One Arm and Other Stories

One Arm and Other Stories is a collection of short fiction by Tennessee Williams published by New Direction in 1948.

The volume was released the same year that Williams received the Pulitzer Prize for his play A Streetcar Named Desire.

Stories
Those pieces originally published in magazines before being collected in this volume are indicated.
 * "One Arm"
 * "The Malediction"
 * "The Poet"
 * "Chronicle of a Demise"
 * "Desire and the Black Masseur"
 * "Portrait of a Girl in Glass"
 * "The Important Thing"
 * "The Angel in the Alcove"
 * "The Field of Blue Children" ( Story, September-October 1939)
 * "The Night of the Iguana"
 * "The Yellow Bird" (Town and Country, Autumn 1947)

Reception
Though granting that Tennessee Williams is "an interesting writer and a sensitive man," and that these eleven works of fiction in the collection are “electrifying,” The New York Times critic James Kelly reports: "[E]ven healthy optimism is nearly invisible in the lurid studies of perversion, madness and human decay covered…"

In the Saturday Review, literary critic William H. Peden wrote that Williams "is at his best" in several of the stories:

"Tennessee Williams is in a class by himself. Even at his worst he creates magical, terrifying, and unforgettable effects; his only limitations seem to be self-imposed."

Twenty years later, in Sewanee Review, Peden stated that "The Field of Blue Children" and "Portrait of a Girl in Glass" and several other pieces from the collection were "as good as anything produced during recent years."

Theme
Literary critic Signi Falk offers this overview of the thematic elements that appear in One Arm and Other Stories: "Some of the stories have the aura of confession. Williams indicates his sympathy for the unfortunate and his fascination for the macabre. He also indicates his own system of values as he rejects workers in favor of ne’er-do-wells and seems to prefer the vagrant of both sexes."

Falk emphasizes that the stories were informed by "Williams' wandering years through sordid rooming houses, on city streets, and on obscure corners where derelicts hide."