Mom, Take Care of Yourself!

"Mom, Take Care of Yourself!" (Mandarin: "媽媽請你也保重"), or "Mama, Please Take Care" is a cover of the 1957 Japanese song "Though We Came to Tokyo"(Japanese: 俺らは東京へ來たけれど), originally composed by Shinichi Nozaki (野崎真一), with lyrics by Takashi Kojima (小島高志), and originally sung by Hideo Fujishima (藤島桓夫). The song was originally composed by Shinichi Nozaki, lyrics by Takashi Kojima, and originally sung by Huanfu Fujishima, and lyrics were written by Taiwanese musician Wen Hsia in 1959, describing the sadness of a young man from a rural village who leaves his home to fight for his life in the city, and his mother's heart when he is in a foreign land.

During the White Terror and the period of martial law in Taiwan, this song, as well as “Wish You Come Back Soon” (望你早歸), “Mend the Broken Net” (補破網), Longing for the Spring Breeze (望春風), and “Hometown at Dusk” (黃昏的故鄉) were banned by the Government Information Office, because of their associations with the tangwai movement. The official government explanation was that in the military, missing one’s mother would damage morale.

Censorship
Chen Cheng, President of the Taiwan Provincial Government and Commander-in-Chief of the National Police promulgated martial law in 1949 (R.O.C. 38) until 1987 (R.O.C. 76) when President Chiang Ching-kuo declared that martial law would be lifted and formally terminated. During the martial law period, the Nationalist government restricted people's freedoms and basic human rights, including the rights to assembly, association, speech, and publication, as well as banned political parties and newspapers. " Mom, Take Care of Yourself!" was banned by the Police Headquarters on the grounds of "homesickness, disturbing military morale and undermining morale, soldier can't miss his mom".

Singer Wen Hsia was also known as the "King of Banned Songs", and during the 38 years of martial law in Taiwan, 99 songs were banned.

Interpretation of lyrics
It describes the helplessness and vicissitudes of life of a traveler who works alone in the city, evokes the nostalgia for his mother and his hometown, and portrays the loneliness and anxiety of men and women in the rural areas of the province who have left their home towns alone to work for a living.