List of dodecaphonic and serial compositions

This is an incomplete list of musical pieces composed in the twelve-tone technique and pieces that use serialism.

List of musical pieces composed in the twelve-tone technique

 * Second Viennese School
 * Alban Berg
 * Kammerkonzert, for piano, violin, and winds (1923–25)
 * Lyrische Suite, for string quartet (1925/26)
 * Der Wein, concert aria for soprano and orchestra after a poem by Charles Baudelaire (1929)
 * Lulu, opera after Die Büchse der Pandora by Frank Wedekind (1928–35)
 * Violinkonzert, for violin and orchestra (1935)
 * Hanns Eisler
 * Palmström, song cycle op. 5 (1923/24)
 * Zeitungsausschnitte (Newspaper Clippings), song cycle op. 11 (1926)
 * "14 Arten den Regen zu beschreiben" (1940, for the 1929 short documentary Regen)
 * Arnold Schoenberg
 * Waltz from 5 Klavierstücke, op. 23
 * Serenade, op. 24
 * Suite for Piano, op. 25
 * Wind Quintet, op. 26
 * Four Pieces for mixed voices, op. 27
 * Suite for piano, piccolo clarinet, clarinet, bass clarinet, violin, viola, and cello, op. 29
 * String Quartet No. 3, op. 30
 * Variations for Orchestra, op. 31
 * Von heute auf morgen, op. 32
 * Klavierstück, op. 33a
 * Klavierstück, op. 33b
 * Moses und Aron (incomplete)
 * Begleitungsmusik zu einer Lichtspielscene [Accompanying music to a film scene], op. 34
 * Concerto for Violin and Orchestra, op. 36
 * String Quartet No. 4, op. 37
 * Concerto for Piano & Orchestra, op. 42
 * String Trio, op. 45
 * A Survivor from Warsaw, op. 46
 * Fantasy for Violin & Piano, op. 47
 * Anton Webern
 * Three Lieder, op. 17 (1924–1925)
 * Three Lieder, for voice, E flat clarinet and guitar, op. 18 (1925)
 * Two Lieder, for mixed choir, celesta, guitar, violin, clarinet and bass clarinet, op. 19 (1926)
 * String Trio, op. 20 (1927)
 * Symphony, op. 21 (1928)
 * Quartet for violin, clarinet, tenor saxophone and piano, op. 22 (1930)
 * Three Songs on Hildegard Jone's Viae inviae, for voice and piano, op. 23 (1934)
 * Concerto for flute, oboe, clarinet, horn, trumpet, trombone, violin, viola and piano, op. 24 (1934)
 * Three Lieder on texts by Hildegard Jone, for voice and piano, op. 25 (1934–35)
 * Das Augenlicht, for mixed choir and orchestra, on a text by Hildegard Jone, op. 26 (1935)
 * Variations, for solo piano, op. 27 (1936)
 * String Quartet, op. 28 (1937–38) – the tone row of this piece is based around the BACH motif
 * Cantata No. 1, for soprano, mixed choir and orchestra, op. 29 (1938–39)
 * Variations, for orchestra, op. 30 (1940)
 * Cantata No. 2, for soprano, bass, choir and orchestra, op. 31 (1941–43)


 * Milton Babbitt
 * Virtually all published works after 1947
 * John Cage
 * Sonata for Clarinet (1933)
 * Carlos Chávez
 * Soli II for wind quintet (1961)
 * Variations for Violin and Piano (1961)
 * Aaron Copland
 * Piano Quartet (1950)
 * Piano Fantasy (1957)
 * Connotations for orchestra (1961)
 * Inscape for orchestra (1967)
 * Henry Cowell
 * Variations for Orchestra (1959)
 * Luigi Dallapiccola
 * Virtually all published works after 1942
 * Benjamin Frankel
 * Film score for The Curse of the Werewolf (1961)
 * His 8 symphonies (see e.g. the article on Symphony No.1 (Op.33, 1958)) either use the twelve-tone technique, or serial techniques with other kinds of rows, or both
 * Lou Harrison
 * Rapunzel (1952)
 * Symphony on G (1952)
 * Josef Matthias Hauer
 * All works written after August 1919 (though the twelve-tone technique used is not Schoenberg's system)
 * Zwölftonspiele (approximately one thousand works) (after 1940)
 * Ernst Krenek
 * Karl V
 * Maurice Le Roux
 * 2 pieces dodecaphoniques, pour piano seul (1945/46)
 * Luigi Nono
 * Composizione no.1, for orchestra (1951)
 * Variazioni canoniche sulla serie dell’op. 41 di A. Schönberg, for chamber orchestra (1950)
 * Walter Piston
 * Chromatic Study on the Name of Bach, for organ
 * Concerto for Clarinet and Orchestra
 * Concerto for Flute and Orchestra
 * Fantasy for Violin and Orchestra
 * Ricercare for Orchestra
 * String Quartet No. 5
 * Symphony No. 1
 * Symphony No. 8
 * Variations for Cello and Orchestra
 * Leonard Rosenman
 * The Cobweb (1955)
 * Humphrey Searle
 * All works from the Intermezzo for eleven instruments, Op. 8 (1946), onwards
 * Roger Sessions
 * Virtually all published works after 1953 (exceptions include his Mass, and the twelve-tone technique used rarely follows Schoenberg's system)
 * Karlheinz Stockhausen
 * Drei Lieder for alto voice and chamber orchestra, Nr. 1/10 (1950)
 * Sonatine, for violin and piano, Nr. ⅛ (1951)
 * Igor Stravinsky, works from 1952 forward:
 * Cantata (1952)
 * Three Songs From Shakespeare (1953)
 * In Memoriam Dylan Thomas (1954)
 *  Canticum Sacrum (1955)
 * Agon (1957)
 * Threni (1958)
 * Movements for Piano and Orchestra (1958–59)
 * A Sermon, a Narrative and a Prayer (1961)
 * The Flood (1962)
 * The Dove Descending Breaks the Air (1962)
 * Variations: Aldous Huxley in memoriam (1963–64)
 * Requiem Canticles (1966)
 * Van der Graaf Generator
 * "After the Flood" (1970, from the album The Least We Can Do Is Wave to Each Other) – includes a twelve tone piece arranged by David Jackson
 * Egon Wellesz
 * Symphony No. 5, Op. 75 (1955–56)
 * Charles Wuorinen
 * Most mature works
 * Frank Zappa
 * Waltz for Guitar (1958)

List of pieces that use serialism
Organized by composer:


 * Tadeusz Baird
 * Cassazione per orchestra (1956)
 * String Quartet (1957)
 * Four Essays (1958)
 * Erotyki (1961)
 * Jean Barraqué
 * ... Au delà du hasard (premier "commentaire" de "Affranchi du hasard" et du "Temps restitué") for four instrumental groups and one vocal group (1958–59)
 * Chant après chant for six percussionists, voice and piano (1966)
 * Concerto for six instrumental groups and two solo instruments (vibraphone and clarinet) (1962–68)
 * Étude for 3-track tape (1952–53)
 * Séquence for voice, percussion and chamber ensemble (1950–55)
 * Sonata for Piano (1950–52)
 * Le Temps restitué for soprano, chorus and orchestra (1956–68)
 * Pierre Boulez
 * Anthèmes, for violin solo (1991/94)
 * Anthèmes II, for violin and live electronics (1997)
 * Cummings ist der Dichter, for chorus and ensemble (1970/1986)
 * Dérive 1, for six instruments (1984)
 * Dérive 2, for eleven instruments (1988/2002/2006)
 * Domaines, for clarinet solo or for clarinet and six instrumental groups (1968)
 * Études (2), musique concrète (1951–52)
 * ...explosante-fixe...
 * for flute, clarinet, and trumpet (1971–72)
 * for flute, clarinet, trumpet, harp, vibraphone, violin, viola, cello, and electronics (1973–74)
 * version for vibraphone and electronics (1986)
 * for solo MIDI flute, two "shadow" flutes, chamber orchestra, and electronics (1991–93)
 * version for vibraphone and electronics (1986)
 * Figures—Doubles—Prismes, for orchestra (1957–58/1964/1968)
 * Improvisé—pour le Dr. K, for flute, clarinet, piano, violin, and cello (1969; revised 2005)
 * Incises, for piano (1994/2001)
 * Livre, for string quartet (1948); two movements reworked for string orchestra (1968/1989)
 * Le marteau sans maître (1955–57)
 * Messagesquisse, for solo cello and six cellos (1976)
 * Notations
 * for piano (1945)
 * I–IV and VII for orchestra (1978–1984/1997)
 * Poésie pour pouvoir, for tape and 3 orchestras (1955/58, withdrawn)
 * Polyphonie X (1950–51)
 * Sonata No. 1, for piano (1946)
 * Sonata No. 2, for piano (1947–48)
 * Sonata No. 3, for piano (1958–63, unfinished)
 * Pli selon pli (1957–62)
 * Répons, for six soloists, chamber orchestra, and live electronics (1981–84)
 * Rituel in Memoriam Bruno Maderna, for large chamber ensemble in eight groups (1974–75)
 * Sonatine, for flute and piano (1946)
 * Structures, book I for two pianos (1952)
 * Structures, book II for two pianos (1961)
 * Sur incises, for 3 pianos, 3 harps, and 3 mallet percussion instruments (1996/1998)
 * Jacques Calonne
 * Orbes for orchestra (1965)
 * Benjamin Frankel
 * Film score for The Prisoner (1955, starring Alec Guinness)
 * Alexander Goehr
 * Piano Sonata (1952)
 * The Deluge (1958)
 * Karel Goeyvaerts
 * Nummer 1, Sonata for two pianos (1950–51)
 * Nummer 2, for thirteen instruments (1951)
 * Nummer 3 met gestreken en geslagen tonen, for chamber ensemble (1952)
 * Nummer 4 met dode tonen, electronic music (1952)
 * Nummer 5 met zuivere tonen, electronic music (1953)
 * Nummer 6 met 180 klankvoorwerpen (1954)
 * Nummer 7 met convergerende en divergerende niveaus, electronic music (1955)
 * Ernest Gold
 * Score for On the Beach (1959)
 * Jerry Goldsmith
 * Freud (1962)
 * Planet of the Apes (1968)
 * The Illustrated Man (1969)
 * Music for Orchestra (1969)
 * Christus Apollo (1970)
 * The Mephisto Waltz (1971)
 * Escape from the Planet of the Apes (1971)
 * Wojciech Kilar
 * Riff 62 (1962)
 * Gottfried Michael Koenig
 * Zwei Klavierstücke, for piano solo (1957)
 * Quintet for Woodwinds, for flute, oboe, cor anglais, clarinet, and bassoon (1958–59)
 * String Quartet 1959 (1959)
 * Ernst Krenek
 * String Quartet No. 6 (for example)
 * Witold Lutosławski
 * Symphony No. 1 (1947)
 * Five Songs to Words by Kazimiera Iłłakowiczówna for soprano and piano (1957); Arrangement with Orchestra (1958)
 * Musique funèbre (1958)
 * Trois poèmes d'Henri Michaux (1963)
 * Livre pour orchestre (1968)
 * Cello Concerto (1970)
 * Mi-parti (1976)
 * Grave: Metamorphoses for Cello and Piano (1981)
 * Symphony No. 3 (1983)
 * Johnny Mandel
 * Point Blank (1967)
 * Luigi Nono
 * Canti per tredeci, 13 instruments, (1954–55)
 * Il canto sospeso (1955–56)
 * Cori di Didone, for chorus and percussion (1958)
 * Diario polacco: Composizione no. 2 (1958–59)
 * Due espressioni, for orchestra (1953)
 * Incontri, for 24 instruments (1955)
 * Polifonica—monodia—ritmica, for seven instrumentalists (1951)
 * Varianti, for violin, woodwinds, and strings (1957)
 * Krzysztof Penderecki
 * St Luke Passion (Penderecki) (1966)
 * Henri Pousseur
 * Apostrophe et six Réflexions for piano (1964–66)
 * Aquarius-Mémorial (in memoriam Karel Goeyvaerts)
 * I. Les Litanies d'Icare for piano (1994)
 * II. Danseurs Gnidiens cherchant la Perle clémentine for chamber orchestra (1998)
 * III. Les Fouilles de Jéruzona for orchestra  (1995)
 * IV. Icare au Jardin du Verseau for piano and chamber orchestra (1999)
 * La Guirlande de Pierre for soprano, baritone and piano (1997)
 * At Moonlight, Dowland's Shadow passes along Ginkaku-Ji for shakuhachi, shamisen, and koto (1989)
 * Ballade berlinoise for piano solo (1977)
 * Canines for voice and piano (1980)
 * Caractères for piano (1961)
 * Chroniques berlinoises for piano and string quartet with baritone ad lib. (1975)
 * Chroniques canines for two pianos with soprano ad lib (1984)
 * Chroniques illustrées for large orchestra with baritone ad lib. (1976)
 * Couleurs croisées for large orchestra (1967)
 * Crosses of Crossed Colors for vocal soloist, two to five pianos, six tape-recorder operators, two turntablists, and two radio operators (1970)
 * Déclarations d'Orage for reciter, soprano, baritone, three improvising instruments (alto saxophone, tuba, synthesizer), large orchestra and tape (1988–89)
 * Dichterliebesreigentraum for soprano, baritone, two solo pianos, choir and orchestra (1992–93)
 * Les Éphémérides d'Icare 2 for a soloist, three-part concertino, and four instrumental quartets (1970)
 * Die Erprobung des Petrus Hebraïcus chamber opera in three acts, libretto by Léo Wintgens after Michel Butor (1974). Several "satellite" works are related to this opera:
 * Flexions IV for viola solo (1980)
 * Humeurs du Futur quotidien for two reciters and chamber orchestra (1978)
 * Les Icare africains for solo voices, ad lib. choir, and orchestra (2002)
 * Leçons d'Enfer music theatre for 2 actors, 3 singers, 7 instruments, tape, and live electronics; texts by Arthur Rimbaud and Michel Butor (1990–91)
 * Madrigal I for clarinet (1958)
 * Madrigal II for 4 early instruments (flute, violin, viola da gamba, harpsichord) (1961)
 * Madrigal III for clarinet, violin, cello, 2 percussionists, and piano (1962)
 * Mnémosyne monody solo voice or instrument, or unison choir (1968)
 * Mnémosyne II for variable media (1969)
 * Mobile for two pianos (1957–58)
 * Navigations for harp (2000)
 * Ode for string quartet (1960–61)
 * La Paganania for solo violin (1982)
 * La Paganania seconda for solo cello (1982)
 * Paraboles-Mix electronic music (1972)
 * Pédigrée for female voice and seven instruments (1980)
 * Phonèmes pour Cathy for mezzo-soprano solo (1966)
 * Prospection for three pianos tuned in sixths of a tone (1952–53)
 * Quintette à la memoire d'Anton Webern for clarinet, bass clarinet, violin, cello, and piano (1955)
 * Rimes pour différentes sources sonores for orchestra and tape (1958)
 * Scambi electronic music (1957)
 * Séismogrammes electronic music (1954)
 * Seize Paysages planétaires ethno-electroacoustical music (2000)
 * Sept Versets des Psaumes de la Pénitence for four vocal soloists or mixed choir (1950)
 * Symphonies à 15 Solistes (1954–55)
 * Tales and Songs from the Bible of Hell four singers with real-time electronic transformation and pre-recorded 4 track tape (1979)
 * Trois Visages à Liège electronic music (1961)
 * Votre Faust (1960–68), opera for five actors, four singers, twelve instruments, and electronic music, libretto by Michel Butor. Plus related "satellite" works:
 * Miroir de Votre Faust (Caractères II) for solo piano and (optional) soprano (1964–65),
 * Jeu de Miroirs de Votre Faust for piano, soprano and tape (1964–65)
 * Echos de Votre Faust for mezzo-soprano, flute, cello, and piano (1961–69),
 * Les Ruines de Jéruzona for mixed choir and "rhythm section" (1978),
 * La Passion selon Guignol for amplified vocal quartet and orchestra (1981),
 * Parade de Votre Faust for orchestra (1974)
 * Aiguillages au carrefour des immortels for 16 or 17 instruments (2002)
 * Il sogno di Leporello: Parade 2 (de Votre Faust) for orchestra (2005)
 * Vue sur les Jardins interdits for saxophone quartet (1973)
 * Miklós Rózsa
 * King of Kings (1961)
 * David Shire
 * The Taking of Pelham One Two Three (1974)
 * Karlheinz Stockhausen
 * Adieu, for wind quintet (flute, oboe, clarinet, bassoon, and horn), Nr. 21 (1966)
 * Alphabet für Liège, Nr. 36 (1972)
 * Am Himmel wandre ich ("In the Sky I Am Walking", American Indian Songs), Nr. 36½ (1972)
 * Amour, 5 pieces for clarinet, flute, or saxophone Nr. 44 (1976)
 * Atmen gibt das Leben, choral opera with orchestra (or orchestra on tape), Nr. 39 (1974/76–77)
 * Aus den sieben Tagen ("From the Seven Days"), 15 texts for intuitive music (performable separately), Nr. 26 (1968)
 * Bassetsu-Trio, for basset horn, trumpet, and trombone, Nr. 3. ex 70 (1997). Arranged from Mittwoch aus Licht, scene 4: Michaelion
 * Carré, for 4 orchestras and choirs, Nr. 10 (1959–60)
 * Dr K–Sextett, for flute, bass clarinet, percussionist (tubular chimes and vibraphone), piano, viola, and cello, Nr. 28 (1968–69)
 * Konkrete Etüde, musique concrète, Nr. 1/5 (1952)
 * Europa-Gruss, Nr. 72 (1992/2002)
 * Expo, for 3 players or singers with 3 short-wave receivers, Nr. 31 (1969–70)
 * Formel, for small orchestra, Nr. 1/6 (1951)
 * Fresco, for 4 orchestral groups, Nr. 29 (1969)
 * Für kommende Zeiten, 17 texts for intuitive music, Nr. 33 (1968–70)
 * Gesang der Jünglinge, electronic and concrete music, Nr. 8 (1955–56)
 * Gruppen, for 3 orchestras, Nr. 6 (1955–57)
 * Harlekin, for clarinet, Nr. 42 (1975)
 * Der kleine Harlekin, for clarinet, Nr. 42½ (1975)
 * Helikopter-Streichquartett, for string quartet and 4 helicopters, Nr. 69 (1992–93) [Scene 3 of Mittwoch aus Licht]
 * Herbstmusik, musical theatre for 4 performers, Nr. 40 (1974)
 * Laub und Regen, duet for clarinet and viola, Nr. 40½
 * Hymnen, 4-channel electronic and concrete music (also version with soloists, and Third Region with orchestra), Nr. 22 (1966–67)
 * In Freundschaft, for clarinet (and versions for most other instruments), Nr. 46 (1977)
 * Inori, adorations for 1 or 2 soloists and large orchestra, Nr. 38 (1973–74)
 * Vortrag über HU, for a singer, Nr. 38½ (1974)
 * Jubiläum, for orchestra, Nr. 45 (1977)
 * Klang ("Sound", the 24 Hours of the Day), Nr. 81– (2004–2007)
 * First Hour: Himmelfahrt (Ascension), for organ (or synthesizer), soprano, and tenor, Nr. 81 (2004–05)
 * Second Hour: Freude (Joy), for 2 harps, Nr. 82 (2005)
 * Third Hour: Natürliche Dauern 1–24 (Natural Durations 1–24), for piano, Nr. 83 (2005–06)
 * Fourth Hour: Himmels-Tur (Heaven's Door), for a percussionist and a little girl, Nr. 84 (2005)
 * Fifth Hour: Harmonien (Harmonies), Nr. 85, versions for:
 * bass clarinet, Nr. 85.1 (2006)
 * flute, Nr. 85.2 (2006)
 * trumpet, Nr. 85.3 (2006)
 * Sixth Hour: Schönheit (Beauty), for flute, bass clarinet, and trumpet, Nr. 86 (2006)
 * Seventh Hour: Balance, for flute, English horn, and bass clarinet, Nr. 87 (2007)
 * Eighth Hour: Glück (Bliss), for oboe, English horn, and bassoon, Nr. 88 (2007)
 * Ninth Hour: Hoffnung (Hope), for violin, viola, and cello, Nr. 89 (2007)
 * Tenth Hour: Glanz (Brilliance), for oboe, clarinet, bassoon, trumpet, trombone, tuba, and viola, Nr. 90 (2007)
 * Eleventh Hour: Treue (Fidelity), for E-flat clarinet, basset horn, and bass clarinet, Nr. 91 (2007)
 * Twelfth Hour: Erwachen (Awakening), for soprano saxophone, trumpet, and cello, Nr. 92 (2007)
 * Thirteenth Hour: Cosmic Pulses, electronic music, Nr. 93 (2006–07)
 * Fourteenth Hour: Havona, for bass voice and electronic music, Nr. 94 (2007)
 * Fifteenth Hour: Orvonton, for baritone and electronic music, Nr. 95 (2007)
 * Sixteenth Hour: Uversa, for basset-horn and electronic music, Nr. 96 (2007)
 * Seventeenth Hour: Nebadon, for horn and electronic music, Nr. 97 (2007)
 * Eighteenth Hour: Jerusem, for tenor and electronic music, Nr. 98 (2007)
 * Nineteenth Hour: Urantia, for soprano and electronic music, Nr. 99 (2007)
 * Twentieth Hour: Edentia, for soprano saxophone and electronic music, Nr. 100 (2007)
 * Twenty-first Hour: Paradies (Paradise), for flute and electronic music, Nr. 101 (2007)
 * Klavierstücke
 * Klavierstücke I–IV, Nr. 2 (1952)
 * Klavierstücke V–X, Nr. 4 (1954–55/61)
 * Klavierstück XI, Nr. 7 (1956)
 * Klavierstück XII, ex Nr. 49¾ (1979/83)
 * Klavierstück XIII, Nr. 51½ (1981)
 * Klavierstück XIV, ex Nr. 57⅔ (1984)
 * Synthi-Fou (Klavierstück XV), ex Nr. 61⅔
 * Klavierstück XVI, Nr. 63½ (1995)
 * Klavierstück XVII, 7½ ex Nr. 64 (1994/99)
 * Klavierstück XVIII, Nr. 73⅔ (2004)
 * Klavierstück XIX, Nr. 80 (2001/2003)
 * Kontakte ("Contacts"), for electronic sounds, Nr. 12 (1958–60); Kontakte, for electronic sounds, piano, and percussion, Nr. 12½ (1958–60); Originale, musical theatre with Kontakte, Nr. 12⅔ (1961)
 * Kontra-Punkte ("Counter-Points"), for 10 instruments, Nr. 1 (1952–53)
 * Kreuzspiel, for oboe, bass clarinet, piano, and 3 percussionists, Nr. 1/7 (1951)
 * Kurzwellen, for 6 players with live electronics, plus sound director, Nr. 25 (1968)
 * Licht, Nr. 47–80 (1977–2003)
 * Licht-Ruf, Nr. 67 (1995)
 * Litanei 97, Nr. 74 (1997)
 * Mantra, for 2 pianists (with wood blocks and antique cymbals) and electronics, Nr. 32 (1970)
 * Mikrophonie I, for tamtam (2 players), 2 microphones, 2 filters with potentiometers, and 4 pair of loudspeakers, Nr. 15 (1964)
 * Mikrophonie II, for 12 voices, Hammond organ (or synthesizer), 4 ring modulators, and tape, Nr. 17 (1965)
 * Mixtur, for orchestra, 4 sinewave generators, and 4 ring-modulators, Nr. 16 (1964)
 * Musik im Bauch, for 6 percussionists and music boxes, Nr. 41 (1975)
 * Momente, for soprano solo, 4 choirs, and 13 instrumentalists, Nr. 13 (1962–64/69)
 * Oktophonie (1990/91) electronic music of Tuesday from Light
 * Plus-Minus, 2 x 7 pages for realization, Nr. 14 (1963)
 * Pole, for 2 players or singers with 2 short-wave radios, Nr. 30 (1969–70)
 * Prozession, for 6 players with live electronics, Nr. 23 (1967)
 * Punkte ("Points"), for orchestra, Nr. ½ (1952/62/66/93)
 * Quitt ("Even"), for alto flute, clarinet, and trumpet, Nr. 1 ex 59 (1989)
 * Refrain, for piano (+ 3 woodblocks), vibraphone (+ 3 alpine cowbells and keyboard glockenspiel), and celesta (+ 3 antique cymbals), Nr. 11 (1959)
 * Rotary Wind Quintet, for flute, oboe, clarinet, bassoon, and horn, Nr. 70½ (1997)
 * Schlagtrio ("Percussive Trio") [originally Schlagquartett], for piano and 2 x 3 [originally 3 x 2] timpani, Nr. ⅓ (1952)
 * Sirius, electronic music with trumpet, soprano, bass clarinet, and bass voice, Nr. 43 (1975–77)
 * Solo, for a melody instrument and feedback (live electronics with 4 technicians, 4 pair of loudspeakers), Nr. 19 (1965–66)
 * Spiel ("Play"), for orchestra, Nr. ¼ (1952)
 * Spiral, for a soloist with short-wave receiver and live electronics with sound director, Nr. 27 (1968)
 * Sternklang ("Star Sound"), park music for five groups, Nr. 34 (1971)
 * Stimmung ("Tuning"), for 6 vocalists, Nr. 24 (1968)
 * Stop, for small orchestra in 6 groups, Nr. 18 (1965)
 * Strahlen ("Rays"), for a percussionist and ten-channel sound recording, Nr. 80½ (2002)
 * Studie I, electronic music, Nr. 3/I (1953)
 * Studie II, electronic music, Nr. 3/II (1954)
 * Sukat, for alto flute and basset-horn, Nr. 2 ex 60 (1989)
 * Telemusik, electronic and concrete music, Nr. 20 (1966)
 * Thinki, for flute, Nr. 1 ex 70 (1997)
 * Tierkreis ("Zodiac"), 12 melodies of the star signs, for a melody and/or chording instrument, Nr. 41½ (1974–75)
 * Trans, for orchestra and tape, Nr. 35 (1971)
 * Traum-Formel ("Dream Formula"), for basset-horn, Nr. 51⅔ (1981)
 * Trumpetent (aka "Trompetent"), for 4 trumpeters, Nr. 73 (1995)
 * Türin, for Tür (door), rin, and speaker (versions in German and English), with electronics (2006)
 * Unsichtbare Chöre, 16-channel recording of a cappella choir, for 8-channel playback, ex Nr. 79 (1979)
 * Vibra-Elufa, for vibraphone, Nr. 9¾ ex 64 (2003)
 * Xi, for a melody instrument with microtones, Nr. 1 ex 55 (1986)
 * Ylem, for 19 players, Nr. 37 (1972)
 * Ypsilon, for a melody instrument with microtones, Nr. 2 ex 59 (1989)
 * Zeitmaße ("Time Measures"), for oboe, flute, cor anglais, clarinet, and bassoon, Nr. 5 (1955–56)
 * Zyklus ("Cycle"), for a percussionist, Nr. 9 (1959)
 * Gilles Tremblay
 * Cantique de durées (1960)