Nicola Monachesi

Nicola Monachesi (1795–1851) was an Italian painter believed to have painted the earliest frescos in the United States. He was born in Tolentino in the Marche region of Italy and was considered a citizen of Rome. He died in Philadelphia a naturalized citizen of the United States. In Italy, he was a pupil of the Accademia di San Luca, Rome, studying under Gaspare Landi, and won his first prize for painting. He emigrated to America in 1831-32, entering through New York and settling in Philadelphia. He worked mostly as an interior decorator, drawing neoclassical artistic paintings on wall surfaces and portrait paintings on canvass decorating churches, commercial buildings, and mansions.

Historical marker
In 2017, the Pennsylvania Historical and Museum Commission installed a historical marker is on a sidewalk near the southeast corner of the St. Augustine Church, Philadelphia in Center City. The marker was proposed by author and historian Celeste Anne Morello.

Its inscription reads: "Born and trained in Italy, this artist executed some of the first fresco paintings in America, beginning in the 1830s. His commissions decorated many grand homes, Catholic churches, and public buildings such as the Merchant’s Exchange Building on South 3rd St. The ceiling frescoes at St. Augustine Roman Catholic Church are a rare surviving example of his work. Monachesi became a US citizen and lived in Philadelphia until his death."

Its precise location is 39° 57.321′ N, 75° 8.776′ W. at the intersection of North 4th Street and North Marginal Road, on the right when traveling south on North 4th Street.

Works
Works surviving and preserved are:
 * St. Augustine Church, Philadelphia Fresco paintings.
 * Richard Alsop IV House in Connecticut, (now owned by Wesleyan University) interior decorative wall paintings are attributed to Monachesi. It is believed that his work in the Merchants' Exchange Building (Philadelphia) impressed the owner, who had an office in the Exchange and invited Monachesi to travel out of Philadelphia. The works highlighted are stair hall painting displays, in the style of trompe-l'œil of figures in niches, while oil-on-plaster paintings are featured in the parlors, dining room and morning-room. The parlor paintings are classical derivations and some subjects are Raphaelesque in origin. In the morning room the formal classicism of the parlors is replaced by scenes derived from the "rural" Italian tradition of wall decoration. Local birds and insects are featured in these scenes. The dining room displays a painted frieze. These works exist today and are on display being preserved by the University.

Works demolished or destroyed:
 * Merchants' Exchange Building (Philadelphia), a building designed by architect, William Strickland Interior of the Exchange room with wall paintings, ceiling fresco's and an elegant mosaic floor  executed in the 1830s and artwork removed later during a building renovation.
 * St. John the Evangelist Catholic Church (Philadelphia, Pennsylvania) at 13th and Chestnut Streets. Interior paintings in 1830s at the then cathedral of the Diocese of Philadelphia. Church and interior destroyed by fire 1899.
 * Matthew Newkirk's mansion residence at 13th and Arch street Philadelphia, designed by architect Thomas Ustick Walter. Interior decorative paintings and marble in 1834. The decorations were carefully preserved until 1876 when it was sold to the St. George Society of Philadelphia and renamed "St. George's Hall". Building demolished 1903.
 * Phil-Ellena the stately mansion of George Washington Carpenter located in Germantown Pennsylvania, now the West Mount Airy neighborhood of Philadelphia. Interior decorative paintings reflective of Ralphel's paintings in Rome's Vatican executed in over 20 rooms. The Greek Revival styled mansion was sited on 600 acres, constructed in 1845 and demolished in 1892 during development of the Mount Airy neighborhood.
 * Confectioner's George Parkinson and his wife Eleanor Parkinson, shop at 180 Chestnut Street Philadelphia. Interior decorative ceiling paintings in 1840.  The owners had created a confectionery business that made Philadelphia vanilla ice cream a synonym for the city's haute cuisine. Their son James opened a restaurant in the early 1840s with an ice cream garden situated in the rear of the store. The wonderful marble mosaic floor and artwork was considered a "glorious painting" as a marriage of Jupiter and Juno and brought a par excellence of refinement to creating a place that both men and women could socialize (compared and departure from Taverns). Demolition date unknown.

Works Unknown status:

His portraits existed in many "old" established families in Philadelphia and vicinity. It included patrons as Stephen Girard, Madam Rush, Joseph Bonaparte and Joseph Togno. In 1841-42 his large historical picture, The Murder of Jane McCrea, was exhibited in Philadelphia. An exhibit of his work was held by the Pennsylvania Academy of the Fine Arts

Works of Art Gallery: Preserved frescoes painted by the Italian artist Nicola Monachesi (1795-1851) are best displayed at St. Augustine Church, Philadelphia. The center of the ceiling of the church is occupied by his painting representing the ascent of St. Augustine into Heaven. Augustine is depicted with an older face and a thick white beard that descends from his face and dressed in the black tunic of the Augustinian monks. He is placed on a cushion of clouds in the middle with a chorus of angels at the feet of the Virgin holding the Baby Jesus in her arms. Above in his ascent is boldly highlighted with an intense light, that comes from the Trinity as symbolized by a equilateral triangle. Other paintings in the Church are also thought to be his works of art and decoration.