  (BOUR-0590) CR# BO.2868.
 * Naked Jogging (1996). Red ink on paper.  11.625 × 9 inches.  (BOUR-5597) CR# BO.8151.
 * Father and Son (1997). Ink and pencil on paper.  9 × 11.875.  (BOUR-5434) CR# BO.6862.
 * Swing over the Metronome (1997). Ink and crayon on paper.  13 × 10 inches.  (BOUR-5873) CR# BO.8163.
 * Untitled (1997). Ink, watercolor, and pencil on paper.  12 × 9 inches.  (BOUR-5883) CR# BO.8165.
 * Untitled (1997). Double-sided, recto: watercolor, oilstick, and pencil on paper; verso: ink and pencil on music paper.  8.5 × 11 inches.  (BOUR-5427) CR# BO.6855.
 * Untitled (1997). Ink, crayon, pencil, and white out on paper.  11.75 × 9 inches.  (BOUR-5614) CR# BO.8156.
 * Hold My Bones (1998). Pencil and gouache on red paper.  12.75 × 12.75 inches.  (BOUR-5879) CR# BO.8164.
 * J'aime bien mes amis et mon mari (1998). Red ink and pencil on paper.  9 × 12 inches.  (BOUR-5607) CR# BO.8154.
 * Untitled (2002). Red ink and pencil on paper.  12 × 9 inches.  (BOUR-5760) CR# BO.7450.
 * Untitled (2002). Red ink on paper.  9 × 12 inches.  (BOUR-5758) CR# BO.7448.
 * Untitled (2002). Crayon and colored pencil on paper.  12 × 18.75 inches.  (BOUR-5786) CR# BO.8157.
 * Untitled (2002). Red ink and pencil on paper.  9 × 11.625 inches.  (BOUR-5556) CR# BO.8138.
 * Untitled (2002). Red ink and colored pencil on paper.  13.25 × 9.5 inches.  (BOUR-5926) CR# BO.8168.
 * Yes (2004). Soft-ground etching, reworked with watercolor, gouache, and colored pencil: sheet, 22 5/8 × 21 1/2 inches. Edition of 12
 * Spider Woman (2005). Drypoint: plate, 6 7/8 × 9 1/2 inches; sheet, 13 1/2 × 13 1/2 inches. Edition of 25
 * Spiral Woman (2006).  Double-sided soft-ground etching with watercolor, gouache, crayon, and graphite: plate, 6 × 6 5/8 inches; sheet, 10 13/16 × 14 3/4 inches. Unique


 * Untitled (1946). Oil, charcoal, and pastel on canvas.  36 × 24.125 inches.  (BOUR-2703) CR# BO.1523.
 * Untitled (1946). Oil and chalk on canvas.  44 × 22 inches.  (BOUR-0031) CR# BO.1515.
 * Regrettable Incident in the Louvre Palace (1947). Oil on canvas.  14.125 × 36 inches.  (BOUR-0800) CR# BO.7908.
 * It Is Six Fifteen (1946–1948). Oil on canvas.  36 × 24 inches.  (BOUR-0028) CR# BO.519.
 * Woman in Process of Placing a Beam in Her Bag (1948). Oil on canvas.  44 × 25.75 inches.  (BOUR-0026) CR# BO.1514.
 * Spider (1994). Watercolor and gouache on paper.  11.5 × 11.75 inches.  Galerie Karsten Greve, Cologne.
 * Maternal Man, 2008 Archival dyes on fabric 48 × 32 1/2 in 121.9 × 82.6 cm.

Other

 * The Destruction of the Father (1974). Assemblage.
 * I do, I undo, I redo (2000). Steel. Installation at Tate Modern Turbine Hall, London.
 * The Damned, The Possessed and The Beloved (2011). Architectural installation for the Steilneset Memorial monument in Vardø, Norway.