Massimo Terzano

Massimo Terzano (23 April 1892 – 18 October 1947) was an Italian cinematographer. Terzano was a leading figure in the Italian film industry, working on over eighty films during the silent, Fascist and post-war eras. His final film was The Barber of Seville, made shortly before his death.

Selected filmography

 * Emperor Maciste (1924)
 * Saetta Learns to Live (1924)
 * Maciste in the Lion's Cage (1926)
 * The Giant of the Dolomites (1927)
 * The Carnival of Venice (1928)
 * Judith and Holofernes (1929)
 * The Song of Love (1930)
 * When Naples Sings (1930)
 * Figaro and His Great Day (1931)
 * Lowered Sails (1931)
 * Before the Jury (1931)
 * Courtyard (1931)
 * The Private Secretary (1931)
 * What Scoundrels Men Are! (1932)
 * The Opera Singer (1932)
 * Steel (1933)
 * Giallo (1933)
 * Fanny (1933)
 * Ragazzo (1934)
 * Stadium (1934)
 * Casta Diva (1935)
 * Aldebaran (1935)
 * Like the Leaves (1935)
 * Those Two (1935)
 * The White Squadron (1936)
 * But It's Nothing Serious (1936)
 * Joe the Red (1936)
 * The Great Appeal (1936)
 * The Anonymous Roylott (1936)
 * The Carnival Is Here Again (1937)
 * Mother Song (1937)
 * I've Lost My Husband! (1937)
 * Doctor Antonio (1937)
 * Princess Tarakanova (1938)
 * Giuseppe Verdi (1938)
 * The Sons of the Marquis Lucera (1939)
 * The Silent Partner (1939)
 * Our Miss Doctor (1940)
 * Boccaccio (1940)
 * Captain Tempest (1942)
 * Tragic Night (1942)
 * The Lion of Damascus (1942)
 * Malombra (1942)
 * A Pistol Shot (1942)
 *  (1944)
 * Two Anonymous Letters (1945)
 * Days of Glory (1945)
 * The Barber of Seville (1947)
 * Crime News (1947)