List of compositions by Christoph Willibald Gluck

This is a list of compositions by Christoph Willibald Gluck.

Wq. Number by Alfred Wotquenne (1867-1939).

Opera

 * Wq.1 – Artaserse (1741)
 * Wq.2 – Demetrio – or Cleonice (1742)
 * Wq.3 – Demofoonte (1743)
 * Wq.4 – Artemene (1743), 1st Version
 * – Il Tigrane (1743)
 * Wq.5 – La Sofonisba – Siface (1744)
 * Wq.6 – La finta schiava (1744)
 * Wq.7 – Ipermestra (1744)
 * Wq.8 – Poro (1744)
 * Wq.9 – Ippolito – Fedra (1745)
 * Wq.10 – La caduta de' giganti (1746)
 * Wq.11 – Artemene (1746), 2nd Version
 * Wq.12 – Le nozze d'Ercole e d'Ebe (1747)
 * Wq.13 – La Semiramide riconosciuta (1748)
 * Wq.14 – La contesa dei numi (1749)
 * Wq.15 – Ezio (1749), 1st Version; Revised in 1763
 * Wq.16 – La clemenza di Tito (1752)
 * Wq.17 – Issipile (1751-1752)
 * Wq.18 – Le cinesi (1754)
 * Wq.19 – La danza (1755)
 * Wq.20 – L'innocenza giustificata (1755), Revised as La vestale (1768)
 * Wq.55 – Les amours champêtres (1755)
 * Wq.21 – Antigono (1756)
 * Wq.22 – Il re pastore (1756)
 * Wq.23 – L'île de Merlin, ou Le monde renversé (1758)
 * Wq.24 – La fausse esclave (1758)
 * Wq.25 – L'arbre enchanté, ou Le tuteur dupé (1759), 1st Version
 * Wq.26 – La Cythère assiégée (1759)
 * – Le diable à quatre, ou La double métamorphose (1759)
 * Wq.27 – Tetide (1760)
 * Wq.28 – L’ivrogne corrigé (Der bekehrte Trunkenbold) (1760)
 * Wq.29 – Le cadi dupé (Der betrogene Kadi) (1761)
 * – Arianna (Pasticcio) (1762)
 * Wq.30 – Orfeo ed Euridice (1762), Italian Version
 * Wq.31 – Il trionfo di Clelia (1763)
 * – Ezio (1763), 2nd Version
 * Wq.32 – La rencontre imprévue – Les pèlerins de la Mecque (1764)
 * – Enea e Ascanio (1764)
 * Wq.33 – Il Parnaso confuso (1765)
 * Wq.34 – Telemaco, ossia L’isola di Circe (1765)
 * Wq.35 – La corona (1765)
 * Wq.36 – Il prologo (1767)
 * Wq.37 – Alceste, Italian Version of Alceste, Wq.44 (1767)
 * – La vestale (1768), Revision of L’innocenza giustificata, Wq.20 (1755)
 * Wq.38 – Le feste d'Apollo (1769)
 * 1) Prologue
 * 2) Bauci e Filemone
 * 3) Aristeo
 * 4) Orfeo (Early version of Orfeo ed Euridice)
 * – Philémon et Baucis, Opéra-Ballet
 * Wq.39 – Paride ed Elena (1770)
 * – Die unvermuthete Zusammenkunft (1772), German Version of La rencontre imprévue, Wq.32 (1764)
 * Wq.40 – Iphigénie en Aulide (1774)
 * Wq.41 – Orphée et Eurydice (1774), French Version of Orfeo ed Euridice, Wq.30 (1762)
 * Wq.42 – L’arbre enchanté, ou Le tuteur dupé (1775), 2nd Version
 * Wq.43 – La Cythère assiégée, Opéra-Ballet (1775), Revision of the 1759 Opera
 * Wq.44 – Alceste (1776), French Version of Alceste, Wq.37 (1767)
 * Wq.45 – Armide (1777)
 * Wq.46 – Iphigénie en Tauride (1779), French Version
 * Wq.47 – Echo et Narcisse (1779), 1st Version
 * – Echo et Narcisse (1780), 2nd Version
 * – Iphegenie auf Tauris (1781), German Version of Iphigénie en Tauride, Wq.46 (1779)

Ballet-Pantomime

 * Wq.51 – L’Orfano della china (1761), [doubtful work]
 * Wq.52 – Don Juan, ou Le festin de Pierre (1761)
 * – La Citera assediata (1762), Dance version of La Cythère assiégée, [music lost]
 * – Alessandro (Les amours d’Alexandre et de Roxane) (c.1755)
 * Wq.56 – Semiramis (1765)
 * – Iphigénie (1765), [music lost]
 * – Marche in G Major

Orchestral

 * – Sinfonia No.1 in F Major
 * – Sinfonia No.2 in D Major
 * – Sinfonia No.3 in D Major
 * – Sinfonia No.4 in D Major
 * – Sinfonia No.5 in D Major
 * – Sinfonia No.6 in E Major
 * – Sinfonia No.7 in F Major
 * – Sinfonia No.8 in G Major
 * – Sinfonia No.9 in F Major
 * About 18 Sinfonias total, some doubtful works
 * – Flute Concerto, in G major, [doubtful work]
 * – Violin Concerto, in G major, arr of the flute concerto

Chamber

 * (Wq.53) – mis-attributed to Gluck - Six Trio Sonatas for 2 Violins and Basso continuo, publ. 1746
 * 1) in C Major
 * 2) in G Minor
 * 3) in A Major
 * 4) in B♭ Major
 * 5) in E♭ Major
 * 6) in F Major
 * (Wq.54) – mis-attributed to Gluck - Trio Sonata in E Major for 2 Violins and Basso continuo
 * GluckWV 5.2.1 - authenticated Trio Sonata in F Major for 2 Violins and Basso continuo

Sacred Vocal

 * – Miserere (1744-1745), [music lost]
 * – 2 Motets (1779)
 * Wq.59 – Almæ sedes, Motet for Solo and Orchestra (c.1785)
 * Wq.59 – Voces cantate
 * Wq.50 – De profundis, Motet for Chorus and Orchestra (1782)

Vocal

 * Wq.48 – Morceaux de chant détachés
 * 1) Oh Dei che dolce incanto, for Soprano and Orchestra
 * 2) Per tutto il timore, for Soprano and Orchestra
 * 3) Benché copra al sole il volto (1749), for Soprano and Orchestra
 * 4) Và, ti sarò fedele, for Soprano and Orchestra
 * 5) Pace, Amor, torniamo in pace, Cantate de Métastase
 * 6) Che legge spietata, for Soprano, Flute Solo and Orchestra
 * 7) Berenice, ove sei; Ombre che pallida, Scene and Aria for Soprano and Orchestra
 * 8) Ah pietà se di me senti, Duetto for Soprano, Alto and Orchestra
 * 9) Nò, che non ha la sorte; Si, vedrò quell'alma ingrata, Recitativo and Aria for Soprano and Orchestra
 * Wq.49 – 7 Oden und Lieder (c.1773~1785, published 1786)
 * 1) Vaterlandlied
 * 2) Wir und Sie
 * 3) Schlachtgesang
 * 4) Der Jüngling (2nd version)
 * 5) Die Sommernacht
 * 6) Die frühen Gräber
 * 7) Die Neigung
 * Wq.57 – Der Jüngling, 1st version (1775), [doubtful work]
 * Wq.60 – Amour en ces lieux for Voice, 2 Violins and Bass (c.1780)
 * Wq.61 – Quand la beauté lance for Voice, 2 Violins and Bass (c.1780)
 * Wq.58 – Ode an den Tod (c.1783, Published 1792)
 * Wq.62 – Die Sommernacht, 2nd version (1785)
 * Wq.63 – Minona lieblich und hold haucht reine Liebe, Duet (Published 1795)
 * – Siegsgesang für Freie (Published 1795)
 * – I lamenti d’amore, Cantata arranged from Alceste, Act III
 * – Blütenmai herbei!
 * – Einem Bach der fließt
 * – In einem kühlen Grunde

Works without Wq number

 * Hoch tut euch auf