Monotype typefaces

Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were:


 * Lanston Monotype Cooperation in Philadelphia, USA
 * The Monotype Corporation Limited in Salfords, UK

A third firm produces fonts for computer use:
 * Monotype Imaging Inc.

The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London, England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum. The survival of the Type Museum was threatened since the building was no longer owned by the Science Museum, and was in a very poor state of repair, and the new owner intended other uses for the property. The Type Museum was closed and all equipment has been stored at the National Archives.

Hot metal
The first two firms mentioned above produced a long list of fonts, which were identified by names and serial numbers. That type design eventually acquired a very good name and the "Monotype" brand was synonymous with high quality and reliability. In their name much typographic research on historical character designs from the early years of typography has been carried out. Many of the letters were produced as "revivals", including characters in Garamond, Baskerville, Bodoni, Bembo, Caslon and many other typefaces.

The major difference between the two firms is that the American fonts do not match the English fonts. Letters with the same name had in most cases a different designer, and their appearance and implementation differ. The identification numbers do not all correspond.

The matrices of the two firms also differ in terms of depth, the image inside the matrix, implementation, and size. For example, the American matrices are shallower by 0.025 mm (0.010   inch), and consequently the interior of American foundry moulds need to be higher to produce characters with a type height of 23.3  mm (0.918   inch). This was one of many measures taken by the two Monotype companies to divide the world market between themselves. For example, the Americans served the Americas and the Canadian markets. The British company, The Monotype Corporation Ltd. in Salfords, had many customers in India, Africa, and Asia. For these countries many non-Latin typefaces were created for printing in Hebrew, Javanese, Sanskrit, Sinhala, Thai, and other languages.

The composition-caster machines of The Monotype Corporation produced ready-to-use composed pages with text consisting of single pieces of type. The machine provided filled lines, justifying them by adding spaces of varying widths. These ending machines were controlled with a paper ribbon. Typing the texts on keyboards was manual work that took much more time than casting. A composition-caster needed the ribbons of at least three separate keyboards. Correction of the final composition was accomplished by simply replacing the moveable type. The lines did not need to be recast, as with Linotype machines.

These composition-casters could produce type in sizes up to 14 point pica or Didot font width. "Large-composition" customized machines and moulds could provide composition up to 36 points. The matrices are correspondingly larger and there is room for only one alphabet in the die case. For this reason one machine-run could not provide composition in both Roman and italic typeface, so additional hand work was required in such cases.

Type for hand-composing was also cast with Monotype machines; all characters up to 36pt, and rules, could be cast on a large-composition machine. Another machine was the "super-caster" or "supra", which could cast single type. After conversion it could also be used to cast any material needed in print shops, including reglettes, ornaments, and similar designs, as well as characters up to 72 points. There were moulds with inserts for sizes 14 to 36 point. For the even larger sizes of 42, 48, 60 and 72 point another type cast was used. The machine had to be reconfigured for each different type requirement.

Unit arrangement
The width of the hot-lead Monotype type is expressed in units of a set. The widest letter in the alphabet, usually the capital "W", was measured in quarter-pica points, a unit being $1/18$ part of this width. The unit width is calculated as follows for a 12-set example.


 * 1 pica = $1/6$ inch
 * 1 pica point = $1/12$ × $1/6$ inch = 0.013889 inch
 * 1 unit 1 set = $1/18$ × $1/12$ × $1/6$ = $1/1296$ inch = 0.000771605 inch
 * 1 unit 12 set = $12/1296$ = 0.00925926 inch

All character were designed to have widths a whole number of units of the set. 5, 6, 7, 8, 9, 10, up to 18 or even more.

..... English and American manuals use a different size for the pica: the new-pica = 0.1660 inch. On the European mainland all wedges and tables in the manuals are based on the "old" pica = 0.1667 inch and those wedges can be identified by the extra capital E (= English). That gives small differences in the tables in the various manuals. In practice, however, these differences are so small that they make only little difference when cast with a S5-E wedge or a S5 wedge based on the new-pica. All character are designed to have as width a whole number of units of the set.
 * 5 units 12 set = 0.046296 inch
 * 6 units 12 set = 0.055555
 * 7 units 12 set = 0.064815
 * 18 units 12 set = 0.1667 inch

So, for instance, A=14, B=13, C=14... a=8, b,d,h,k,n,p,q=10, c=8 ... The list with these widths is called the "unit-arrangement" (UA). Different fonts can have the same UA. In some font designs the unit-arrangement can be different for each point size, for example, with the Lutetia (typeface) and some other fonts of Jan van Krimpen. These UAs are essential for the layout of the matrix case, in which the matrices are sorted into rows by the unit widths. The various "unit-arrangements" have been given numbers.

Long and short descenders
The letters g j p q y ĳ are descenders. In the italic typefaces f and the "long s" are also descenders.

Many of the older fonts were intended mainly for use in newspaper columns. Times New Roman is a good example, but there were many others. The descenders were kept as short as possible in such fonts so that all the text could be set with the same line spacing. However, for many fonts for luxury productions longer variants of the descenders were also available—the lining would usually need to be adjusted to accommodate them when casting.

Letterpress printing
The design of fonts for letterpress printing needs to be adjusted for this technique. The reason is that the type is printed with some force on the paper, pressing the ink on the type out to the edges of the letter. The center of the character is accordingly printed a bit lighter than the edges. This results in what is called a "bead edge". It is further enhanced because not only the surface of the type get inked, but also the bevels around it, which also contributes to the visual effect of the printed typeface, as can be readily seen with a magnifying glass.

The bead edge and bright centre in print suggest a calligraphic typeface. And with letterpress there is a much wider choice of suitable, often more expensive, paper types that can be printed.

Computer adjustments
After the "hot metal" firms ceased production because of the transition from letterpress to offset printing in more and more printing companies, with Lanston Monotype being the first to do so in America, the font designs needed adjustment for computer use. There is a difference compared with the old hot-metal characters since the fixed relationship between the width of the letters in the unit arrangement is often experienced as a disadvantage. Discussion of this problem has long been going on, for example by Jan van Krimpen.

The design of a lead type cannot be copied without some adjustments since the pressure on lead type during printing presses the ink sideways, and the final appearance of the letter on paper is wider than the surface of the lead character. This extra width is not the same at all places around the character. It depends on the paper surface used, the pressure, the type of press, whether cylinder or platten, and many other factors.

Many digital fonts from the early digital age have this characteristic defect. The metal surface was simply copied, the result being that the color of the printed pages is far too light. In offset or other modern printing techniques, the typeface on the plate and on the printed letter now match much more closely. The use of mostly coated papers with offset types also has an effect. During the type design process all this should be taken into account since simple design drawing of the surface of a lead letter without any adjustment for offset or computer printing will not produce a good result.

List of typefaces
The alphabetical list below refers primarily to the fonts produced by the English "hot metal" Monotype company. The numbers mentioned below are from the English "specimen-blades", four editions of the booklets "Monotype book of information", and some additional information from the London Type Museum.

In the 1960s many Monotype fonts were discontinued. The "patterns" for the originals from which the punches were created, the punches, and the whole stock of remaining matrices were destroyed. The font has disappeared except for the matrices in the possession of various printers. Sample sheets of these fonts are particularly difficult to find and are lacking in many collections.

A small number of American letter designs are added to the list, designated by "Am" and their number. American matrices differ from those in England. American matrices were 0.0025  mm (0.0010   inch) less deeply engraved. Consequently, the American moulds were 0.0025  mm (0.0010   inch) higher internally compared with moulds from the factory in Salfords UK. Consequently, American matrices on an English cast produce a low letter. English matrices on American moulds produce French-height type.

The list of computer letters from Monotype Imaging, Inc. is constantly being modified and can be best consulted on the website of the company.

A

 * Acier
 * 297: Acier (never released)
 * 319: Acier Grey and White (never released)


 * Albertus
 * 481: Albertus Roman
 * introduction: 1935
 * display matrices:


 * 538: Albertus bold titling Roman
 * introduction: 1938
 * display matrices:


 * 534: Albertus light Roman
 * introduction: 1940
 * display matrices, one size: 24pt line .2652
 * 324: Albertus titling Roman (1940 ?)
 * display matrices:


 * Albion
 * __5: Albion Roman
 * composition matrices UA.2 = 6pt - 12pt


 * _42: Albion (No 2) Roman
 * composition matrices UA.2 = 6.5pt - 12pt


 * _63: Albion Roman
 * UA.2 : 6.5 pt - 13pt


 * _70: Albion (No 4) Roman
 * composition matrices: UA.2 : 6.5pt - 13pt


 * _74: Albion Extended Roman
 * composition matrices: UA.3: 6D - 13pt


 * display matrices:


 * 264: Albion (in 1965 taken out of production)


 * Aldine Bembo
 * 270: Aldine Bembo (see: Bembo 270)
 * 370: Aldine Bembo Titling (see: Bembo Titling)


 * Anchor
 * 491: Anchor (taken out of production, "cancelled")


 * Andalé Mono
 * Only produced for computer use.


 * Angulus
 * 555: Angulus Roman/italic
 * composition matrices: UA.474: only one size available 4.4pt


 * Antique
 * 207: Antique Roman/italic (see: 207 Antique Old Style)
 * 307: Antique (in 1965 taken out of production)
 * composition matrices: U.A. = 70, only: 5.5pt and 7pt


 * 407: Antique (in 1965 taken out of production)
 * composition matrices: UA = 70


 * 354: Antique (No. 2) (in 1967 taken out of production)
 * composition matrices: UA = 335


 * _74: Antique Extended (see Ionic, see: Albion Extended)
 * 153: Antique Extended (see: Albion Extended)
 * 223: Antique Heavy (see: Devonshire Bold)
 * 224: Antique Heavy Condensed (see: Devonshire Bold Condensed)


 * Antique Latin
 * __9: Antique Latin (see: Latin Antique)
 * _60: Antique Latin (see: Latin Antique No. 2)
 * _78: Antique Latin (see: Latin Antique No. 3)
 * _84: Antique Latin (see: Latin Antique No. 4)


 * Antique Old Style
 * __3: Antique Old Style No. 3 Roman/italic
 * composition matrices: UA.2 = 6pt - 12pt


 * 161: Antique Old Style No. 3 Roman/italic
 * composition matrices: Roman UA.29, italic UA.54, 6pt - 12pt


 * display matrices:


 * 124: Antique Old Style No. 1 synonyms: Old Style Antique and Series 124 (in 1967 taken out of production)
 * all descenders available in two versions short- and long-descenders
 * composition matrices: UA.1, 6pt - 12pt (6pt is missing on older specimen blades)


 * 207: Antique Old Style Roman/italic
 * composition matrices: UA.70 = 6.5pt - 10pt


 * Arial
 * No matrices for hot-metal


 * Arrighi Italic
 * 252: Arrighi Italic (see: Centaur)


 * Ashley Crawford
 * 238: Ashley Crawford (cancelled in 1967)
 * display matrices:


 * 279: Ashley Crawford Plain (cancelled in 1967)
 * display matrices:


 * Ashley Script
 * 574: Ashley Script
 * display matrices: 14-72 pt


 * Avenir
 * No matrices for hot-metal

B

 * Barbou
 * 178: Barbou Roman/italic
 * composition matrices: UA.447: 8 - 12pt


 * Baskerville
 * 169: Baskerville Roman/italic
 * composition matrices: UA.43: 6D - 14pt


 * large-composition matrices: 14-18pt Roman UA.136, italic UA.141:
 * 22pt: only Roman, 24pt: Roman UA.136, italic UA.150


 * display matrices:


 * 312: Baskerville bold Roman/italic
 * composition matrices: UA.332: 6D - 14pt


 * display matrices:


 * 313: Baskerville bold (see: 313 Baskerville Semi-Bold)
 * 377: Baskerville Bold Large Face (cancelled in 1967)
 * display matrices:


 * 376: Baskerville Bold Titling For Newspaper Headings (cancelled in 1965)
 * large-composition matrices: UA.374: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame


 * 378: Baskerville Bold Titling For Newspaper Headings) (cancelled in 1965)
 * large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one matrix frame


 * 380: Baskerville Extra Bold Titling (cancelled in 1967)
 * display matrices:


 * 312: Baskerville Heavy (see: 312 Baskerville Bold)
 * 313: Baskerville Semi-Bold Roman/italic
 * composition matrices: UA.332: 6D - 14pt


 * display matrices:


 * 381: Baskerville Titling For Newspaper Headings (cancelled in 1965)
 * large-composition matrices: UA.372: 14pt, 18pt and 24pt cast at 18pt combined in one die case


 * Bell (by Monotype inc. revised version)
 * 341: Bell Roman/italic
 * composition matrices: UA.314: 8D - 14pt


 * display matrices:


 * 619: Bell Gothic Roman
 * composition matrices: UA.445: 6 and 8pt


 * 620: Bell Gothic Bold Roman
 * composition matrices: UA.445: 6 and 8pt


 * Bembo
 * 270: Bembo Roman/italic
 * composition matrices: UA.91: 6D - 14pt
 * variants: alternative numerals: F537, F538, alternative capitals: R 203, M 145, R 224


 * large-composition matrices: 14pt-24pt


 * display matrices:


 * 428: Bembo bold Roman/italic
 * composition matrices: UA.368: 6D - 14pt


 * large-composition matrices: 14pt-18pt


 * display matrices:


 * 294: Bembo condensed Italic italic
 * composition matrices: UA.360: 10pt - 13pt UA.361: 16pt


 * 428: Bembo Heavy (see: 428 Bembo Bold)
 * 509: Bembo semi-bold Roman/italic
 * composition matrices: UA.91: 5.5pt


 * 370: Bembo titling Roman/italic
 * display matrices:


 * Berling
 * 643: Berling Roman/italic (cancelled in 1973)
 * punches made in cooperation with Berlinska Stilgjuteriet, Lund
 * composition matrices: UA.495: 6D-12D


 * 644: Berling semi bold Roman
 * punches made in cooperation with Berlinska Stilgjuteriet, Lund
 * composition matrices: UA.496: 6D-12D


 * Bernard condensed
 * 213: Bernard condensed Roman
 * display matrices:


 * Blado
 * 119: Blado Italic italic (designed to be used with Poliphilus 170)
 * composition matrices: UA.53: 10pt - 13pt


 * large-composition matrices: 16pt = UA.142


 * display matrices:


 * Bodoni
 * 135: Bodoni Roman/italic (synonym: Bodoni no.3)
 * composition matrices: UA.1: 6pt-13pt, UA.77: 14pt
 * variants: long descenders and "Large-Face" in 11pt


 * large-composition matrices: 16pt, 18pt, 24pt Roman, UA.425 = 24pt italic


 * display matrices:


 * 254: Bodoni No. 2 (see also: 357 Bodoni No. 2) (cancelled in 1967)
 * display matrices: 4 sizes


 * 288: Bodoni No. 1 (cancelled in 1967)
 * composition matrices: UA.364: 10D-12D-14D


 * 357: Bodoni No. 2 Roman/italic (see: 357 Bodoni Book)
 * composition matrices: UA.319: 8pt-12pt


 * 504: Bodoni No 5 Roman/italic (see: 504 Bodoni 357)
 * composition matrices: UA.319: 8pt-12pt


 * 195: Bodoni Bold Roman
 * composition matrices: UA.3: 6pt-12pt


 * display matrices:


 * 260: Bodoni Bold Roman/italic, Vette variant for series 135
 * composition matrices: Roman UA.2 italic UA.143: 6pt-13pt; Roman UA.417, italic UA.143: 14pt
 * long descenders available and "large face" in 11pt


 * display matrices:


 * 529: Bodoni Bold Condensed Roman/italic
 * display matrices:


 * 760: Bodoni Bold Titling Roman
 * display matrices:


 * 357: Bodoni Book Roman/italic
 * composition matrices: UA.319: 8pt-12pt


 * 260: Bodoni Heavy Roman/italic (see: 260 Bodoni Bold)
 * 529: Bodoni Heavy condensed Roman/italic (see: 529 Bodoni Bold condensed)
 * 120: Bodoni ultra bold Roman/italic
 * display matrices:


 * Bold Face
 * _53: Bold Face (see: 53 Old Style Bold)
 * 167: Bold Face (see: 167 De Vinne Italic)
 * 366: Bold Face (see: 366 Inflex Bold)
 * 245: Bold Face Italic No. 2 (see: 245 Old Style Bold Italic)
 * 253: Bold Face No. 2 (see: 253 Old Style Bold)
 * 138: Bold Face No. 3 Roman. (cancelled in 1965)
 * composition matrices: UA.3: 9pt


 * 503: Bold Face (cancelled in 1965)
 * 176: Bold Face Outline (see: 176 Old Style Bold Outline)
 * 253: Bold Face Special Line (see: 253 Old Style Bold)
 * 167: Bold Italic (see: 167 De Vinne Italic series No. 167)
 * 334: Bold (The Times) (see: 334 Times Bold)
 * 345: Bold (The Times) (see: 345 Times Bold)
 * 360: Bold (The Times) (see: 360 Times Bold)


 * Braggadocio
 * 278: Braggadocio Roman
 * display matrices:


 * Breitkopf
 * 466: Breitkopf romain (cancelled in 1936)


 * Broadway
 * a306: Broadway (Sorts) (cancelled before 1966)
 * a307: Broadway Engraved (Sorts) (cancelled before 1966)


 * Bruce Rogers
 * 494: Bruce Rogers (cancelled in 1967)
 * 594: Bruce Rogers Titling (in research)


 * Bulmer
 * 469: Bulmer Roman/italic
 * composition matrices: UA.412: 11pt-12pt

C

 * Calendar
 * L17: Calendar Figures Roman
 * L19: Calendar Days Roman


 * Calisto
 * Canterbury
 * 197: Canterbury (cancelled in 1967)
 * composition matrices: UA.57 = 8-12pt


 * display matrices:


 * Caslon
 * 128: Caslon Roman/italic
 * composition matrices: UA.57 = 8-12pt


 * large composition: 18pt - 24pt,


 * display matrices:


 * 209: Caslon Titling Roman
 * display matrices:


 * CastellarInkscape Fonts - Castellar.png
 * 600: Castellar Roman
 * Title typeface drawn by John Peters in 1957 based on engraved Roman square capitals.
 * display matrices:


 * Centaur
 * 252: Centaur Roman/italic, also known under the name: Arrighi
 * composition matrices: UA.90 = 6-14pt, UA.322 = 14pt


 * large composition: 14pt - 24pt, UA.165 = Roman, UA.166 = italic


 * display matrices:


 * 352: Centaur Roman/italic
 * large composition matrices only 18pt


 * 295: Centaur Titling Roman


 * Century
 * 227: Century No. 2 Roman/italic (see: 227 Century Schoolbook)
 * 211: Century No. 1 Roman (synonym: 211 Modern)
 * composition matrices UA.1 = 8pt


 * 545: Century Bold (cancelled in 1967)
 * 546: Century Bold Extended (cancelled in 1967)
 * 227: Century Schoolbook Roman/italic
 * composition matrices: UA.369 = 6-14pt, UA.322 = 14pt


 * large composition: 18pt - 20pt only Roman UA.370


 * 477: Century Schoolbook Bold Roman
 * composition matrices: UA.498 = 6-14pt,


 * 650: Century Schoolbook Roman/italic
 * display matrices:


 * 651: Century Schoolbook Bold Roman
 * display matrices:


 * Century Gothic
 * display matrices:


 * Chatsworth
 * 510: Chatsworth (cancelled in 1965)
 * At the request of Stephenson and Blake, Sheffield produced for them in one size.
 * composition matrices: UA.391 = 10pt,


 * Chiswell Old Face
 * 154: Chiswell Old face Roman/italic
 * display matrices:


 * Clarendon
 * _12: Clarendon Roman
 * composition matrices: UA.2 = 5-12pt,


 * 412: Clarendon No. 2 (cancelled in 1967)
 * composition matrices: UA.2 = 5-12pt,


 * 501: Clarendon Timetable (cancelled in 1967)


 * Clearface Bold
 * 157: Clearface Bold Roman/italic
 * composition matrices: UA.2 = 6-12pt,


 * display matrices:


 * Cloister
 * 271: Cloister Bold (cancelled in 1967)
 * composition matrices: UA.86 = 6-12pt,


 * 272: Cloister Old Style (cancelled in 1967)
 * composition matrices: UA.89 = 6-12pt,


 * a395: Cloister Old Style (Sorts) (cancelled before 1966)


 * Cochin
 * 165: Cochin Roman/italic
 * composition matrices: UA.67 = 6D-13pt, UA.174 = 14pt Roman, UA.173 = 14pt italic


 * display matrices:


 * 225: Colonna Roman
 * display matrices:


 * Condensa
 * 511: Condensa italic
 * display matrices:


 * Condensed
 * 213: Condensed Bold (see: 213 Bernard Condensed)
 * 224; Condensed Heavy Antique (see: 224 Devonshire Bold Condensed)
 * 383: Condensed Heavy Grotesque (see: 383 Grotesque Condensed)
 * 523: Condensed Heavy Grotesque Titling (see: 523 Grotesque Condensed)
 * 419: Condensed Latin (see: 419 Grotesque Condensed Titling)


 * Crossword
 * 306: Crossword Puzzle Solutions
 * composition matrices: 11pt
 * 11pt: 28 matrices, ABCDEFGHIJKLMNOPQRSTUVWXYZ + empty field + shaded area, the matrices were cast on squares, with a flat wedge.
 * 306: Crossword Puzzle Specials
 * 18pt: S 2612 t/m S 2641 = 1 t/m 30, S2727 t/m S2746 = 31-50, S3976 t/m S3986 = 51-61, S2643 = leeg veld, S2611 = gearceerd veld
 * 309: Crossword Squares (cancelled)


 * Cushing
 * _17: Cushing (cancelled in 1967)
 * composition matrices UA.1 = 6pt - 13pt


 * Curlz

D

 * Daily Mail Modern
 * 326: Daily Mail Modern (cancelled in 1974)


 * Dante
 * This font was the last design of Giovanni Mardersteig. Charles Malin, the engraver producing the punches for Mardesteig died in 1955. After this event Mardersteig did not want any more new designs. In his opinion punches made with a pantograph were inferior. The character was later adapted for composition casters by Monotype and released in 1957.
 * 592: Dante Roman/italic
 * composition matrices: UA.441, 6D-14D


 * display matrices


 * 682: Dante Semi Bold Roman/italic
 * composition matrices: UA.504, 6D-14D


 * 612: Dante Titling Roman
 * display matrices


 * Deutsch Romisch
 * 298: Deutsch Romisch (cancelled in 1970)
 * composition matrices: UA.303, 6D-12D


 * 286: Deutsch Romisch Bold (cancelled in 1967)
 * composition matrices: UA.304, 8D-10D


 * De Vinne
 * 131: De Vinne (cancelled in 1967
 * composition matrices: UA.400, 8pt


 * display matrices


 * _21: De Vinne (see: De Vinne Condensed)
 * _21: De Vinne Condensed (cancelled in 1967)
 * composition matrices: UA.2 6.5pt - 12 pt


 * 167: De Vinne Italic (synonym: Bold Italic Series No. 167) (cancelled in 1967)
 * composition matrices: UA.3 7.5pt - 11 pt


 * Devonshire
 * 223: Devonshire Bold (synonym: 223 Heavy Antique (cancelled in 1967)
 * display matrices


 * 224: Devonshire Bold Condensed (synonym: 224 Condensed Heavy Antique) (cancelled in 1967)
 * display matrices


 * Didot
 * _71: Didot Roman/italic
 * composition matrices: UA.1 6.5pt - 13pt


 * Divina Comedia
 * 425: Divina Comedia (destroyed in a bombardment)


 * Dorchester Script
 * 436 Dorcherster script
 * display matrices

E

 * Egyptian
 * 107: Egyptian No. 1 Roman
 * composition matrices: UA.2 = 6-12pt


 * 171: Egyptian (synonym: 171 Egyptian Bold) (cancelled in 1967)
 * composition matrices: UA.39 = 9pt


 * 173: Egyptian No. 4 Roman
 * display matrices:


 * 129: Egyptian Roman (see: Egyptian Bold nr.1 en: 251)
 * 130: Egyptian (cancelled in 1967)
 * composition matrices: UA.3 = 8pt


 * 162: Egyptian No. 3 (cancelled in 1967)
 * composition matrices: UA.3 = 8pt


 * 184: Egyptian (see: 184 Ionic No. 3)
 * 241: Egyptian
 * 251: Egyptian (see: Egyptian Condensed)
 * 330: Egyptian (see: Egyptian Bold)
 * 129: Egyptian Bold No. 1 Roman (see: 251)
 * composition matrices: UA.3 = 8-10pt


 * 171: Egyptian Bold (see: 171 Egyptian) (cancelled in 1967)
 * 330: Egyptian Bold (synonym: 330 Egyptian) (cancelled in 1967)
 * composition matrices: UA.3 = 6D


 * 282: Egyptian Bold Condensed Roman (see: 251) (synonyms: Egyptian Heavy and Heavy Egyptian
 * composition matrices: UA.313 = 6D


 * 251: Egyptian Condensed Roman
 * composition matrices: UA.63 = 6.5pt


 * 112: Egyptian Condensed (cancelled in 1967)
 * composition matrices: UA.2 = 9pt


 * 464: Egyptian Condensed (cancelled in 1967)
 * composition matrices: UA.130 = 6D-10D


 * _72: Egyptian Extended Roman
 * composition matrices: UA.3 = 5-13pt


 * 465: Egyptian Extended (bij bombardement vernietigd)
 * 282: Egyptian Heavy Roman (see: 282 Egyptian Bold Condensed)


 * Ehrhardt
 * 453: Ehrhardt Roman/italic
 * composition matrices: UA.397 = 6-14pt


 * display matrices:


 * 563: Ehrhardt (cancelled in 1974)
 * 573: Ehrhardt Semi-Bold Roman/italic
 * composition matrices: UA.430 = 6-14pt


 * display matrices:


 * Ellington
 * Elite Typewriter
 * 235: Elite Typewriter (see: Typewriter)
 * composition matrices: UA.28 = 12pt


 * Elsevir
 * _19: Elsevir Roman/italic
 * UA.1 6pt - 12 pt


 * Electronic Reading Founts
 * E-13B
 * CMC7
 * 407-1
 * OCR-B


 * Emerson
 * 320: Emerson Roman/italic
 * composition matrices: UA.390 = 8-14pt


 * display matrices:


 * 400: Emerson (cancelled in 1967)
 * 479: Emerson (destroyed in a bombardment)


 * Emery
 * 452: Emery (cancelled in 1965)


 * Engravers Titling
 * 146: Engraver's Titling (see: 146 Engravers' Titling)
 * 146: Engravers' Titling Roman
 * composition matrices: UA.18 = 6pt, capitals in 4 sizes, that can be combined.


 * 147: Engravers' Titling (see: Engravers' Bold Titling)
 * 147: Engravers' Titling Bold (see: Engravers' Bold Titling)


 * Engravers Bold titling
 * 147: Engravers Bold Titling Roman
 * composition matrices: UA.18 = 6 and 12pt in 4 sizes that can be combined.


 * display matrices: 24 pt in 5 sizes

F

 * Fabritius
 * 586: Fabritius Roman


 * Falstaff
 * 323: Falstaff Roman/italic
 * composition matrices: UA.347 = 6D-12D


 * display matrices:


 * Felix Titling 
 * 399: Felix Titling Roman
 * display matrices:


 * Fanfare Bold
 * 514: Fanfare Bold Condensed Italic Titling italic (destroyed in a bombardment)
 * 516: Fanfare Bold Condensed Italic Titling No. 2 italic


 * Festival Titling
 * 554: Festival Titling italic
 * display matrices:


 * Figaro
 * 536: Figaro Roman
 * display matrices:


 * 626: Figaro Bold (cancelled in 1967)

^ Fleet Titling
 * 632: Fleet Titling Roman
 * display matrices:


 * Floriated capitals
 * 431: Floriated capitals
 * display matrices:


 * Fontana
 * 403: Fontana Roman/italic
 * composition matrices: UA.464 = 8pt-14pt


 * large composition matrices:


 * 437: Fontana bible face Roman/italic
 * composition matrices: UA.464 = 4.5pt-6pt


 * 443: Fontana Titling (destroyed in a bombardment)


 * Forte
 * 614: Forte
 * display matrices:


 * Fournier
 * 185: Fournier Roman/italic
 * composition matrices: UA.59 = 8pt-13.5pt


 * large composition matrices: UA. 446


 * 185: Fournier Old Face (see: Fournier)
 * 285: Fournier Old Face (Shortened Caps) (see: Fournier Shortened Capitals)
 * 285: Fournier Shortened Capitals Roman/italic (see also: Fournier 185)
 * composition matrices: UA.59 = 10pt-13.5pt, abridged capitals, for use in conjunction with the lowercase characters of Fournier 185


 * French Face Extended
 * _76: French Face Extended (cancelled in 1967)
 * composition matrices: UA.1 = 7D-10pt


 * French Modern
 * 111: French Modern (cancelled in 1967)
 * composition matrices: UA.1 = 6D-10pt


 * French Old Style
 * _68: French Old Style Roman/italic
 * composition matrices: UA.1 = 6.5pt-13pt
 * oid specimen blades show size 7pt and 8pt, later versions: 6.5pt and 7.5pt, set and lining stay the same.


 * 109: French Old Style Roman/italic (synonym: French Old Stype no. 2) (cancelled in 1967)
 * composition matrices: UA.1 = 6.5pt-11pt


 * 148: French Old Style No. 3 (cancelled in 1967
 * composition matrices: UA.1 = 6.5pt


 * _69: French Old Style Bold Roman/italic
 * composition matrices: UA.1 = 7pt-13pt


 * _69: French Old Style (Half-Fat) (see: French Old Style Bold)


 * French Round Face
 * _44: French Round Face Roman/italic
 * composition matrices: UA.1 = 6.5pt-13pt


 * Fredericus Antiqus
 * 314: Fredericus Antiqus Roman/italic
 * composition matrices: UA.1 = 6.5pt-13pt


 * Futura Buchschrift
 * 596: Futura Buchschrift (cancelled in 1960)

G

 * Gallia (Sorts)
 * a313: Gallia (Sorts) (cancelled voor 1966)


 * Garamond
 * 156: Garamond Roman/italic
 * Swash and ligatures for 156
 * The italic which was designed for this series was found by customers to be much too extreme. Eventually it was decided to design a more modest italic. That was:  ' Series 174  '. The extra luxury italic "swash"-capitals continued to be maintained. In old die cases the italic matrices with 156 appearing on them are occasionally to be found, and they are quite popular for present users of Monotype machines.
 * composition matrices: UA.37 = 6-12pt, UA.99 = 14pt


 * large composition: Roman = UA.114 italic = UA.115
 * 14pt (14D) Roman/italic, 16pt (16D) Roman, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic


 * display matrices:


 * 201: Garamond bold Roman/italic
 * composition matrices: 6-12pt: Roman = UA.61, italic = UA.315, 14pt = UA.342


 * large composition: UA.154
 * 18pt (18D) Roman/italic, 24pt (24D) Roman/italic


 * display matrices:


 * 174: Garamond Italic No. 2 italic (the Roman was cancelled before 1966)
 * composition matrices: UA.42 = 6-12pt, UA.140 = 14pt


 * large composition: UA.140
 * 14pt (14D) Roman/italic, 18pt (18D) Roman/italic, 24pt (24D) Roman/italic


 * display matrices:


 * 201: Garamond Heavy (see: 201 Garamond Bold)
 * Am. 548: Garamond Bold
 * Am. 5481: Garamond Bold Italic
 * Am. 648E: American Garamond (Roman)
 * Am. 649G: American Garamond Italic


 * Garamont (Goudy)
 * Am. 248: Garamont (Goudy) Roman
 * Am. 2481: Garamont Italic (Goudy) italic


 * Gill
 * 275: Gill Bold Sans-Serif (see: 275 Gill Sans Bold)
 * 430: Gill Face (destroyed in a bombardment)
 * 442: Gill Ultra Bold (see: 442 Gill Sans Ultra Bold)
 * 433: Gill Moiree Shadow (destroyed in a bombardment)


 * Gill Sans
 * 262: Gill Sans Roman/italic
 * composition matrices: Roman: UA.82, italic: UA.311 = 5-14pt (S.H. = short descenders)


 * large composition: UA.383, Roman 18pt


 * display matrices:


 * 349: Gill Sans No. 2 Roman/italic
 * composition matrices: Roman: UA.345 = 5pt


 * 275: Gill Sans Bold Roman/italic
 * composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)


 * large composition: UA.383, Roman 18pt


 * display matrices:


 * 350: Gill Sans Bold Roman (see: 350 Gill Sans 349)
 * composition matrices: Roman: UA.346 = 5pt


 * 575: Gill Sans Bold (cancelled in 1967)
 * 343: Gill Sans Bold Condensed Roman
 * composition matrices: Roman: UA.93 = 5-14pt, italic: UA.302 = 5.5-14pt (S.H. = short descenders)


 * display matrices:


 * 373: Gill Sans Bold Condensed Titling No. 1 Roman
 * display matrices:


 * 525: Gill Sans Bold Condensed Titling Roman
 * display matrices:


 * 468: Gill Sans Bold Extra Condensed Eoman
 * display matrices:


 * _L8: Gill Sans Bold Timetable Roman
 * 317: Gill Sans Bold Titling Roman
 * display matrices:


 * 233: Gill Sans Cameo Roman
 * display matrices:


 * 299: Gill Sans Cameo Ruled Roman
 * display matrices:


 * 485: Gill Sans Condensed Roman
 * composition matrices: Roman: UA.499 = 10-12pt


 * display matrices:


 * 321: Gill Sans Extra Bold Roman
 * composition matrices: UA.336 = 6D-12pt


 * display matrices:


 * 526: Gill Sans Extra Bold Titling Roman
 * display matrices:


 * 526: Gill Sans Extra Heavy Titling (see: 526 Gill Sans Extra Bold Titling)
 * 362: Gill Sans Light Roman/italic
 * composition matrices: Roman: UA.82 = 4.5-14pt, italic: UA.311 = 5-14pt


 * display matrices:


 * 662: Gill Sans Light No. 2 Roman (synonym: Gill Sans Light, see also: Gill Sans 349)
 * composition matrices: Roman: UA.345 = 5pt


 * 353: Gill Sans Poster Roman
 * display matrices:


 * 406: Gill Sans Shadow No. 1 Roman
 * display matrices:


 * 408: Gill Sans Shadow No. 2 Roman
 * display matrices:


 * 338: Gill Sans Shadow No. 3 Roman
 * display matrices:


 * 290: Gill Sans Shadow Line Roman
 * display matrices:


 * 304: Gill Sans Shadow Titling Roman
 * display matrices:


 * 231: Gill Sans Titling Roman
 * composition matrices: UA.84 = 6pt in 4 sizes, 12pt


 * display matrices:


 * 262: Gill Sans-Serif (see: 262 Gill Sans)
 * 349: Gill Sans-Serif (see: 349 Gill Sans)
 * 353: Gill Sans-Serif (see: 353 Gill Sans Poster)
 * 275: Gill Sans-Serif Bold (see: 275 Gill Sans Bold)
 * 350: Gill Sans-Serif Bold (see: 350 Gill Sans Bold)
 * 343: Gill Sans-Serif Bold Condensed (see: 343 Gill Sans Bold Condensed)
 * 468: Gill Sans-Serif Bold Extra Condensed (see: 465 Gill Sans Bold Extra Condensed)
 * 233: Gill Sans-Serif Cameo (see: 233 Gill Sans Cameo)
 * 299: Gill Sans-Serif Cameo Ruled (see: 299 Gill Sans Cameo Ruled)
 * 373: Gill Sans-Serif Extra Bold Titling (see: 373 Gill Sans Bold Condensed Titling)
 * 321: Gill Sans-Serif Extra Heavy (see: 321 Gill Sans Extra Bold)
 * 485: Gill Sans-Serif Medium Condensed (see: 485 Gill Sans Condensed)
 * 362: Gill Sans-Serif Light (see: 362 Gill Sans Light)
 * 304: Gill Sans-Serif Shadow (see: 304 Gill Sans Shadow Titling)
 * 406: Gill Sans-Serif Shadow No. 1 (see: 406 Gill Sans Shadow No. 1)
 * 408: Gill Sans-Serif Shadow No. 2 (see: 408 Gill Sans Shadow No. 2)
 * 290: Gill Sans-Serif Shadowline (see: 290 Gill Sans Shadow Line)
 * 231: Gill Sans-Serif Titling (see: 231 Gill Sans Titling)
 * 317: Gill Sans-Serif Titling (see: 317 Gill Sans Bold Titling)
 * 338: Gill Sans-Serif Two Colour (see: 338 Gill Sans Shadow No. 3)
 * 442: Gill Sans-Serif Ultra Bold (see: 442 Gill Sans Ultra Bold)
 * 442: Gill Sans Ultra Bold Roman
 * display matrices:


 * Alternative characters for 262, 275, 362


 * Gloucester
 * 103: Gloucester Bold Roman/italic
 * composition matrices: UA.5 = 6-13.5pt,


 * display matrices:


 * 198: Gloucester Bold Condensed Roman
 * composition matrices: UA.60 = 6-12pt,


 * display matrices:


 * 243: Gloucester Bold Extended Roman
 * composition matrices: UA.75 = 6-12pt,


 * display matrices:


 * 395: Gloucester Bold Extra Condensed Roman
 * display matrices: 14-72pt


 * 160: Gloucester Bold Italic 
 * composition matrices: UA.3 = 6-12pt,


 * 396: Gloucester Extra Condensed Roman
 * display matrices: 14-72pt


 * _99: Gloucester Old Style Roman/italic
 * composition matrices: UA.4 = 6-13.5pt,


 * large composition: 18pt (18D) UA.116, Roman/italic, 24pt (24D) UA.117, Roman/italic


 * display matrices:


 * Gothic (collective name for sans serif typefaces)
 * __4: Gothic (synonym: Grotesque Condensed) (cancelled in 1967)
 * composition matrices UA.1B 6pt - 12pt


 * Goudy
 * 269: Goudy Bold Roman/italic
 * composition matrices: UA.88 = 6-14pt,


 * display matrices:


 * 441: Goudy Bold Roman/italic
 * composition matrices: UA.382 = 6-12pt,


 * 268: Goudy Cataloque Roman/italic
 * composition matrices: UA.83 = 6-14pt,


 * display matrices:


 * 364: Goudy Cataloque Roman/italic
 * composition matrices: UA.1 = 5-6pt, UA.419 = 7pt-7.75pt,


 * 214: Goudy Extra Bold Roman/italic
 * composition matrices: UA.88 = 6-14pt,


 * display matrices:


 * 249: Goudy Modern Roman/italic
 * composition matrices: UA.87 = 10-12pt,


 * display matrices:


 * 291: Goudy Old Style Roman/italic
 * composition matrices: UA.312 = 6-14pt, long descenders available, Swash capitals in: 42, 60, 72pt


 * display matrices:


 * 292: Goudy Text (gotisch schrift)
 * composition matrices: UA.339 = 9-12pt, can be combined with 293 Lombardic Capitals


 * display matrices:


 * 439: Goudy Titling Roman


 * Gravura
 * 533: Gravura Roman (cancelled in 1965)
 * composition matrices: UA.1 = 12pt


 * Grock
 * 388: Grock Roman
 * display matrices:


 * Grosvenor Script
 * 493: Grosvenor Script italic
 * display matrices:


 * Grotesque (collective name for sans serif typefaces)
 * _11: Grotesque (see: 11 Grotesque Bold Condensed)
 * _33: Grotesque (see: 33 Grotesque Condensed)
 * _51: Grotesque Roman/italic
 * composition matrices: UA.2 = 6-12pt, UA.124 = 14pt-18pt, UA.125= 24pt


 * large composition:


 * display matrices:


 * 126: Grotesque (see: 126 Grotesque Light No. 1)
 * 215: Grotesque Roman/italic (synonym: Grotesque No. 1)
 * composition matrices: 5pt = roman UA.421 and intslic UA.429, 6.5pt-13pt = roman UA.65 and italic UA.401


 * display matrices:


 * 216: Grotesque (see: 216 Grotesque Bold)
 * 274: Grotesque (see: 274 Grotesque Light Condensed)
 * 389: Grotesque No. 2 (see: 389 Grotesque Light)
 * 212: Grotesque Roman (cancelled in 1964)
 * composition matrices: UA.62 = 6.5pt


 * _73: Grotesque Bold No. 3 Roman
 * composition matrices: UA.3 = 6-13pt


 * _97: Grotesque Bold Roman (in red: withdrawn around 197(?) )
 * composition matrices: UA.2 = 7.7pt


 * 216: Grotesque Bold No. 2 Roman/italic combines with Series No. 215 Grotesque
 * composition matrices: 6.5pt-13pt = UA.66


 * display matrices:


 * 680: Grotesque Bold Roman (see: Bell Gothic 619)
 * composition matrices UA.502 6pt


 * _11: Grotesque Bold Condensed (cancelled in 1967)
 * composition matrices: UA-2, 6pt & 9pt (synonym: Grotesque)


 * _15: Grotesque Bold Condensed No. 2 Roman/italic (synonym: series 15 Sans Serif)
 * composition matrices Roman: UA.2 = 6pt - 12pt
 * 6pt (6D) with short descenders: 6.5 set line .1225


 * display matrices:


 * 365: Grotesque Bold Condensed (synonym: 365 Heavy Narrow Gothic) (cancelled in 1967)
 * composition matrices UA.333 = 10pt - 12pt


 * _81: Grotesque Bold Condensed Roman
 * composition matrices: UA.2 = 10pt


 * 166: Grotesque Bold Condensed No. 4 (synonym: 166 Grotesque Bold Condensed Titling)
 * composition matrices: UA.403 = 12pt, UA.121 = 14pt


 * large composition:


 * display matrices:


 * 166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed No. 4)
 * 527: Grotesque Bold Condensed Titling Roman
 * display matrices:


 * 150: Grotesque Bold Extended No. 1 Roman/italic
 * composition matrices: 6pt-12pt, 7pt and 9pt only italic


 * large composition:


 * display matrices:


 * 168: Grotesque Bold Extended (cancelled in 1967)
 * 524: Grotesque Bold Titling Roman
 * display matrices:


 * _33: Grotesque Condensed No. 2 Roman
 * composition matrices: UA.2 = 6pt-13.5pt


 * large composition, UA.395 = 22pt :


 * display matrices:


 * 318: Grotesque Condensed Roman
 * composition matrices: UA.388 = 5D, 6pt, UA.300 = 6D-13pt


 * display matrices:


 * 383: Grotesque Condensed No. 4 Roman
 * composition matrices: UA.341 = 5D-12D


 * display matrices:


 * __4: Grotesque Condensed (see: Gothic Series No. 4)
 * 383: Grotesque Condensed Heavy (see: 383 Grotesque Condensed)
 * 523: Grotesque Condensed Titling Roman
 * display matrices:


 * 215: Grotesque Half Fat (see: 215 Grotesque No. 1)
 * 126: Grotesque Light No. 1 Roman/italic
 * composition matrices: UA.420/UA.431 = 5pt-5.5pt, UA.64/UA.396 = 6.5pt-13pt


 * display matrices:


 * 389: Grotesque Light (synonym: 389 Grotesque No. 2) (cancelled in 1967)
 * composition matrices: UA.2 = 8pt-12pt


 * 274: Grotesque Light Condensed No. 2 Roman
 * composition matrices: UA.427 =5D, UA.94 = 6D-13pt


 * 204: Grotesque Light Condensed (synonym: 204 Light face Gothic) (cancelled in 1967)
 * composition matrices: UA.58 = 12pt


 * display matrices:


 * 405: Grotesque Light Condensed (cancelled in 1967)
 * 405: Grotesque Narrow (see: 405 Grotesque Light Condensed)
 * 177: Grotesque Newspaper Smalls (see: 177 Newspaper Small Ads)
 * 216: Grotesque $3/4$ Fat (see: 216 Grotesque Bold No. 1)
 * 502: Grotesque Timetable (cancelled in 1967)
 * 524: Grotesque Titling (see: 524 Grotesque Bold Titling)


 * Gwendolin
 * 208: Gwendolin (cancelled in 1967)


 * Gustavus
 * 484: Gustavus Bold (cancelled in 1965)
 * 497: Gustavus Light (cancelled in 1965)

H

 * Haarlemmer
 * 531: Haarlemmer Roman (withdrawn in 1967) design: Jan van Krimpen
 * composition matrices: UA.408 = 14D


 * Half Fat Modern Mediaeval
 * _52: Half Fat Modern Mediaeval Roman (synonym: 52 Schurmann Antiqua Halbfette) (withdrawn in 196(?) )
 * composition matrices: UA.5


 * Headline bold 
 * 595: Headline Bold Roman/italic
 * composition matrices: UA.443 = 6-14pt


 * display matrices:


 * Heavy
 * 223: Heavy Antique (see: Devonshire Bold)
 * 282: Heavy Egyptian (see: 282 Egyptian Bold Condensed) (synonym Egyptian Heavy)
 * 365: Heavy Narrow Gothic (see: 365 Grotesque Bold Condensed) (cancelled in 1967)
 * 435: Heavy Shadow French (cancelled in ??)
 * 337: Heavy Small Caps (cancelled in 1974)


 * Helvetica
 * 765: Helvetica Roman/italic
 * combines with 766 Helvetica Medium, equivalent with Stempel's Helvetica halbfett, and Linotype Helvetica Bold
 * composition matrices: UA.508 = 6D-12D


 * 766: Helvetica Medium Roman/italic
 * composition matrices: UA.508 = 6D-12D


 * Horley Old Style
 * 261: Horley Old Face Heavy (see: 261 Horley Old Style Bold)
 * 188: Horley Old Style (replaced by 199, cancelled in 1965)
 * 199: Horley Old Style Roman/italic
 * composition matrices: UA.56 = 6-13pt, UA.362 = 14pt


 * large composition: Roman = UA.367


 * display matrices:


 * 261: Horley Old Style Bold Roman/italic
 * composition matrices: UA.80 = 6-13pt


 * display matrices:


 * 923: Hungry Dutch, roman
 * composition matrices, 12pt, no italic available
 * Design: Russell Maret, a revival of a typeface cut in 1686 by Peter van Walpengen for Bishop John Fell of Oxford. After 50 years this was in 2020 the first design for a font to cast in composition.

I

 * Imprint
 * 101: Imprint Roman/italic
 * combines with series 310 or 410
 * composition matrices: UA.4 = 6-12pt, UA.4a = 13.5pt


 * large composition:


 * display matrices:


 * 310: Imprint Bold Roman/italic
 * combines with series 101
 * composition matrices: UA.98 = 6pt-13.5pt


 * 410: Imprint Bold No. 2 Roman/italic
 * combines with series 101
 * composition matrices: 6-13.5pt


 * 310: Imprint Heavy No. 1 (see: 310 Imprint Bold)
 * 410: Imprint Heavy No. 2 (see: 410 Imprint Bold)
 * 101: Imprint Old Face (see: 101 Imprint)
 * 190: Imprint Shadow Roman/italic
 * display matrices


 * Indicateur
 * 462: Indicateur (cancelled in 1967)


 * Inflex Bold 
 * 366: Inflex Bold Roman
 * composition matrices: UA.344 = 5pt-9pt, combines with: Series No. 342 Ionic


 * Inflex Timetable
 * 503: Inflex Timetable (see: Bold Face)


 * Ionic
 * __6: Ionic (see: 6 Modern no.4) (cancelled in 1967)
 * 265: Ionic No. 1 Roman/italic (cancelled in 1967)
 * composition matrices: UA.321 = 6pt-6.5pt


 * 342: Ionic No. 2 Roman/italic (see also: 562 Ionic 2-line
 * composition matrices: UA.317 = 5pt-9pt


 * 184: Ionic No. 3 Roman (synonym : 184 Egyptian) (cancelled in 1967)
 * composition matrices: UA.51 = 6pt


 * 153: Ionic No. 4 Roman (cancelled in 1967)
 * composition matrices: UA.1 = 8pt


 * 416: Ionic No. 5 Roman/italic (cancelled in 1967)
 * composition matrices: UA.1 = 7D-8D


 * 451: Ionic No. 6 Roman/italic (cancelled in 1967)
 * composition matrices: UA.380 = 6pt-7pt


 * 476: Ionic (destroyed in a bombardment)
 * 562: Ionic Two-line Roman only 10 pt high capitals, numbers and signs (see also: 342 Ionic)
 * composition matrices: UA.317(?) = 5pt,
 * In a die case combined with series 342-5pt this produces 10pt large initials, to produce advertisements. All can be done in one machine-run.


 * Iroquois Condensed
 * _23: Iroquois Condensed Roman (cancelled in 1964)
 * UA.2, 8pt, 10pt, 12 pt


 * Italian Old Style
 * 108: Italian Old Style Roman/italic
 * composition matrices: UA.4 = 6pt-13pt


 * display matrices:


 * 149: Italian Old Style Bold Roman
 * composition matrices: UA.5 = 6pt-13pt


 * display matrices:


 * 149: Italian Old Style Display (see: 149 Italian Bold Style Bold & Veronese (typeface))


 * Italic Display
 * _54: Italic Display (see: 54 Modern Bold Italic)

J

 * Jacno
 * 579: Jacno (experimental)


 * Janson
 * 646: Janson (cancelled in 1972)
 * Am. 401 Janson Roman
 * Am. 4011 Janson italic


 * Jenson
 * Am. 58 Jenson Old Style
 * Am. 258 Jenson Condensed


 * Joanna
 * 478: Joanna Roman/italic
 * composition matrices: UA.449 = 8pt-14pt


 * display matrices:


 * Jocunda
 * 369: Jocunda Roman only capitals, numbers and signs (cancelled in 1967)
 * display matrices:

K

 * Kaatskill
 * 311: Kaatskill (cancelled in 1967)


 * Kennerley
 * Am:


 * Kino
 * 305: Kino Roman
 * display matrices:


 * Klang
 * 593: Klang italic
 * display matrices:

L

 * Lamp
 * 490: Lamp (cancelled)


 * Latin Antique
 * __9: Latin Antique Roman
 * composition matrices: UA-2 (6-13pt) (synonym: Latin Antique)


 * _60: Latin Antique Roman (synonym: 60 Latin Antique No. 2
 * composition matrices: UA.2 = 8-12pt


 * _78: Latin Antique Roman
 * composition matrices: UA.2 = 6-13pt


 * _84: Latin Antique (cancelled) (synonym: 84 Latin Antique no. 4)
 * composition matrices: UA.2 = 6-12pt


 * 419: Latin Condensed Roman
 * display matrices:


 * 164: Latin Wide (cancelled in 1967)
 * composition matrices: UA.19 = 8pt


 * Laudian Old Style
 * 450: Laudian Old Style Roman/italic
 * composition matrices: UA.1 = 5.5pt-7.75pt


 * 454: Laudian Old Style (destroyed by bombs)


 * Lectern Missal
 * 538: Lectern Missal Roman (see: Missal 393)


 * Leysbourne
 * 348: Leysbourne (cancelled in 1965)
 * 12 pt 10.5 set line.1325 UA.359


 * Light
 * 505: Light Extra Condensed (see: 505 Placard light Extra Condensed)
 * 204: Light Face Gothic (see: 204 Grotesque Light Condensed)
 * 113: Light Face Plantin (see: 113 Plantin Light)
 * 522: Light Placard Titling (see: 522 Placard Condensed Titling)
 * 475: Light Script (see: 475 Script Light)


 * Littleworth
 * 284: Littleworth (cancelled in 1967)
 * UA.=317, composition: 12pt = 10.5 set line.1336, 16pt display matrices line.1557


 * Lombardic Capitals
 * 293: Lombardic Capitals (see: 292 Goudy Text 292)


 * L.P.T.B. Titling
 * 517: L.P.T.B. Titling (cancelled in 1965)


 * Lutetia, this early design of Jan van Krimpen was modified for Monotype. Jan van Krimpen had given his permission to change his design for hand composing of Lettergieterij Amsterdam to edit it for machine composition. Later he had to admit that the result was very good. But he added immediately that "if" he had known this in advance ... he never would have agreed ... to get as close as possible to the original design to be able to stay, it was necessary to make another unit-arrangement for each size. Consequently, it was a very expensive for the printer customers, since each size with another wedge had to be poured. Also on the keyboard keybanks for each size was another requirement, and extra wedges also had to be purchased.
 * 255: Lutetia Roman/italic
 * composition matrices Unit arrangements different for each size


 * display matrices:

M

 * Mardersteig
 * 347: Mardersteig
 * Never produced, only one proof-set was made for Giovanni Mardersteig himself. The matrices were lost.


 * Matura
 * 496: Matura script
 * display matrices:


 * Matura scriptorial Capitals 
 * 528: Matura scriptorial Capitals (combines with 496 Matura)
 * display matrices:


 * Mediaeval
 * 125: Mediaeval Roman (cancelled in 1965)
 * 134: Mediaeval Roman (cancelled in 1965)
 * 136: Mediaeval Roman (cancelled in 1965)
 * _88: Mediaeval Modern (see: 88 Modern Mediaeval)
 * _52: Mediaeval Modern Half-Fat (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)
 * _67: Mediaeval Old Style (see: 67 Old Style)


 * Menhart
 * 397: Menhart Roman/italic
 * composition matrices: UA.378 = 10D-14


 * display matrices:


 * Mercurius Bold Script
 * 583: Mercurius Bold Script
 * display matrices:


 * Missal
 * 336: Missal
 * 393: Missal Roman
 * 448: Missal No. 3
 * 459: Missal No. 4


 * Modern
 * __1: Modern No. 1 Roman/italic
 * 1901, after a design of Miller & Richards
 * composition matrices: UA-1 (6-12pt), UA-1a(14pt),


 * _80: Modern No. 2 (cancelled in 1967)
 * 190?, composition matrices: UA-1,


 * 189: Modern No. 3 Roman/italic
 * 190?, composition matrices: UA-1,


 * __6: Modern No. 4 (cancelled in 1967) (synonym: Ionic)
 * 190?, composition matrices: UA-1,


 * _95: Modern No. 5 Roman/italic (cancelled in 1967)
 * composition matrices: UA-1 = 11pt


 * 250: Modern No. 6 Roman (synonym: 250 Modern Condensed no.5)
 * composition matrices: UA.92 = 6.5pt UA=418 = 7D


 * 422: Modern No. 7 Roman/italic (cancelled in 1965)
 * composition matrices: UA.376 = 12 pt


 * 471: Modern No. 8 Roman (cancelled in 1967)
 * composition matrices: UA.1 8D-10D


 * 183: Modern Roman (synonym: 183 Modern no. 6) (cancelled in 1967)
 * display matrices,


 * 211: Modern Roman (see: 211 Century no.1)
 * 257: Modern (synonym: 257 Modern Wide)
 * composition matrices: UA.1


 * 444: Modern (cancelled in 1936)
 * 570: Modern Bold Roman, combines with: Modern Series No. 7
 * composition matrices: UA.2,


 * _54: Modern Bold Italic italic (synonym: 54 Italic-Display)
 * composition matrices: UA.3 = 6-12pt


 * display matrices:


 * 263: Modern Cancellation Fount Roman (see: 263 Modern Extended 17)
 * _13: Modern Condensed No. 1 Roman/italic
 * composition matrices UA.1 = 6pt


 * _14: Modern Condensed No. 2 Roman/italic
 * composition matrices: UA.1 = 7 pt


 * _39: Modern Condensed No. 3 Roman/italic
 * composition matrices: UA.1,


 * _79: Modern Condensed No. 4 Roman/italic (cancelled in 1965)
 * composition matrices: UA.1 = 11pt


 * 250: Modern Condensed No. 5 Roman
 * composition matrices: UA.92 = 6.5pt, UA.418 = 7D


 * __7: Modern Extended No. 1 Roman/italic,
 * 1902, some bit wider version of Modern no.1
 * composition matrices: UA.1 = 6pt-12pt


 * _77: Modern Extended No. 2 Roman/italic (cancelled in 1967)
 * composition matrices, UA1 = 9pt-11pt


 * 447: Modern Extended No. 3 (cancelled in 1965)
 * composition matrices, UA1 = 8D-9D


 * 237: Modern French
 * 247: Modern French (cancelled in 1965)
 * _88: Modern Mediaeval (cancelled in 1964)
 * _52: Modern Mediaeval (Half-Fat) (see: 52 Half-Fat Modern Mediaeval) (synonyms: 52 Schurmann Antiqua Halbfette, Half-Fat Modern Mediaeval) (cancelled in 196?)
 * 500: Modern Timetable (cancelled in 1967)
 * 179: Modern Titling Roman/italic (synonyms: 179 Titling 179, Titling Italic)
 * composition matrices: UA.1 = UA.8-12pt


 * _16: Modern Wide No. 1 Roman/italic
 * composition matrices: UA.1 = 5pt


 * _18: Modern Wide No. 2 Roman/italic (synonym: Modern Wide)
 * composition matrices: UA.1 = 6pt


 * _25: Modern Wide No. 3 Roman/italic (synonym: Modern Wide, also referred to as: Romano)
 * composition matrices UA.2 = 6pt - 12pt


 * _26: Modern Wide No. 4 Roman/italic (synonym: Modern Wide)
 * composition matrices: UA.1 = 4.5pt-5pt


 * _30: Modern Wide No. 5 Roman/italic (synonym: Modern Wide)
 * composition matrices: UA.1 = 7pt-8pt


 * _75: Modern Wide No. 6 (synonym: 75 Modern Wide) (cancelled in 1967)
 * composition matrices: UA.1 = 7Dt


 * 257: Modern Wide No. 7 (cancelled in 1967)
 * composition matrices: UA.1 = 10pt-11pt


 * Modernistic
 * a297: Modernistic (Sorts) (cancelled vóór 1966)


 * Morrison Face
 * 537: Morrison Face (cancelled in 1964)


 * Monoline Script
 * 351: Monoline Script


 * Musical signs
 * 210: Musical signs
 * 382: Musical signs

N

 * Narrow
 * 294: Narrow Bembo Italic (see: 294 Bembo Condensed Italic)
 * 166: Narrow Gothic (see: 166 Grotesque Bold Condensed Titling)
 * 527: Narrow Gothic Titling (see: 527 Grotesque Bold Condensed Titling)
 * 405: Narrow Grotesque (see: 405 Grotesque Light Condensed)


 * Nastaliq
 * 402: Nastaliq (cancelled)


 * Neo Didot
 * _27: Neo Didot Roman/italic
 * composition matrices: UA.1 = 6.5-13pt


 * _65: Neo Didot Roman/italic
 * composition matrices: UA.1 = 6.5-13pt


 * New Clarendon
 * 617: New Clarendon Roman/italic combines with: 618 New Clarendon Bold
 * composition matrices: UA.481 = 6-14pt


 * display matrices:


 * 618: New Clarendon Bold Roman/italic
 * composition matrices: UA.481 = 6-14pt


 * display matrices:


 * New Emerald Bible
 * 610: New Emerald Bible


 * New Face
 * 606: New Face (cancelled in 1964)
 * 607: New Face Bold (cancelled in 1964)
 * 615: New Grotesque (cancelled in 1974) (apart from "A")
 * 616: New Grotesque Bold (cancelled in 1974) (apart from "A")
 * 666: New Grotesque Light (cancelled in 1967) (apart from "A")


 * News Advertisements
 * 229: News Advertisements (see: Newspaper Small Ads)


 * Newspaper Small Ads
 * 177: Newspaper Small Ads (cancelled in 1965)
 * 229: Newspaper Small Ads (cancelled in 1965)


 * Newspaper Smalls
 * 115: Newspaper Smalls Roman (cancelled vóór 1966)
 * Available matrices: capitals, small capitals and lower case plus double large capitals and numbers.
 * These four alphabets could be cast in one machine-run, the double capitals overhanging at the bottom, relying on the "high-white" of neighbouring character. These high-blanks were cast from a blank matrix and adapted exactly under the overhanging characters.
 * composition matrices: UA.30 = 5.5-7pt


 * 163: Newspaper Smalls (cancelled in 1967)
 * 193: Newspaper Smalls (cancelled in 1965)
 * 333: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)
 * 335: Newspaper Smalls (The Times) (see: Times Newspaper Smalls)

O

 * Octavian
 * 603 : Octavian Roman/italic
 * Design: about 1960 by Will Carter and David Kindersley. Used the first time in June 1961 for a text taken from the introduction to Stanley Morison's "The Typographic Book", intended for the members of the "Double Crown Club".
 * composition matrices: UA.485 = 14pt


 * Old English text
 * 456: Old English text frakture typeface
 * composition matrices: UA.318 = 8-12pt


 * display matrices:


 * 356: Old English Text frakture typeface (cancelled in 1967)
 * composition matrices: UA.318 = 8-12pt


 * 456: Old English Text Light (see: 456 Old English Text)


 * Old Face
 * _43: Old Face (see: _43 Scotch Roman No. 3)
 * _46: Old Face (see: _46 Scotch Roman No. 1)
 * 137: Old Face (see: 137 Scotch Roman No. 2)
 * 154: Old Face (see: 154 Chiswell Old Face)
 * 240: Old Face (cancelled in 1964)
 * composition matrices: UA.385 = 9pt


 * 159: Old Face Heavy (see: 159 Old Style Bold No. 2)
 * _20: Old Face (Special) (cancelled in 1967)
 * UA.6, 6.5pt - 12 pt


 * _45: Old Face Standard (cancelled in 1967)


 * Old Style
 * __2: Old Style No. 2 Roman/italic
 * UA.1: 6 tot 12 punt, UA.1a: 14pt


 * 151: Old Style No. 4 Roman/italic
 * composition matrices: UA.20 = 6-11pt, UA.20a = 12pt, UA.52 = 14pt


 * large composition: Roman = UA.133 italic = UA.358
 * 18pt (18D) Roman/italic, 24Pt (24D) Roman


 * display matrices:


 * _67: Old Style Roman/italic (cancelled in 1967)
 * UA.1 = 9-12pt


 * 104: Old Style Roman/italic(cancelled in 1964)
 * UA.1 = 11pt


 * __3: Old Style Antique (see: __3 Antique Old Style)
 * 124: Old Style Antique (see: 124 Antique Old Style)
 * 161: Old Style Antique (see: 161 Antique Old Style)
 * 232: Old Style Antique Italic (cancelled in 1965)
 * _53: Old Style Bold No. 1 Roman/italic
 * composition matrices: UA.3,3a: 53-12 italic, 53-14 & 18 : UA 100, 53-24: UA 101, italic: UA 76
 * Large composition matrices only available in roman.


 * Display-matrijzen:


 * 159: Old Style Bold No. 2 Roman
 * composition matrices: UA.32 = 8-12pt, UA.112 = 14pt


 * large composition: UA.112


 * display matrices:


 * 544: Old Style Bold No. 5 Roman
 * composition matrices: UA.2 = 6-12pt


 * 253: Old Style Bold (synonym: 253 Bold Face No. 2) (cancelled in 1967)
 * composition matrices: UA.3 = 8-9pt


 * 245: Old Style Bold Italic italic (synonym: 245 Bold Face Italic No. 2) (cancelled in 1967)
 * composition matrices: UA.76 = 8-12pt


 * 176: Old Style Bold Outline Roman
 * composition matrices: UA.100 = 12pt


 * large composition: UA.100


 * display matrices:


 * __8: Old Style Condensed Roman/italic (cancelled in 1967)
 * UA.1, = one size only: 10pt (9D) = 9 set, line.1295


 * _50: Old Style Condensed (cancelled in 1967)
 * composition matrices: UA.1 = 8-10pt


 * _55: Old Style Italic Display (see: 55 Gloucester Bold Italic)
 * 122: Old Style (Prumyslava) Roman


 * OnyxInkscape Fonts - Onyx.png
 * 591: Onyx Roman
 * Onyx was created in 1937 and was inspired by the Stephanie typeface created by Bauer Type Foundry in 1870.
 * display matrices:


 * Am 404): Onyx Roman


 * Opus
 * 652: Opus (cancelled in 1966)


 * Othello
 * 246: Othello Roman capitals
 * composition matrices: UA.85 = 10pt-12


 * display matrices:


 * 248: Othello Shadow (cancelled in 1967)


 * Outline
 * 176: Outline (see: 176 Old Style Bold Outline)

P

 * Palace script
 * 429: Palace Script italic
 * Overhanging character that can only be cast with special moulds.
 * display matrices:


 * Pastonchi
 * 206: Pastonchi Roman/italic
 * composition matrices: UA.69 = 9-13 pt, UA.175 = 14D.


 * display matrices:


 * Pegasus
 * 508: Pegasus Roman
 * display matrices:


 * Pepita
 * 613: Petita script
 * display matrices


 * Perpetua
 * 239: Perpetua Roman/italic
 * introduction: 1930, design: Eric Gill,
 * composition matrices UA.96 = 5.5pt - 18pt


 * large-composition matrices: 18pt(18D) 16.5 set line T.1635
 * display matrices:


 * 316: Perpetua No. 3 (cancelled in 1967)
 * registered design No. 751804,
 * composition matrices: UA.96 = 9pt


 * 386: Perpetua No. 2 (cancelled in 1967)
 * composition matrices: UA.96 = 14pt


 * 461: Perpetua Bold Roman/italic
 * composition matrices UA.379 = 6pt - 14pt


 * display matrices:


 * 200: Perpetua Bold Titling Roman
 * composition matrices: UA. 145 : 12pt(12D) = 11.25 set line.1753
 * display matrices:


 * 480: Perpetua Light Titling Roman
 * display matrices:


 * 561: Perpetua Semi-Bold (cancelled in 1963)
 * 258: Perpetua Titling Roman
 * composition matrices: UA. 97 = 10pt - 12pt


 * display matrices:


 * 543: Perpetua Titling (cancelled in 1967)
 * 480: Perpetua Titling Light Face (see: 480 Perpetua Light Titling)


 * Pierre Didot
 * 411: Pierre Didot (cancelled in 1965)
 * composition matrices: UA.375 = 9pt


 * Pitman i.t.a.
 * 453: Pitman's i.t.a. (see: Ehrhardt 453)
 * 573: Pitman's i.t.a. (see: Ehrhardt Semi Bold 573)


 * Placard
 * 506: Placard Bold Condensed No. 1 Roman
 * composition matrices: UA.387 = 6D-12D


 * display matrices:


 * 515: Placard Bold Condensed No. 2 Roman
 * display matrices:


 * 568: Placard Condensed Roman (synonym: 568 Placard Medium Condensed)
 * composition matrices: UA.387 = 6D-12D


 * display matrices:


 * 522: Placard Condensed Roman (see: 522 Placard Condensed Titling)
 * 522: Placard Condensed Titling Roman (synonym: 522 Placard Condensed)
 * display matrices:


 * 505: Placard light Extra Condensed Roman
 * composition matrices: UA.387 = 10D


 * display matrices:


 * 568: Placard Medium Condensed (see: 568 Placard Condensed)


 * Plantin
 * 110: Plantin Roman/italic
 * composition matrices: UA.4 = 5.5pt-12pt, UA.4a= 13.5pt, UA.363 = 14pt


 * large composition matrices:


 * display matrices:


 * 194: Plantin Bold Roman/italic
 * can be combined with: 110 Plantin and 113/773 Plantin light
 * composition matrices: Roman UA.5 = 6pt-12pt, italic UA.3 = 6pt-12pt, UA.5a= 13.5pt, UA.158/159 = 14pt


 * display matrices:


 * 287: Plantin Bold (synonym: 287 Plantin Heavy No. 2) (cancelled in 1968)
 * composition matrices: UA.5 = 6.5pt-7.5pt


 * 236: Plantin Bold Condensed Roman/italic
 * composition matrices: UA.72 = 6pt-14pt


 * display matrices:


 * 289: Plantin Condensed Roman/italic (cancelled in 1967)
 * composition matrices: UA.4 = 7.5ptt


 * 194: Plantin Heavy (see: 194 Plantin Bold)
 * 236: Plantin Heavy Condensed (see: 236 Plantin Bold Condensed)
 * 287: Plantin Heavy No. 2 (see: 287 Plantin Bold)
 * 113: Plantin Light Roman/italic
 * composition matrices: UA.4 = 6pt-12pt


 * large composition matrices:


 * display matrices:


 * 773: Plantin Light Roman/italic
 * 113: Plantin Light Face (see: 113 Plantin Light)
 * composition matrices: UA.4 = 10pt-11pt
 * The two sizes of Series 773 are alternatives for Series 113, with identical set and lining', for use in combination with Series 194 and 663. Other sizes of Series 113 comply with this.


 * 281: Plantin Old Style No. 2 (cancelled in 1967)
 * composition matrices: UA.305 = 9pt-11pt


 * 663: Plantin Semi Bold Roman/italic
 * composition matrices: Roman=UA.5, italic= UA.3, 6pt-12pt


 * 438: Plantin Titling Roman
 * display matrices:


 * Plate Gothic
 * 139: Plate Gothic (see: 139 Spartan Light)
 * 140: Plate Gothic (see: 140 Spartan)
 * 141: Plate Gothic (see: 141 Spartan Bold)
 * 142: Plate Gothic (see: 142 Spartan Light Condensed)
 * 143: Plate Gothic (see: 143 Spartan Condensed)
 * 145: Plate Gothic (see: 145 Spartan Wide)
 * 144: Plate Gothic Italic (see: 144 Spartan Italic)


 * Poliphilus
 * 170: Poliphilus Roman
 * composition matrices: UA.53: 10pt - 13pt, for the italic see: 119 Blado Italic


 * large-composition matrices: 16pt = UA.139


 * display matrices:


 * 230: Poliphilus Titling Roman
 * display matrices in 2 sizes


 * Poltawski
 * 394, Poltawski Roman
 * composition matrices: UA.156: 6D, 8D, 10D, 12D


 * 398: Poltawski Bold Roman
 * composition matrices: UA.156: 6D, 8D, 10D, 12D


 * Prayer Bookface
 * 532: Prayer Book Face (OUP) (cancelled)

R

 * Rockwell
 * 371: Rockwell Roman/italic
 * composition matrices: UA.338 = 6-14pt:


 * display matrices:


 * 391: Rockwell Bold Roman/italic
 * composition matrices: UA.338 = 6-14pt, combines with: 371 Rockwell


 * display matrices:


 * 359: Rockwell Bold Condensed Roman
 * composition matrices: UA.411 = 11pt


 * display matrices:


 * 414: Rockwell Condensed Roman
 * display matrices:


 * 424: Rockwell Extra Bold Roman
 * composition matrices: UA.162 = 6-12pt


 * display matrices:


 * 424: Rockwell Extra Heavy (see: 424 Rockwell Extra Bold)
 * 391: Rockwell Heavy (see: 391 Rockwell Bold)
 * 359: Rockwell Heavy Condensed (see: 359 Rockwell Bold Condensed)
 * 390: Rockwell Light Roman/italic
 * composition matrices: UA.338 = 6-14pt


 * display matrices:


 * 582: Rockwell Light Condensed (Film Sub-titles) Roman/italic
 * 175: Rockwell Shadow Roman
 * display matrices:


 * 175: Rockwell Shadow Titling (see: Rockwell Shadow)


 * Romulus
 * 458: Romulus Roman/italic
 * Jan van Krimpen started in 1931 with the design of this typeface, which eventually led to a whole font family. With the permission of the firm Enschede & Sons in Haarlem, "Series 458" was cut in 1936. It was a contemporary font that combined characteristics of many old fonts. The colour is matched to antique characters, but the serifs are almost horizontal and vertical. The font runs quite wide and the color is fairly light. The italic is an experiment: the oblique Roman is of the same width as the Roman.
 * composition matrices: UA.405 = 8D-14D


 * large composition: UA.406


 * display matrices:


 * 520: Romulus Bold Roman/italic (synonym: 520 Van Krimpen Bold)
 * composition matrices: UA.405 = 8D-14D


 * Ronaldson
 * _10: Ronaldson Roman/italic
 * composition matrices: UA-1 (6-12pt) (synonym: Ronaldson Old style)


 * _10: Ronaldson Old Style (see: Ronaldson)


 * Runic Condensed
 * 420 : Runic Condensed Roman

S

 * Sabon
 * This font was designed by Jan Tschichold. Characters for hand composing can (still) be ordered from the company D. Stempel AG (foundry) in formerly Frankfurt (now Darmstadt); Linotype matrices were available at Linotype GmbH (Berlin and Frankfurt); and Monotype matrices could be ordered from the Monotype Setzmachinen-Fabrik GMbH (Frankfurt and Berlin). This can still be done at the Type Museum in London, because the "patterns" and punches and production archives survived there.


 * The shape of the letter was identical for all three systems. Hand-composing type could be mixed with Linotype and Monotype composition rules. The letter had a limited success. There was also criticism: the letter suffered from the combined disadvantages of the three systems. For example: the Roman and italic faces are as wide as those on a Linotype matrix when combined. And Jan van Krimpen had objections to what he considered the too rigid unit-system of Monotype.


 * 669: Sabon Roman/italic
 * composition matrices: UA.503 8D-12D


 * 693: Sabon Semi-Bold Roman
 * composition matrices: UA.503 8D-12D


 * Sachsenwald Mager
 * 499: Sachsenwald Mager (cancelled in 1965)


 * Sans Serif
 * _15: Sans-Serif (see: 15 Grotesque Bold Condensed No. 2)
 * _81: Sans-Serif (see: 81 Grotesque Bold Condensed)
 * 267: Sans-Serif (cancelled in 1965)
 * 318: Sans-Serif Condensed (see: 318 Grotesque Condensed)


 * Schmale Nürnburger Gotisch
 * 186: Schmale Nürnburger Gotisch fraktuur (cancelled in 1965)
 * display matrices in 6 sizes


 * Schoeffer
 * _22: Schoeffer (cancelled in 1964)
 * composition matrices UA.2, 8pt, 10pt, 12 pt


 * Schurmann Antiqua Halbfette
 * _52: Schurmann Antiqua Halbfette Roman (synonym: 52 Modern Mediaeval (Half-Fat) (cancelled in 1967)


 * Scotch Roman
 * _46: Scotch Roman Roman/italic
 * composition matrices: UA.1 = 6-12pt


 * 137: Scotch Roman Roman/italic
 * composition matrices: 8-12pt


 * large composition: UA.144 = Roman, UA.151 = italic


 * display matrices:


 * Script
 * 322: Script (see: 322 Script Bold)
 * 574: Script Ashley (see: 574 Ashley Script)
 * 322: Script Bold script
 * display matrices:


 * 436: Script Dorchester (see: 436 Dorchester Script)
 * 493: Script Grosvenor (see: 493 Grosvenor Script)
 * 475: Script Light
 * display matrices:


 * 351: Script Monoline (see: 351 Monoline Script)
 * 429: Script Palace (see: 429 Palace Script)
 * 455: Script Temple (see: 455 Temple Script)
 * 385: Script Wenceslas (see: 385 Wenceslas Script) (cancelled in 196?)


 * Shadow French
 * 434: Shadow French (cancelled)


 * Shakespeare Titling
 * 234: Shakespeare Titling (cancelled in 1967)
 * display matrices:


 * Sheldon
 * 552: Sheldon


 * Solus
 * 276: Solus Roman (cancelled in 1967)
 * composition matrices: UA.320 = 12pt-14pt


 * display matrices:


 * 368: Solus Bold Roman (cancelled in 1967)
 * composition matrices: UA.320 = 12pt-14pt


 * 368: Solus Heavy (see: Solus Bold)


 * Spartan
 * Imitation of stone inscriptions of chopped capitals: the font contains only capital letters, numbers, and punctuation. Each size has of the capitals four sizes, which can be combined, with the little ones functioning as lower case.
 * 140: Spartan Roman
 * composition matrices: UA.16 = 6-12pt


 * large composition: UA.157 = 24pt


 * display matrices:


 * 141: Spartan Bold Roman
 * composition matrices: UA.18 = 6-12pt


 * display matrices:


 * 143: Spartan Condensed Roman
 * composition matrices: UA.18 = 6-12pt


 * 144: Spartan Italic italic
 * composition matrices: UA.18 = 6-12pt


 * 139: Spartan Light Roman
 * composition matrices: UA.18 = 6-12pt


 * display matrices:


 * 142: Spartan Light Condensed Roman
 * composition matrices: UA.18 = 6-12pt


 * 145: Spartan Wide Roman
 * composition matrices: UA.18 = 6-12pt


 * Spectrum
 * 556: Spectrum Roman/italic
 * This font designed by Jan van Krimpen was originally intended for printing a Bible at the Spectrum publishing house in Utrecht (Netherlands). The project was cancelled. Nevertheless, the font was rather successful. Therefore, in collaboration with Enschede & Sons it was decided to cut the complete series. The font is open and seems fairly robust. The character produces a fairly compact composition.
 * composition matrices: UA. 428 = 6D-12D


 * display matrices:


 * Surrey Old Style
 * 196: Surrey Old Style Roman (cancelled in 1967)
 * display matrices:


 * Swing Bold
 * 583: Swing Bold script
 * display matrices:

T

 * Temple Script
 * 455: Temple Script
 * composition matrices: UA.386 = 10D-12D


 * display matrices:


 * The Times
 * 355: The Times Hever Titling Roman (synonym: 355 Times Hever Titling)
 * composition matrices: UA.323 = 9pt-12pt


 * display matrices:


 * Times
 * 334: Times Bold Roman/italic
 * to be used in combination with Times New Roman Series 327
 * composition matrices: Roman = UA.324, italic = UA 325, 5.5pt-14pt
 * matrices for long-descenders are available in several sizes


 * display matrices:


 * 345: Times Bold No. 2 Roman (see also: 360 Times Bold)
 * composition matrices: UA.324 = 5pt-6pt


 * 360: Times Bold Roman
 * composition matrices: UA.324 = 5pt-6pt


 * 328: Times Bold Titling No. 2 Roman
 * composition matrices: UA.324 = 5pt-6pt


 * display matrices:


 * 332: Times Bold Titling Roman
 * display matrices:


 * 639: Times Cosmoli Titling (cancelled in 1966)
 * 339: Times Extended Titling Roman
 * composition matrices: UA.327 = 7pt-14pt


 * display matrices:


 * 569: Times Four-line Mathematics
 * 355: Times Hever Titling (see:355 The Times Hever Titling)
 * 333: Times Newspaper Smalls
 * 335: Times Newspaper Smalls
 * 329: Times Titling Roman
 * composition matrices: UA.328 = 14pt


 * display matrices:


 * 358: Times Titling (cancelled in 1967)


 * Times New Roman
 * 327: Times New Roman Roman/italic
 * 421: Times New Roman Semi-bold Roman/italic
 * composition matrices: UA.325 = 7pt-14pt


 * display matrices:


 * 427: Times New Roman Wide Roman/italic
 * 627: Times New Roman Book Roman/italic
 * Series 627 consist of the special "long-descender" characters and the normal "non-descender" characters of Series 427
 * composition matrices: UA.327 = 7pt-14pt


 * large composition: UA.426, 14pt only Roman


 * display matrices:


 * 474: Times New Roman Heavy Book (destroyed in a bombardment)
 * 727: Times New Roman (Light Caps) Roman
 * 827: Times New Roman (French) Roman/italic (see: Times New Roman 727)
 * alternative matrices for:
 * small capitals and Roman capitals C G Q R Ç
 * italic capitals C Q R and lower case g and k
 * composition matrices: UA.325 = 6pt-12pt


 * Titling
 * 179: Titling (see: 179 Modern Titling)
 * synonyms: 179 Titling Modern No. 1, 179 Titling Italic
 * 180: Titling (see: 180 Victoria Bold Condensed Titling) (synonym: 180 Victoria Bold Condensed)
 * 181: Titling (see: 181 Victoria Condensed Titling)
 * 182: Titling (see: 182 Victoria Titling)
 * 183: Titling (see: 183 Modern)
 * 209: Titling (see: 209 Caslon Titling)
 * 234: Titling (see: 234 Shakespeare Titling)
 * 440: Titling (cancelled in 1965)
 * 522: Titling (see: 522 Placard Condensed Titling)
 * 332: Titling Bold (The Times) (see: 332 Times Bold Titling)
 * __H: Titling (Caps) Roman
 * 180: Titling Condensed (see: 180 Victoria Bold Condensed Titling)
 * 339: Titling Extended (The Times) (see: 339 Times Extended Titling)
 * 328: Titling Heavy (The Times) (see: 328 Times Bold Titling)
 * 355: Titling Hever (The Times) (see: 355 Times Hever Titling)
 * 179: Titling Italic (cancelled before 1966) (see: 179 Modern Titling)
 * synonyms: 179 Titling 179 Modern Titling No. 1
 * 179: Titling Modern No. 1 (see: 179 Modern Titling)
 * synonyms: 179 Titling, 179 Titling Italic
 * 329: Titling (The Times) (see: 329 Times Titling)


 * Tonic-Sol-Fa
 * 325; Tonic-Sol-Fa


 * Traveller
 * 629: Traveller Roman
 * display matrices:


 * Treyford
 * 226: Treyford


 * Trojan
 * 114: Trojan Roman (cancelled in 1967)
 * composition matrices: UA.81 = 9pt-11pt


 * display matrices:


 * Typewriter
 * Typewriter is a general style of fonts. All characters are of the same width, or "monospaced"; they are cast with a "flat" wedge. Consequently, all the typewriter font characters are cast with the same die case layout, key banks and wedge. There was more than enough space for all the underlined characters in the die case as well.
 * Printers used these fonts to print mailings for large companies. The print was made to look like a hand-typed personal letter. The press was covered with previously used, worn paper combined with a thin cloth silk tissue. In this way, the type did not receive equal pressure and ink on the paper. Thus it appeared that the letter was typed by a somewhat inexperienced secretary.
 * _82: Typewriter No. 1 Roman
 * composition matrices: UA.28 = 10pt-12pt


 * 100: Typewriter No. 2 Roman (see: 100 Typewriter 82)
 * 105: Typewriter No. 3 Roman (see: 105 Typewriter 82)
 * 127: Typewriter No. 4 Roman
 * composition matrices: UA.28 = 8pt-12pt


 * 235: Typewriter No. 5 Elite Roman (see: 235 Typewriter 82)
 * 301: Typewriter No. 6 Elite Roman (see: 301 Typewriter 82)
 * 602: Typewriter IBM "Executive" Roman
 * This font is an exception to the rule: it has character of different widths, "unit values". Therefore, a special wedge was needed to cast it. The keyboard also needed additional equipment: the key bars, a kind of mechanical arrangement to translate the keystrokes on the keyboard into the punches in the ribbon. For the print shop it was a very expensive font to purchase.
 * Underlined character were cast at 12 pt, with a 2pt wide stripe (Rule R39 2pt)
 * composition matrices: UA.442 = 14pt


 * _82: Typewriter Underlined Roman
 * 100: Typewriter Underlined Roman
 * 105: Typewriter Underlined Roman

U

 * Ultra Bodoni
 * 120: Ultra Bodoni (see: 120 Bodoni Ultra Bold)


 * Univers
 * Univers was developed in cooperation with the French type foundry Deberny & Peignot.
 * It was possible to cast characters in lining with the character bought in France.
 * 693: Univers Bold Roman/italic
 * composition matrices: UA.486 = 5D-12D, extra &: S16511, S16512, superior: L225,


 * display matrices:


 * 694: Univers Bold Condensed Roman/italic
 * 692: Univers Bold Expanded Roman
 * composition matrices: UA.491 = 6D-10D, extra &: S16511, superior: L228,


 * display matrices:


 * 696: Univers Extra Bold Roman
 * composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L223, inferior: L255


 * display matrices:


 * 695: Univers Extra Bold Expanded Roman/italic
 * composition matrices: UA.491 = 6D-10D, extra &: S16511, superiors: L268,


 * display matrices:


 * 684: Univers Extra Light Extra Condensed Roman/italic
 * display matrices: extra &: S16511, superior: L292,


 * 685: Univers Light Roman/italic
 * composition matrices: UA.483 = 6D-12D, extra &: S16511, S16512, superior: L295,


 * display matrices:


 * 686: Univers Light Condensed Roman/italic
 * composition matrices: UA.492 = 5D-12D, extra &: S16511, S16512, superiors: L250,


 * display matrices:


 * 687: Univers Light Extra Condensed Roman/italic
 * composition matrices: UA.501 = 10D-12D, extra &: S16511, superior: L292,


 * display matrices:


 * 689: Univers Medium Roman/italic
 * composition matrices: UA.483 = 5D-12D, extra &: S16511, S16512, superiors: L222, inferiors: L254


 * display matrices:


 * 690: Univers Medium Condensed Roman/italic
 * composition matrices: UA.484 = 5D-12D, extra &: S16511, S16512, superior: L251
 * 5D was not supplied after 1969


 * display matrices:


 * 688: Univers Medium Expanded Roman
 * composition matrices: UA.484 = 6D-10D, extra &: S16511, superior: L266


 * display matrices:


 * 691: Univers Medium Extra Condensed Roman
 * composition matrices: UA.500 = 8D-12D, extra &: S16511, superior: L263


 * display matrices:


 * 697: Univers Ultra Bold Expanded Roman
 * composition matrices: UA.490 = 6D-10D, extra &: S16511, superior: L269


 * display matrices:

V

 * Van Dijck
 * 203: Van Dijck Roman.italic
 * composition matrices: UA.354 = 7pt-14pt


 * large composition: UA.423


 * display matrices:


 * Van Krimpen Bold
 * 520: Van Krimpen Bold (see: 520 Romulus Bold)


 * Veronese
 * _59: Veronese (cancelled in 1967)
 * composition matrices: UA.4 = 11pt-12pt


 * large-composition matrices:


 * display matrices:


 * Victoria
 * 180: Victoria Bold Condensed  Roman (see: 180 Victoria Bold Condensed Titling)
 * 180: Victoria Bold Condensed Titling Roman (synonym: 180 Victoria Bold Condensed)
 * composition matrices: UA.49 = 10pt-12pt


 * display matrices:


 * 181: Victoria Condensed Titling Roman
 * composition matrices: UA.50 = 12pt


 * display matrices:


 * 182: Victoria Titling Roman (synonym: 182 Titling)
 * display matrices:

W

 * Walbaum
 * 374: Walbaum Roman/italic
 * composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D


 * display matrices:


 * 674: Walbaum Roman/italic (see: 374 Walbaum)
 * 375: Walbaum Medium Roman/italic
 * composition matrices: UA.349 = 6D-12D, UA.351 = 14pt, UA.352 = 14D, UA.353 = 16D


 * display matrices:


 * Wenceslas Script script
 * 385: Wenceslas Script (cancelled in 1967)
 * display matrices:


 * Designed by Karel Svolinsky, (11 January 1896, Heiligenberg near Olmütz, Mähren - 16 September 1986, Prague) Czech painter, graphic designer and book illustrator. He studied at the school of arts and crafts in Prague. Later, he taught as a Professor at this University. Svolinsky Antiqua (1925), Wenceslas Script(1933) Grotesk(1943)
 * One incomplete set survives at the BookArtMuseum, Lodz, Poland


 * Wide Gothic
 * _97: Wide Gothic Roman (see: 97 Grotesque Bold)


 * Wide Latin
 * 164: Wide Latin Roman (see: 164 Latin Wide)


 * Wigan Condensed
 * 273: Wigan Condensed (cancelled in 1965)
 * display matrices:


 * Worcester Old Face
 * 123: Worcester Old Face (cancelled in 1965)

Fraktur

 * _89: Fraktur Antiqua Roman (cancelled voor 1966) (see also Neudeutsche Fraktur)
 * _98: Alte 'Monotype' Fraktur (cancelled in 1972)
 * composition matrices: UA. 5F


 * display matrices:


 * 449: Alte 'Monotype' Fraktur Halbfette (see: Alte Fraktur Fette)
 * 102: Alte Schwabacher (cancelled in 1972)
 * _31: Armin Fraktur
 * _32: Armin Fraktur Fette
 * _34: Armin Fraktur Halbfette
 * _37: Bamberger Fraktur (cancelled in 1967)
 * _49: Bamberger Fraktur Fette (cancelled in 1967)
 * _48: Bamberger Fraktur Halbfette (cancelled in 1964)
 * 521: Berliner Fraktur (cancelled in 1965)
 * 387: Blücher Fraktur Fette (cancelled in 1967)
 * 116: Breitkopf Fraktur (cancelled in 1972)
 * 367: Breitkopf Fraktur (cancelled in 1972)
 * 256: Breitkopf Fraktur Fette (cancelled in 1972)
 * 413: Breitkopf Fraktur Halbfette
 * 256: Dürer Fraktur
 * 513: Dürer Fraktur Fette (cancelled in 1965)
 * 512: Dürer Fraktur Halbfette (cancelled in 1965)
 * 363: Enge Fraktur Halbfette (cancelled in 1967)
 * 498: Enschedé Fraktur (cancelled in 1967)
 * 296: Erfurter Fraktur (cancelled in 1964)
 * 379: Essener Fraktur Fette (cancelled in 1967)
 * _38: Fraktur (cancelled in 1964)
 * _94: Große Moderne Fraktur (cancelled in 1967)
 * 308: Helen Fraktur (cancelled in 1964)
 * 384: Hessen Fraktur (cancelled in 1964)
 * 202: Hessen Fraktur Halbfette (cancelled in 1964)
 * 417: Hessen Fraktur Halbfette (cancelled in 1964)
 * 315: Hutten Fraktur (cancelled in 1964)
 * 423: Jean Paul Fraktur (cancelled in 1967)
 * _40: Kasseler Fraktur
 * _41: Kasseler Fraktur Halbfette
 * _56: Koelner Fraktur
 * _58: Koelner Fraktur halbfette
 * 118: Mainzer Fraktur
 * 132: Mainzer Fraktur Halbfette
 * _64: Moderne Fraktur
 * _66: Moderne Fraktur Fette
 * _86: Moderne Schwabacher
 * _93: Moderne Schwabacher Halbfette
 * _35: Neue Schwabacher
 * _36: Neue Schwabacher
 * 463: Rundgotisch
 * 186: Schmale Nürnburger Gotisch (cancelled in 1965)
 * display matrices in 6 sizes


 * 187: Schmalfette Frankfurter Fraktur
 * display matrices in 7 sizes


 * 483: Uhlen Rundgotisch
 * 205: Unger Fraktur
 * 277: Unger Fraktus Halbfette
 * _28: Wittenberg Fraktur
 * _29: Wittenberg Fraktur
 * _83: Wuerzburger Fraktur

Amharic

 * 599: Amharic
 * composition matrices: 9D-12D


 * display matrices: 14D
 * 624: Amharic
 * composition matrices: 10D

Arabic

 * 409: Arabic (cancelled in 1946. replaced by series 549)
 * 542: Arabic Bold (destroyed in a bombardement)
 * 415: Arabic Display (cancelled in 1950)
 * 549: Arabic Naskh
 * composition matrices: 8D-18D, for 8D a special mould was needed.


 * display matrices:


 * 589: Arabic Naskh Accented
 * large composition matrices:


 * 649: Arabic Naskh Bold
 * composition matrices: 8D-18D


 * display matrices:


 * 559: Arabic Solloss
 * Display matrices:


 * 507: (see: 507 Urdu)
 * 707: (see: 707 Urdu)
 * 721: Farsi
 * composition matrices: 10D-12D


 * display matrices:

Armenian

 * 638: Armanian
 * composition matrices: 8D-12D

Bangali

 * 470: Bengali
 * composition matrices: 8D-12D


 * 700: Bengali
 * composition matrices: 8D-12D


 * 701: Bengali Bold
 * composition matrices: 8D-12D


 * 670: Bengali Bold (cancelled in 1967)

Burmese

 * 558: Burmese Light
 * composition matrices: 12pt-18pt


 * 578: Burmese Bold
 * composition matrices: 12pt-18pt

Chinese

 * 633: Chinese (cancelled in 1974)
 * 133: Chu Yin (cancelled in 1967)

Coptic

 * 609: Louvain Coptic

Cyrillic

 * (Russian, Serbian, Bulgarian and Macedonian)
 * _42: Albion
 * composition matrices: 6.5(6D)-13pt(12D)


 * _63: Albion
 * composition matrices: 9(8D)-13pt(12D)


 * _70: Albion
 * composition matrices: 6.5(6D)-13pt(12D)


 * 169: Baskerville (Russian) Roman / italic
 * composition matrices: 9pt-11pt


 * display matrices: Roman


 * 370: Bembo Titling
 * display matrices: 36pt-42pt


 * 260: Bodoni Bold Roman / italic
 * display matrices: 14pt-72pt


 * 529: Bodoni Bold Condensed
 * display matrices: 14pt-36pt


 * 120: Bodoni Ultra Bold (Cyrillic) Roman
 * display matrices: 14pt-42pt


 * _17: Cushing (cancelled in 1967)
 * _68: French Old Style
 * composition matrices: 6.5(6D)-13pt(12D)


 * _69: French Old Style Bold
 * composition matrices: 6.5(6D)-13pt(12D)


 * display matrices:


 * _44: French Round Face
 * composition matrices: 6.5pt-13pt


 * 201: Garamond Bold (Cyrillic Roman
 * display matrices:


 * 262: Gill Sans
 * composition matrices: 6pt-12pt


 * display matrices:


 * 275: Gill Sans Bold
 * composition matrices: 6pt-12pt


 * display matrices:


 * 373: Gill Sans Bold Condensed Titling
 * display matrices:


 * 233: Gill Sans Cameo Roman
 * display matrices:


 * 485: Gill Sans Condensed
 * display matrices: 14pt-36pt


 * 362: Gill Sans Light
 * composition matrices: 6pt-12pt


 * display matrices:


 * _96: Gothic (cancelled in 1965)
 * _51: Grotesque
 * composition matrices: 6pt-12pt


 * display matrices:


 * _97: Grotesque Bold (cancelled in 1967)
 * _11: Grotesque Bold Condensed (cancelled in 1967)
 * 166: Grotesque Bold Condensed (Cyrillic) Roman (synonym: 166 Grotesque Bold Condensed Titling)
 * display matrices:


 * 166: Grotesque Bold Condensed Titling Roman (see: 166 Grotesque Bold Condensed (Cyrillic))
 * _33: Grotesque Condensed Roman
 * composition matrices: 6pt-13pt


 * display matrices:


 * 383: Grotesque Condensed Roman
 * composition matrices: 6pt-13pt


 * display matrices:


 * 383: Grotesque Condensed
 * composition matrices: 6D-12D


 * display matrices:


 * _39: Modern Condensed
 * composition matrices: 6.5pt-13pt


 * _77: Modern Extended (cancelled in 1967)
 * _75: Modern Wide (cancelled in 1967)
 * _27: Neo Didot
 * composition matrices: 6.5pt-13pt


 * 506: Placard Bold Condensed
 * display matrices:


 * 515: Placard Bold Condensed
 * display matrices:


 * 568: Placard Condensed
 * display matrices:


 * 522: Placard Condensed Titling
 * display matrices:


 * 194: Plantin Bold (Russian) Roman
 * composition matrices: 6pt-12pt


 * display matrices:


 * 113: Plantin Light (Russian)  Roman / italic
 * composition matrices: 6pt-12pt


 * display matrices:


 * 327: Times New Roman
 * composition matrices: 6pt-12pt


 * display matrices:


 * 334: Times Bold
 * composition matrices: 6pt-12pt


 * display matrices:

Devenagari

 * 155: Devenagari
 * composition matrices: 12pt-16pt


 * display matrices:


 * 346: Devenagari Bold
 * composition matrices: 10pt-16pt, voor 10pt is een speciale gietvorm nodig


 * 755: Devenagari Italic
 * composition matrices: 10pt-16pt


 * Display matrices 18pt, 24pt, 30pt, 36pt

Gaelic

 * _24: Gaelic
 * composition matrices: UA.23: 8pt, 10pt, 12 pt, UA.108: 14 pt, 18pt, UA.109: 24 pt


 * large composition matrices: UA.108 = 14 pt, 18pt, UA.109 = 24 pt


 * display matrices: 14pt - 72pt


 * 117: Gaelic (see: 117 Gaelic Sans-Serif)
 * 121: Colum Cille (see: 121 Gaelic Colm Cille)
 * 121: Gaelic Colm Cille
 * _85: Gaelic Display
 * 117: Gaelic Display (see: 117 Gaelic Sans-Serif)
 * 117: Gaelic Sans Serif

Georgian

 * 539: Georgian Light (cancelled in 1972)
 * display matrices: 16D


 * 540: Georgian Bold (cancelled in 1972)
 * display matrices: 24D


 * 587: Georgian
 * composition matrices: 8D-10D

Glagolitic

 * 598: Glagolitic (see also: 597 Old Bulgarian)
 * composition matrices: 12pt:

Greek

 * 259: Antigone
 * composition matrices: UA.432 = 13pt:


 * 672: Gill Sans Bold Upright
 * is used as "bold" in combination with series 571 & 572
 * 585: Gill Sans Condensed
 * display matrices:


 * 625: Gill Sans Bold Upright
 * composition matrices: UA.452 = 8-12pt:


 * display matrices:


 * 571: Gill Sans Inclined italic
 * Is used as italic in combination with series 572 and 672, data similar with Series 572:
 * 572: Gill Sans Upright Roman
 * composition matrices: UA.451 = 8-12pt:


 * display matrices:


 * 473: Greek (cancelled in 1967)
 * _91: Greek: Inclined
 * composition matrices: UA.26 = 6-13pt:


 * _92: Greek: Bold Upright (see also: 92 Greek Upright Display)
 * composition matrices: UA.26 = 6-13pt:


 * 472: Greek: Inclined
 * composition matrices: UA.434 = 8-11pt:


 * _90: Greek: Upright
 * composition matrices: UA.26 = 6-13pt:


 * _92: Greek Upright Display (Synoniem: 92 Greek Bold Upright)
 * composition matrices: UA.27 = 9-13pt:


 * 683: Grotesque Condensed Upright
 * display matrices: 14D-36D


 * 718: Grotesque Condensed Upright
 * display matrices: 14pt-36pt


 * 486: Heavy Greek (see: 486 Sans-Serif)
 * 192: New Hellenic Greek
 * composition matrices: UA.73 = 7-12pt:


 * display matrices:


 * 553: Old Style Bold Inclined
 * composition matrices: UA.436 = 9-11pt:


 * 283: Perpetua (cancelled in 1967)
 * 605: Placard Extra Light Condensed
 * display matrices: 14D-36D


 * 668: Placard Condensed Upright
 * display matrices: 14D-36D


 * 106: Porson
 * composition matrices: UA.26 = 5.5-12pt:


 * 404: Porson Condensed (cancelled in 1967)
 * 486: Greek: Sans Serif
 * composition matrices: UA.415 = 8-10pt:


 * 739: Spartan Light Upright
 * Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
 * composition matrices: UA.454 = 6-12pt:


 * 740: Spartan Upright
 * Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
 * composition matrices: UA.454 = 6-12pt:


 * 741: Spartan Bold Upright
 * Only capitals in 4 sizes, the small sizes are used as lower case with the larger sizes
 * composition matrices: UA.454 = 6-12pt:


 * 565: Times Upright
 * composition matrices: UA.437 = 6-12pt:


 * display matrices:


 * 566: Times Inclined was used as italic with Series 565 Times Upright
 * composition matrices: UA. 438 = 6pt-12pt, large composition matrices 14pt-18pt, (lining-data more equal)
 * 567: Times Bold Upright
 * composition matrices: UA.439 = 6-12pt:


 * display matrices:


 * 667: Times Bold Inclined 
 * composition matrices: UA.439 = 6-12pt:


 * display matrices:


 * 893: Univers Bold Upright
 * composition matrices: UA.439 = 6-12pt:


 * 989: Univers Medium Inclined
 * composition matrices: UA.439 = 6-12pt:


 * 889: Univers Medium Upright
 * composition matrices: UA.439 = 6-12pt:

Gujerathi

 * 460: Gujerathi
 * composition matrices:


 * 518: Gujerathi Bold
 * composition matrices:


 * display matrices:


 * 704: Gujerathi
 * composition matrices:

Gurmukhi

 * 601: Gurmukhi Bold
 * composition matrices: 12-16pt:


 * 604: Gurmukhi
 * composition matrices: 12-16pt:


 * 604: Gurmukhi Light (see: 604 Gurmukhi)

Hebrew

 * 219: Ashurith (unpointed)
 * composition matrices: 7-8pt:


 * 487: Gill (cancelled in 1967)
 * 222: Hebrew
 * composition matrices: 6-8pt:


 * 219: Hebrew Ashurith (see: 219 Ashurith)
 * 221: Hebrew Levenim (see: 221 Levenim)
 * 220: Hebrew Peninim (see: 220 Peninim)
 * 228: Hebrew Rabbinic (see: 228 Rabinnic)
 * 547: Hebrew Schocken No. 1 (cancelled in 1974)
 * 550: Hebrew Schocken No. 2 (cancelled in 1967)
 * 551: Hebrew Schocken No. 3 (cancelled in 1967)
 * 218: Hebrew Sonzino (pointed) (see: 218 Sonzino)
 * 221: Levênim (unpointed)
 * composition matrices: 7pt:


 * 492: Mayer
 * 488: Mayer Pointed
 * 220: Peninim (unpointed)
 * composition matrices: 5-7pt:


 * display matrices: size: 14pt, 18pt, 24pt
 * 489: Peninim
 * 217: Peninim Pointed
 * composition matrices: 6-8pt:


 * 228: Rabbinic
 * composition matrices: 11-12pt:


 * 218: Sonzino
 * composition matrices: 9-12pt: extra point-matrices available for 9pt, when cast at 9pt Didot


 * display matrices: 18pt point S5469 to S5476 cast at 6 point

Kannada

 * 588: Kannada
 * composition matrices: 10-16pt:


 * 590: Kannada (see: 590 Malayalam)
 * 788: Kannada
 * 787: Kannada Semi-Bold

Malayalam

 * 590: Malayalam (synonym: 590 Kannada)
 * composition matrices: 10-12pt:


 * 660: Malayalam
 * composition matrices: 8pt:

Old Bulgarian

 * 597: Old Bulgarian (see also: 598 Glagolitic)
 * composition matrices: 10-12pt:

Oriya

 * 706: Oriya

Sangalese

 * 557: Sangalese
 * composition matrices: 8-14pt:


 * 657: Sangalese Bold
 * composition matrices: 8-14pt:


 * 698: Sangalese Italic
 * composition matrices: 8-14pt:


 * 699: Sangalese Bold Italic
 * composition matrices: 8-14pt:

Syriac

 * 564: Syriac "Estrangelo"
 * composition matrices: 8-10pt:

Tamil

 * 280: Tamil
 * composition matrices:


 * 340: Tamil Bold
 * composition matrices: 8pt-10pt


 * display matrices:


 * 581: Tamil Bold (cancelled)
 * 340: Tamil Heavy (see: 340 Tamil Bold)
 * 580: Tamil Medium\
 * composition matrices:


 * 708: Tamil Medium
 * composition matrices:

Telugu

 * 426: Telugu (cancelled in 1969)
 * 626: Telugu Medium
 * composition matrices:


 * 726: Telugu Bold

Thai

 * 577: Thai
 * composition matrices:


 * 608: Thai Light
 * composition matrices:


 * 611: Thai Bold
 * composition matrices:


 * 621: Thai Medium
 * display matrices:


 * 628: Thai Light Italic
 * composition matrices:

Urdu

 * 507: Urdu
 * composition matrices: 9D-16D


 * 707: Urdu Bold
 * composition matrices: 9D-16D


 * display matrices: