Nazhun al-Garnatiya bint al-Qulaiʽiya

Nazhūn bint al-Qulāiya al-Gharnātiya (نزهون بنت القلاعي الغرناطية, 12th-century) was a Granadan Qiyan and poet, noted for her outrageous verse.

Life
Little is known about Nazhun's life. Medieval Arabic biographical dictionaries and accounts of her poetry are the main sources. Ibn al-Abbar has her as a (near-)contemporary of the twelfth-century Ḥamda bint Ziyād al-Muaddib. Anecdotes about Nazhun also feature Abu Bakr al-Amā al-Makhzumi as Nazhun's teacher of the arts of satire; he seems to have been alive in the twelfth century, at some point after 1145; indeed, Nazhun 'figures so prominently' in biographical entries about al-Makhzumi that 'his fame seems to be completely intertwined with hers'. She was supposedly the daughter of a qadi (judge).

Work
Although little of her work survives, Nazhun is, among medieval Andalusian women poets, probably second only to her contemporary Hafsa Bint al-Hajj al-Rukuniyya in the quantity of her work preserved: classical sources attribute to her twenty-one lines of verse from seven poems. In addition, the later Ùddat al-jalīs by Àlī ibn Bishrī attributes to her a muwashshaḥa of twenty-five lines, giving her the distinction of being the only female poet in the collection. She usually appears getting the better of male poets and aristocrats around her with her witty invective. In Marla Segol's words, "as a rule, Nazhun represents her body in ways that disrupt conventional strategies for control of women’s speech and sexuality, and protests the merchandising of women’s bodies." The study of her work has been hampered by scholars either not comprehending, or choosing not to expound on, its obscenity and double entendres.

In the translation of A. J. Arberry, one of her various ripostes runs:

The poet al-Kutandi challenged the blind al-Makhzumi to complete the following verses:
 * If you had eyes to view
 * The man who speaks with you—

The blind man failed to discover a suitable continuation, but Nazhun, who happened to be present, improvized after this fashion:
 * However many there may be
 * All dumbly you’d behold
 * His anklets’ shining gold.
 * The rising moon, it seems,
 * In his bright buttons gleams,
 * And in his gown, I trow,
 * There sways a slender bough.

Editions
Modern collections of significant bodies of Nazhun's work include:


 * Dīwān de Las Poetisas de Al-Andalus, ed. by Teresa Garulo (Ediciones Hiperión, 1986), pp. 110 ff.
 * Nisāʾ min al-Andalus, ed. by Aḥmad Khalīl Jumʻah (Damascus: al-Yamāmah lil-Ṭibāʻah wa-al-Nashr wa-al-Tawzīʻ, 2001), pp. 371–402 [نسـاء من الأندلس, أحمد خليل جمعة].

The following table charts the main early sources on Nazhun and her poetry: