List of compositions by Thomas de Hartmann

Musical compositions of the composer Thomas de Hartmann (1884–1956).

Orchestral

 * Suite from “La Fleurette rouge”. (1911)
 * Scherzo fantastique. Op. 25. (1929)
 * Two Organ Fugues of Bach transcribed for Orchestra. Op. 48. (1934)
 * First Symphonie-Poème. Op. 50. (1934)
 * Concerto for Violoncello and Orchestra. Op. 57. (c. 1936, published 1938)
 * Twelve Russian Fairy Tales. Op. 58. (1937)
 * Koliadky. Noëls ukrainiens, chant spiritual. Op. 60. (c. 1938)
 * Concerto for Piano and Orchestra. Op. 61. (1939)
 * Suite pour grand orchestre: Une Fête en Ukraine. Op. 62. (1941)
 * Fantasie-concerto for Contrabass and Orchestra. Op. 65. (1944)
 * Concerto for Violin and Orchestra. Op. 66. (1944)
 * Second Symphonie-Poème – Le dit du soleil. Op. 68. (1950)
 * “La Guzla” – Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Op. 72. (1945)
 * Concerto d’après un cantate de Bach. For Violoncello and String Orchestra. Op. 73. (1949)
 * Dances from the opera Esther. Op. 76. (1949)
 * Concierto Andaluz, for Flute and Orchestra. Op. 81. (1949)
 * Third Symphonie-Poème. Op. 85. (1953)
 * Fourth Symphonie-Poème. Unfinished. Op. 90. (1956)

Chamber and instrumental music

 * Sonate pour violon et piano. Op. 51. (1935)
 * Concerto for Violoncello and Orchestra. Arrangement for Violoncello and Piano. Op. 57. (1936)
 * Koliadky. Noëls ukrainiens, chant spiritual. Arrangement for Saxophone Quartet. Op. 60. (c. 1938)
 * Concerto for Piano and Orchestra. Arrangement for Two Pianos. Op. 61. (1939)
 * Sonate pour violoncelle et piano. Op. 63. (1941)
 * Deux Pleureuses. Violin and Piano. Op. 64 (c. 1942)
 * Fantasie-concerto for Contrabass and Orchestra. Arrangement for Contrabass and Piano. Op. 65. (1944)
 * Concerto for Violin and Orchestra. Arrangement for Violin and Piano. Op. 66. (1944)
 * La Guzla: Concerto for Harp and Orchestra. Rapsodie slave d’après P. Merimé. Arrangement for Harp and Piano. Op. 72. (1945)
 * Concerto d’après un cantate de Bach. Arrangement for Violoncello and Piano. Op. 73. (1945)
 * Trio pour flute, violon et piano – “Quasi variations.” Op. 75. (1946)
 * Two Preludes of J.S. Bach. Cello and piano. (1947)
 * Dances from the opera Esther. Arrangement for Violin and Piano. Op. 76. (1949)
 * Concierto Andaluz, for Flute and Orchestra. Arrangement for Flute and Piano. Op. 81. (1949)
 * La Kobsa: deux musiques de veilleurs ukrainiens pour violoncelle solo. (1950)

Music for stage works

 * Incidental music for the play “Caligula,” by Alexander Dumas. For Orchestra. (1903)
 * La Fleurette rouge, ballet en cinq actes. Op. 9. (1906)
 * Les Bacchantes, Choreographic Suite for “Danses Plastique” performed by Sacharoff. (1910)
 * Fra Mino. Choreographic poem. Op. 14. (1912)
 * Gelbe Klang [Yellow Sound], with Wassily Kandinsky. Unfinished. (1912)
 * Forces de l’amour et de la sorcellerie, divertissement comique en trois interludes. Op. 16. (1916)
 * Flenushka. Unfinished opera. (1916)
 * Music for the drama “In the Grip of Life,” by Knut Hamson. Tiflis Art Theater. Op. 22. (1919)
 * Music for “The King of the Dark Chamber,” by Rabindranath Tagore. Tiflis. Op. 23. (1919)
 * Le General Boulanger, d’après Maurice Rostand. Unfinished. (c. 1931)
 * Babette, comédie-ballet en deux actes par Henri Cain. Op. 49 (1935)
 * Suite pour grand orchestre: Une Fête en Ukraine, ballet en un acte. Op. 62. (1941)
 * Esther, tragédie musicale d’après Racine. Opera. Op. 76. (1949)
 * Musique pour la fête de la Patronne, d’après Degas. Ballet. Op. 77. (1949)

Piano Solo

 * Sonata for Piano. Op. 2. (1902)
 * Trois Morceaux. Op. 4. (c. 1903)
 * Six Pieces. Op. 7. (c. 1903)
 * Three Preludes. Op. 9. (1904)
 * La Fleurette rouge. Reduction for Piano Solo. Op. 9. (1906)
 * Suite from “La Fleurette rouge”. Arranged for Piano Solo. (1911)
 * Fra Mino. Selections. Reduction for Piano Solo. Op. 14. (1912)
 * Forces de l’amour et de la sorcellerie. Reduction for Piano Solo. Op. 16. (1917)
 * Humoresque Viennoise. Op. 45. (1931)
 * Babette, comédie-ballet en deux actes par Henri Cain. Arranged for Piano Solo. Op. 49 (1935)
 * Twelve Russian Fairy Tales. Version for Piano Solo. Op. 58. (1937)
 * Koliadky. Version for Piano Solo. Op. 60. (c. 1940)
 * First Piano Sonata. Op. 67. (1942)
 * Lumière noire. Op. 74. (1948)
 * Musique pour la fête de la Patronne, d’après Degas. Reduction for Piano Solo. Op. 77. (1949)
 * Second Piano Sonata. Op. 82. (1951)
 * Six Preludes. Op. 83. (1952)
 * Two Nocturnes. Op. 84. (1954)
 * Four Serenades. Op. 86. (1954)
 * Three Songs. Under pseudonym of Thomas Kross. (c. 1955)
 * Poco Rubato. Piano solo. n.d.

Vocal

 * Romance. Words by Tatiana Shchepkina-Kupernik. Voice and Piano. (1901)
 * Three Romances. Words by Pyotr Kapnist and Mikhail Golenischev-Kutusov. Op. 5. Voice and Piano. (c. 1903)
 * Mermaids. Words by B. Kakhovsky. Op. 5. Voice and Piano. (c. 1903)
 * Four Poems of K. Balmont. Op. 8. Voice and Piano. (c. 1904)
 * John of Damascus, cantata for soloists, mixed choir and symphony orchestra. Text based on the poem by A. K. Tolstoy. Op. 1. (1906)
 * From the Verses of D.M. Ausonius. Op. 13. Voice and Orchestra. Also arranged for Voice and Piano. (1911)
 * Three Songs of Balmont. Op. 12. Voice and Piano. (1912)
 * Three Moorish Songs. Translated by Konstantin Balmont. Op. 15. Voice and Piano. (1913)
 * Four Melodies. Words by Anna Achmatova. Op. 17. Voice and Piano. (1915)<Reproduced manuscript in Montreal collection
 * Christ is Risen. Words by Sergei Gorodetsky. Op. 18. Voice and Piano. (1915)
 * Two Spanish Songs. Words by Valery Bryusov. Op. 19. Voice and Piano. (1916)
 * To the moon. Words by Shelley. Op. 11. Voice and Piano. (1917)
 * Nightingale. Voice and Orchestra. (c. 1919)
 * Cranes. Words by Vassily Zota. Voice and Piano. (1920)
 * Bulgarian Songs. Translated by Konstantin Balmont. Op. 46. Voice and Piano. (1933)
 * Three Ballads. Words by G. Adamovich and Maria Tsvetaeva. Op. 47. Voice and Piano. (1934)
 * Lament for King Alexander. Voice and Piano. (1934)
 * Three Poems of Shelley. Op. 52. Voice and Orchestra. Also arranged for Voice and Piano. (1936)
 * Sonnet de Ronsard. Op. 54. Voice and Piano. (1934)
 * Romance 1830. Op. 55. Voice and Piano. (1936)
 * In Helen’s Herb Garden. Words by Vassilli Travnikov. Voice and Piano. (1936)
 * A Poet’s Love: Nine Poems by Pushkin. Op. 59. Voice and Piano. (1936)
 * Indian Summer. Words by Don Aminado. Voice and Piano. (1938)
 * Sept Paysages Tristes. Words by Paul Verlaine. Op. 69. Voice and Piano. (1943)
 * Two Songs. Words by Fyodor Sologub and William Shakespeare. Voice and Piano. (c. 1943)
 * Fragment of Proust. Op. 70. Voice and Piano. (1945)
 * Six Commentaries from Ulysses by James Joyce. Op. 71. Voice and Piano. (1948)
 * Second Fragment of Proust. Op. 79. Voice and Piano. (1948)
 * Les Courbes d’Atalante: Déclamation avec musique d’Harpe. Words by Serge Moreux. (1949)
 * La Tramuntana. Words by J. Gual. Op. 80. For a cappella choir. (1949)
 * A la St. Jean d’été. Words by Serge Moreux and Thomas Kross (pseud.). Voice and Piano. (1949)
 * Frenchman in Arizona. Words and Music by Thomas Kross (pseud.). Voice and Piano. (1951)
 * The Song of the Dead Venetian. Words by Jean Loynel; Music: Thomas Kross (pseud.). Voice and Piano. (c. 1951)
 * The Barrel Organ Girl. Words by Maria Tsvetaeva. Voice and Piano. (c. 1954)
 * Four popular Russian songs. Men’s a cappella quartet. (n.d.)
 * In the Nocturnal Silence. Men’s a cappella quartet. (n.d.)
 * Twilight. Words by Luc Durtin. Voice and Piano. (n.d.)
 * Two Chinese Songs. Translated by George Soulié de Morant. Voice and Piano. (n.d.)
 * White flocks. Words by Anna Achmatova. Voice and Piano. (n.d.)

Collaborations with G.I. Gurdjieff
The following volumes are all published by Schott Music Group:
 * Gurdjieff/de Hartmann: Music for the Piano.
 * Volume I: Asian Songs and Rhythms
 * Volume II: Music of the Sayyids and the Dervishes
 * Volume III: Hymns, Prayers and Rituals
 * Volume IV: Hymns from a Great Temple and Other Selected Works