List of compositions by Karlheinz Stockhausen

A list of compositions by Karlheinz Stockhausen (alphabetical by title—a link to a chronological list is given at the end).

A

 * Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
 * Alphabet für Liège ("Alphabet for Liège"), Nr. 36 (1972)
 * Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. 36$1/2$ (1972)
 * Amour, 5 pieces for clarinet, Nr. 44 (1976)
 * Amour, for flute, Nr. 44$1/2$ (1976/81)
 * "Vier Sterne" ("Four Stars") from Amour, for cello, Nr. 44$2/3$ (1976/98)
 * Amour, for saxophone, Nr. 44$3/4$ (1976/2003)
 * Atmen gibt das Leben ("Breathing Gives Life"), choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/77)
 * Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
 * 1) Richtige Dauern ("Right Durations"), for circa 4 players
 * 2) Unbegrenzt ("Unlimited"), for ensemble
 * 3) Verbindung ("Connection"), for ensemble
 * 4) Treffpunkt ("Meeting Point"), for ensemble
 * 5) Nachtmusik ("Night Music"), for ensemble
 * 6) Abwärts ("Downward"), for ensemble
 * 7) Aufwärts ("Upward"), for ensemble
 * 8) Oben und Unten ("Above and Below"), theatre piece for a man, a woman, and a child, with 4 instrumentalists
 * 9) Intensität ("Intensity"), for ensemble
 * 10) Setz die Segel zur Sonne ("Set Sail for the Sun"), for ensemble
 * 11) Kommunion ("Communion"), for ensemble
 * 12) Litanei ("Litany"), for speaker or speaking choir [Cf. Litanei 97, below]
 * 13) Es ("It"), for ensemble
 * 14) Goldstaub ("Gold Dust"), for ensemble
 * 15) Ankunft ("Arrival"), for speaker or speaking choir
 * Ave, for basset horn and alto flute (1984–85)

B

 * Balance, for flute, English horn, and bass clarinet (2006–07). See: Klang: Seventh Hour
 * Bassetsu, for basset-horn, 2. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion, Nr. 70
 * Bassetsu-Trio, for basset horn, trumpet, and trombone, 3. ex Nr. 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion

C

 * Carré ("Square"), for 4 choirs and orchestras, Nr. 10 (1959–60)
 * Choral ("Wer uns trug mit Schmerzen in dies Leben" ["Who bore us with pain into this life"]), for a cappella choir, Nr. 1/9 (1950)
 * Chöre für Doris ("Choruses for Doris"), for a cappella choir, Nr. 1/11 (1950)
 * Cosmic Pulses, electronic music. See: Klang: Thirteenth Hour

D

 * Dienstag aus Licht (see: Licht, below)
 * Dr K–Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
 * Donnerstag aus Licht (see: Licht, below)
 * Drachenkampf ("Dragon Fight"), for trumpet, trombone, percussion and synthesizer player, 1. ex 50$1/2$, from Festival, scene 1 of act 3 (Michaels Heimkehr) of Donnerstag aus Licht (1980/87)
 * Drei Lieder ("Three Songs"), for alto voice and chamber orchestra, Nr. 1/10 (1950)

E

 * Entführung ("Abduction"), for piccolo solo, or for soprano saxophone and electronic and concrete music, 1. ex Nr. 58$2/3$, from Montag aus Licht (1986)
 * Erwachen ("Awakening"), for soprano saxophone, trumpet, and cello (2007). See: Klang: Twelfth Hour
 * Elufa for basset-horn, flute / electronic music ad lib., 9. ex Nr. 64 (1991)
 * Ensemble, group-composition project, with twelve other composers, not assigned a work number (1967)
 * Etude, musique concrète, Nr. $1/5$ (1952)
 * Europa-Gruss ("Europe Greeting"), for winds and synthesizers, Nr. 72 (1992/2002)
 * Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
 * Electronic Music with Sound Scenes of Friday from Light, (1991–94)

F

 * Flautina, for flute with piccolo and alto flute, ex Nr. 56$1/2$ (1989)
 * Freia, for flute ex 9$1/2$ Nr. 64 (1991)
 * Formel ("Formula"), for small orchestra, Nr. $1/6$ (1951)
 * Fresco, for 4 orchestral groups, Nr. 29 (1969)
 * Freitag aus Licht (see: Licht, below)
 * Freude ("Joy"), for two harps. See: Klang: Second Hour
 * Für kommende Zeiten ("For Times to Come"), 17 texts for intuitive music, Nr. 33 (1968–70)
 * 1) Übereinstimmung ("Unanimity"), for ensemble
 * 2) Verlängerung ("Elongation")
 * 3) Verkürzung ("Shortening")
 * 4) Über die Grenze ("Across the Boundary"), for small ensemble
 * 5) Kommunikation ("Communication"), for small ensemble
 * 6) Intervall ("Interval"), for piano four-hands
 * 7) Außerhalb ("Outside'), for small ensemble
 * 8) Innerhalb ("Inside"), for small ensemble
 * 9) Anhalt ("Halt"), for small ensemble
 * 10) Schwingung ("Vibration"), for ensemble
 * 11) Spektren ("Spectra"), for small ensemble
 * 12) Wellen ("Waves"), for ensemble
 * 13) Zugvogel ("Bird of Passage"), for ensemble
 * 14) Vorahnung ("Presentiment"), for 4–7 interpreters
 * 15) Japan, for ensemble
 * 16) Wach ("Awake"), for ensemble
 * 17) Ceylon, for small ensemble

G

 * Gesang der Jünglinge ("Song of the Youths"), electronic and concrete music, Nr. 8 (1955–56)
 * Geburts-Fest ("Festival of Birth"), choir music with sound scenes for choir a cappella and tape, ex Nr. 56, from act 1 of Montag aus Licht (1987)
 * Glück ("Bliss"), for oboe, English horn, and bassoon (2007). See: Klang: Eighth Hour
 * Gruppen ("Groups"), for 3 orchestras, Nr. 6 (1955–57)

H

 * Halt, for trumpet in B-flat and double-bass (1978/83), from Michaels Reise um die Erde
 * Harlekin ("Harlequin"), for clarinet, Nr. 42 (1975)
 * Der kleine Harlekin ("The Little Harlequin"), for clarinet, Nr. 42$1/2$ (1975)
 * Harmonien ("Harmonies"), see: Klang: Fifth Hour
 * Helikopter-Streichquartett ("Helicopter String Quartet"), for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
 * Herbstmusik ("Autumn Music"), musical theatre for 4 performers, Nr. 40 (1974)
 * Laub und Regen ("Leaves and Rain"), duet for clarinet and viola, Nr. 40$1/2$
 * Himmelfahrt ("Ascension"), see: Klang: First Hour
 * Himmels-Tür ("Heaven's Door"), see: Klang: Fourth Hour
 * Hoffnung ("Hope"), for violin, viola, and cello (2007). See: Klang: Ninth Hour
 * Hymnen ("Anthems"), 4-channel electronic and concrete music, Nr. 22 (1966–67)
 * Hymnen, electronic and concrete music with soloists, Nr. 22$1/2$ (1966–67)
 * Hymnen, (Third Region) with orchestra, Nr. 22$2/3$ (1969)

I

 * In Freundschaft ("In Friendship"), for clarinet, Nr. 46 (1977)
 * In Freundschaft, for flute, Nr. 46$1/2$
 * In Freundschaft, for oboe, Nr. 46$2/3$
 * In Freundschaft, for bassoon, Nr. 46$3/4$
 * In Freundschaft, for bassett-horn or bass clarinet, Nr. 46 4/5
 * In Freundschaft, for violin, Nr. 46 5/6
 * In Freundschaft, for viola, Nr. 46 6/7
 * In Freundschaft, for violoncello or double bass, Nr. 46 7/8
 * In Freundschaft, for saxophone, Nr. 46 9/10
 * In Freundschaft, for trumpet in E-flat (with fourth-attachment), Nr. 46 10/11
 * In Freundschaft, for horn, Nr. 46 11/12
 * In Freundschaft, for trombone, Nr. 46 12/13
 * In Freundschaft, for tuba, Nr. 46 13/14
 * In Freundschaft, for recorder, Nr. 46 14/15
 * Inori: Adorations for One or Two Soloists with Orchestra, Nr. 38 (1973–74)
 * Vortrag über HU ("Lecture on HU"), musical analysis of Inori, for a singer, Nr. 38$1/2$ (1974)

J

 * Jubiläum ("Jubilee"), for orchestra, Nr. 45 (1977)

K

 * Katikati, for flute, Nr. 85.2 extra (2006)
 * Der Kinderfänger (The Pied Piper) with Entführung (Abduction), scenes 2 and 3 from Evas Zauber (act 3 of Montag aus Licht) (1986), two versions:
 * Nr. 58 $2/3$, for alto flute with piccolo, children's choir, modern orchestra (3 synthesizer players, percussionist, and tape), with basset-horn ad lib.
 * Nr. 58 $2/3$ ossia, as either a solo for alto flute with piccolo, two synthesizer players, one percussionist, and tape, or a solo for alto flute with piccolo and tape
 * Kinntanz ("Chin Dance"), 10. ex Nr. 53, from Luzifers Tanz, scene 3 from Samstag aus Licht (1983), 2 versions:
 * for euphonium, one percussionist, one synthesizer player (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or
 * euphonium, one percussionist, alto trombone, tenor horns (or baritones), and tubas (1 transmitter, 6 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist)
 * Klang ("Sound", the 24 Hours of the Day), Nr. 81–101 (2004–2007)
 * First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
 * Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
 * Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
 * Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
 * Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
 * bass clarinet, Nr. 85.1 (2006)
 * flute, Nr. 85.2 (2006)
 * trumpet, Nr. 85.3 (2006)
 * Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
 * Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
 * Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
 * Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
 * Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
 * Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
 * Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
 * Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
 * Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
 * Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
 * Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
 * Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
 * Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
 * Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
 * Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
 * Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
 * Klavierstücke ("Piano Pieces")
 * Klavierstücke I–IV, Nr. 2 (1952)
 * Klavierstücke V–X, Nr. 4 (1954–55/61)
 * Klavierstück XI, Nr. 7 (1956)
 * Klavierstück XII, ex Nr. 49$3/4$ (1979/83)
 * Klavierstück XIII, Nr. 51$1/2$ (1981)
 * Klavierstück XIV, ex Nr. 57$2/3$ (1984)
 * Synthi-Fou (Klavierstück XV), ex Nr. 61$2/3$
 * Klavierstück XVI, Nr. 63$1/2$ (1995)
 * Klavierstück XVII, 7$1/2$ ex Nr. 64 (1994/99)
 * Klavierstück XVIII, Nr. 73$2/3$ (2004)
 * Klavierstück XIX, Nr. 80 (2001/2003)
 * Knabenduett ("Boys' Duet"), for 2 soprano saxophones, 2. ex Nr. 50$1/2$, from Festival, scene 1 of act 3 of Donnerstag aus Licht (1980)
 * Komet ("Comet"), version for a percussionist, electronic and concrete music, sound projectionist, 7$2/3$ ex Nr. 64 (1994/99)
 * Komet als Klavierstück XVII, for electronic piano (synthesizer), electronic and concrete music, sound projectionist, 7$1/2$ ex Nr. 64 (1994/99) (see: Klavierstücke)
 * Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60)
 * Kontakte, for electronic sounds, piano, and percussion, Nr. 12$1/2$ (1958–60)
 * Originale ("Originals"), musical theatre with Kontakte, Nr. 12$2/3$ (1961)
 * Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
 * Kreuzspiel ("Crossplay"), for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
 * Kurzwellen ("Short Waves"), for 6 players with live electronics, plus sound director, Nr. 25 (1968)

L

 * Licht ("Light"), Nr. 47–80 (1977–2003)
 * Jahreslauf ("Course of the Years"), Nr. 47 (1977/91)
 * Donnerstag aus Licht ("Thursday from Light"), opera in three acts, a greeting, and a farewell, Nr. 48–50 (1978–80)
 * Michaels Reise um die Erde ("Michael's Journey Round the Earth"), Nr. 48 (1978)
 * Donnerstags-Gruß ("Thursday's Greeting"), Nr. 48$1/2$ (1978)
 * Michaels Jugend ("Michael's Youth"), Nr. 49 (1978–79)
 * Kindheit ("Childhood"), Nr. 49$1/2$ (1979)
 * Mondeva, Nr. 49$2/3$ (1978–79)
 * Examen ("Examination"), Nr. 49$3/4$ (1979)
 * Michaels Heimkehr ("Michael's Homecoming"), Nr. 50 (1980)
 * Festival, Nr. 50$1/2$
 * Vision, Nr. 50$2/3$
 * Donnerstags-Abschied ("Thursday's Farewell"), Nr. 50$3/4$ (1980)
 * Samstag aus Licht ("Saturday from Light"), opera in a greeting and four scenes, Nr. 51–54 (1981–84)
 * Luzifers Traum ("Lucifer's Dream"), Nr. 51 (1981)
 * Kathinkas Gesang als Luzifers Requiem ("Kathinka's Chant as Lucifer's Requiem"), Nr. 52 (1982–83)
 * Luzifers Tanz ("Lucifer's Dance"), Nr. 53 (1983)
 * Samstags-Gruss ("Saturday's Greeting"), Nr. 53$1/2$ (1984)
 * Luzifers Abschied ("Lucifer's Farewell"), Nr. 54 (1982)
 * Montag aus Licht ("Monday from Light"), opera in three acts, a greeting, and a farewell, Nr. 55–59 (1984–88)
 * Montags-Gruß (Evas-Gruss), for multiple basset-horns and electronic keyboard instruments, Nr. 55 (1986/88)
 * Evas Erstgeburt, Nr. 56 (1987)
 * Evas Zweitgeburt, Nr. 57 (1984–87)
 * Evas Zauber, Nr. 58 (1984–86)
 * Montags-Abschied, Nr. 59 (1986/88)
 * Dienstag aus Licht, opera in a greeting and two acts (with a farewell), Nr. 47, 60–61 (1977/87–91)
 * Dienstags-Gruß, Nr. 60 (1987–88)
 * Jahreslauf vom Dienstag, Nr. 47 (1977/91)
 * Invasion-Explosion mit Abschied, Nr. 61 (1990–91)
 * Freitag aus Licht, opera in a greeting, two acts, and a farewell, Nr. 62–64 (1991–94)
 * Freitags-Gruss and Freitags-Abschied (concert title: Weltraum ("Outer Space"), electronic music, Nr. 62 (1991/92/94)
 * Paare vom Freitag, Nr. 63 (1992/99)
 * Freitag-Versuchung, Nr. 64 (1991–94)
 * Mittwoch aus Licht ("Wednesday from Light"), opera in a greeting, four scenes, and a farewell, Nr. 65–71 (1995–98)
 * Mittwochs-Gruss ("Wednesday's Greeting"), Nr. 65 (1998)
 * Welt-Parlament ("World Parliament"), Nr. 66 (1995)
 * Orchester-Finalisten ("Orchestra Finalists"), Nr. 68 (1995–96)
 * Helikopter-Streichquartett ("Helicopter String Quartet"), Nr. 69 (1992–93)
 * Michaelion, Nr. 70 (1997)
 * Mittwochs-Abschied ("Wednesday's Farewell"), Nr. 71 (1996)
 * Sonntag aus Licht ("Sunday from Light"), Nr. 75–80 (1998–2003)
 * Lichter-Wasser ("Lights-Waters"), Nr. 75 (1998–99)
 * Engel-Prozessionen ("Angel Processions"), Nr. 76 (2000)
 * Licht-Bilder ("Light-Pictures"), Nr. 77 (2002)
 * Düfte-Zeichen ("Scents-Signs"), Nr. 78 (2002)
 * Hoch-Zeiten ("High-Times"), Nr. 79 (2001–2002)
 * Sonntags-Abschied ("Sunday's Farewell"), Nr. 80 (2001/2003)
 * Licht-Ruf ("Light Call"), for trumpet, basset horn, and trombone, or other instruments, Nr. 67 (1995)
 * Linker Augenbrauentanz ("Left-Eyebrow Dance"), for flutes and basset horn(s), one percussionist, and one synthesizer player, 1. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
 * Linker Augentanz ("Left-Eye Dance") for saxophones, synthesizer and percussion, 3. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/90)
 * Litanei 97 ("Litany 97"), for choir with conductor, Nr. 74 (1997)

M

 * Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
 * Menschen, hört ("Mankind, Hear"), for vocal sextet (SSATBB, with 6 microphones, 6 or 2 × 2 loudspeakers, mixing desk and sound projectionist), 4. ex Nr. 70, from Michaelion, scene 4 from Mittwoch aus Licht (1997)
 * Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
 * Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
 * Mittwoch aus Licht (see: Licht, above)
 * Mittwoch-Formel ("Wednesday Formula"), Nr. 73$1/2$, for percussion trio (2004)
 * Mixtur ("Mixture"), for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
 * Mixtur, version for small orchestra, Nr. 16$1/2$ (1964/67)
 * Mixtur 2003, for 5 instrumental groups, 4 sinewave-generator players, 4 sound mixers with 4 ring modulators, and sound director, Nr. 16$2/3$ (1964/67/2003)
 * Momente ("Moments"), for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
 * Montag aus Licht (see: Licht, above)
 * Musik für ein Haus, group-composition project, with fourteen other composers, not assigned a work number (1968)
 * Musik im Bauch ("Music in the Belly"), for 6 percussionists and music boxes, Nr. 41 (1975)

N

 * Nasenflügeltanz ("Wing-of-the-Nose Dance"), for solo percussionist, or for percussionist with a synthesizer player, 7. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
 * Natürliche Dauern ("Natural Durations"), for piano. See: Klang: Third Hour

O

 * Oberlippentanz ("Upper-Lip Dance"), for piccolo trumpet, trombone or euphonium, 4 or 8 horns, 2 percussionists (with 2 transmitters, 10 microphones, 2 × 2 loudspeakers, mixing desk and sound projectionist), or as solo for piccolo trumpet 8. ex Nr. 53, cadenza from Luzifers Tanz, scene 3 from Samstag aus Licht (1983)
 * Oktophonie ("Octophony"), electronic music of Dienstag aus Licht, 1. ex Nr. 61 (1990/91)
 * Originale ("Originals"), musical theatre, Nr. 12$2/3$ (1961) [Cf. Kontakte, above]

P

 * Paare vom Freitag ("Couples of Friday") with soprano, bass, electronic instruments (tape) Nr. 63 (1992/99)
 * Pietà, for flugelhorn and electronic music, or for flugelhorn, soprano, and electronic music, Nr. 61$1/2$, from act 2 of Dienstag aus Licht (1990/91)
 * Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
 * Pole ("Poles"), for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
 * Prozession ("Procession"), for 6 players with live electronics, Nr. 23 (1967)
 * Punkte ("Points"), for orchestra, Nr. $1/2$ (1952/62/66/93)

Q

 * Quitt ("Even"), for alto flute, clarinet, and trumpet, 1. ex Nr. 59 (1989)

R

 * Rechter Augenbrauentanz ("Right-Eyebrow Dance"), for clarinets, bass clarinet(s), one percussionist, and one synthesizer player (with c. 8 microphones, 2 × 2 loudspeakers, mixing desk, and sound projectionist), 2. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983/2003)
 * Rechter Augentanz ("Right-Eye Dance"), for oboes, cor anglais, bassoons, one percussionist, and one synthesizer player, 4. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
 * Rechter Backentanz ("Right-Cheek Dance"), for trumpets, trombones, one percussionist, and one synthesizer player, 6. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
 * Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
 * 3 x Refrain 2000, for sampler-celesta (+ 3 antique cymbals), piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and sound director, Nr. 11$1/2$ (2000)
 * Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. 70$1/2$ (1997)

S

 * Samstag aus Licht (see: Licht, above)
 * Saxophon (aus Jahreslauf), for soprano saxophone and bongo, or soprano saxophone alone, 2. ex Nr. 47,  (1977) from Dienstag aus Licht
 * Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. $1/3$ (1952)
 * Schönheit ("Beauty"), for flute, bass clarinet, and trumpet (2006–2007). See: Klang: Sixth Hour
 * Signale zur Invasion ("Signals to Invasion"), for trombone and electronic music or for trombone alone, 2. ex Nr. 61, from Dienstag aus Licht (1992)
 * Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
 * Sirius, electronic music alone, four versions:
 * Spring version, 1. ex Nr. 43
 * Summer version, 2. ex Nr. 43
 * Fall version, 3. ex Nr. 43
 * Winter version, 4. ex Nr. 43
 * Aries, for trumpet and electronic music, Nr. 43$1/2$ (1977/80)
 * Libra, for bass clarinet and electronic music, Nr. 43$2/3$ (1977)
 * Capricorn, for bass and electronic music, Nr. 43$3/4$ (1977)
 * Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
 * Sonatine, for violin and piano, Nr. $1/8$ (1951)
 * Sonntag aus Licht (see: Licht, above)
 * Spiel ("Play"), for orchestra, Nr. $1/4$ (1952)
 * Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
 * Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
 * Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
 * Stimmung "Paris Version", for 6 vocalists, 6 microphones, 6 loudspeakers, and sound director, Nr. 24$1/2$ (1968)
 * Stop, for small orchestra in 6 groups, Nr. 18 (1965)
 * Stop, "Paris Version", Nr. 18$1/2$ (1969)
 * Stop und Start, for 6 instrumental groups, Nr. 18$2/3$ (2001)
 * Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. 80$1/2$ (2002)
 * Studie I ("Study I"), electronic music, Nr. 3/I (1953)
 * Studie II ("Study II"), electronic music, Nr. 3/II (1954)
 * Sukat, for alto flute and basset-horn, 2. ex Nr. 60 (1989)

T

 * Telemusik, electronic and concrete music, Nr. 20 (1966)
 * Thinki, for flute, 1. ex Nr. 70 (1997)
 * Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41$1/2$ (1974–75)
 * Tierkreis, for high soprano or high tenor, Nr. 41$2/3$
 * Tierkreis, for soprano or tenor, Nr. 41$3/4$
 * Tierkreis, for mezzo-soprano or alto or low tenor, Nr. 41$4/5$
 * Tierkreis, for baritone, Nr. 41$5/6$
 * Tierkreis, for bass, Nr. 41 6/7
 * Tierkreis, for chamber orchestra, Nr. 41 7/8 (1974/77)
 * Tierkreis, for clarinet and piano, Nr. 41 8/9 (1974/81)
 * Tierkreis, trio version, Nr. 41 9/10 (1974/83)
 * Tierkreis, 2003 version, for tenor or soprano and chordal instrument, Nr. 41 10/11 (1974/2003)
 * Fünf Sternzeichen, for orchestra, Nr. 41 11/12 (1974/2004)
 * Fünf weitere Sternzeichen, for orchestra, Nr. 41 12/13 (1974/2007)
 * Taurus, for bassoon, 1. ex Nr. 41 12/13 (1974/2007)
 * Taurus-Quintett, for tuba, trumpet, bassoon, horn, and trombone, 2. ex Nr. 41 12/13 (1974/2007)
 * Trans, for orchestra and tape, Nr. 35 (1971)
 * Traum-Formel ("Dream Formula"), for basset-horn, Nr. 51$2/3$ (1981)
 * Treue ("Fidelity"), for E♭ clarinet, basset horn, and bass clarinet (2007). See: Klang: Eleventh Hour
 * Trumpetent (or Trompetent), for 4 trumpeters, Nr. 73 (1995)
 * Türin, for door (German: Tür), rin, and speaker (versions in German and English), with electronics, Nr. 84 extra (2006)
 * Two Couples, electronic and concrete music, Nr. 63 $2/3$ (1992/99)

U

 * Unsichtbare Chöre ("Invisible Choirs"), 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)

V

 * Vibra-Elufa, for vibraphone, 9$3/4$ ex Nr. 64 (2003)

W

 * Weltraum ("Outer Space"), electronic music, Nr. 62 (1991–92/94) see: Licht: Freitags-Gruss and Freitags-Abschied, above.
 * Wochenkreis ("Cycle of the Week"), for basset-horn and electronic keyboard instruments, 2. ex Nr. 57$3/4$ (1986/88)

X

 * Xi, for a melody instrument with microtones, 1. ex Nr. 55 (1986)
 * Xi, version for basset horn, 2. ex Nr. 55 (1986)
 * Xi, version for alto flute or flute, 3. ex Nr. 55 (1986)

Y

 * Ylem, for 19 players, Nr. 37 (1972)
 * Ypsilon, for a melody instrument with microtones, 2. ex Nr. 59 (1989)
 * Ypsilon, version for basset-horn, 3. ex Nr. 59 (1989)
 * Ypsilon, version for flute, 4. ex Nr. 59 (1989)

Z

 * Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
 * Zungenspitzentanz ("Tip-of-the-Tongue Dance") for piccolo flute, dancer (optional) 2 euphoniums or synthesizer, 1 percussionist (optional) (plus 1 transmitter, 5 microphones, 2 x 2 loudspeakers, mixing desk and sound projectionist), or as piccolo solo, 9. ex Nr. 53, from Luzifers Tanz, scene 3 of Samstag aus Licht (1983)
 * Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)