Patayin sa Sindak si Barbara (1995 film)

Patayin sa Sindak si Barbara is a 1995 Philippine psychological horror film directed by Chito S. Roño and written by Ricardo Lee. It is a remake of the 1974 horror film by Celso Ad. Castillo.

Plot
Being the loving older sister, Barbara has always been overly indulgent of her little sister Ruth's every whim. Years later, Barbara meets and instantly falls in love with Nick, who is mutually smitten with her. But the spoiled Ruth confesses to her Barbara that she too is in love with Nick and threatens to kill herself if he does not marry her. Barbara reluctantly and passively accommodates Ruth's demands and convinces Nick to court her younger sister instead. In a twisted act of devotion, Nick reluctantly agrees to marry Ruth, to prove his love for Barbara. After the wedding, Barbara then decides to start a new life abroad to move on and give Nick a chance to truly fall in love with Ruth.

Some time later, Barbara is informed that her younger sister has killed herself, with her only daughter Karen as witness. Barbara immediately returns to the Philippines to mourn her sister and comfort her unstable niece. But strange events happen upon Barbara's return and she learns the reason surrounding Ruth's mysterious death.

Throughout their marriage, Ruth felt that Nick never really loved her, but instead harbored feelings for Barbara. In a state of paranoid delusion, she suspects that Nick was having an affair and used his business trips to the United States as an excuse to rendezvous with Barbara. In a jealous rage, she commits suicide by stabbing herself with a large single piece of the broken mirror and haunts the household and everyone she deemed who have wronged her. Before dying at their home, she curses her husband Nick for his infidelity and wants to get back at him and his other woman while she strictly tells her daughter Karen not to cry and she's not going to die on her deathbed. It was later revealed that ever since Barbara left her for the US, she indulged herself of everything that can ease her helplessness which includes witchcraft and the occult. Through this she learns that even after death she can return to the world of the living on a limited time to haunt and exact revenge.

Maestra Beatriz, whom Barbara sought advice and also was responsible for teaching Ruth black magic tries to make contact with Ruth together with Barbara and her maid Arlene in a séance. During this séance, Ruth possesses Karen and mortally wounds Beatriz, who manages to drive away Ruth's spirit. All seems well, until Barbara and Nick learn that what happened during Barbara's encounter with Ruth's spirit was only temporary and now, since it was the 9th day of Ruth's passing, she has grown more powerful with the help of evil spirits.

While both Barbara and Karen are spending their vacation at the family's resort, Maestra Beatriz's apprentice, Sofia had visited Nick at the hospital and warns him to get prepared for the worst by joining forces and this is about his late wife Ruth after Maestra Beatriz had risked her own life to drive away her spirit temporarily, they were misinformed about Ruth's 9th day of her passing, but it was actually her 11th day of her passing, causing them to go to the family's resort to rescue them both since Ruth is becoming more dangerous due to her growing power aided by the evil spirits and they will come for Barbara. Ruth possesses Karen who attempted to kill her yaya Benita and was defended by Barbara upon knife point. Barbara argues with Ruth over her spoiled nature and wanted to have her own life rather than loving her and for using Karen for her evil purposes due to her malevolent heart and does not know how to love everyone else throughout most of her life. Ruth continues to possess Karen after tricking Barbara. She finally reveals that she had never loved her daughter because she had inherited her father's blood, claiming this as a curse and choosing her as a way to get revenge on both her and Nick by stabbing her wrist twice with a knife only to be stopped by Barbara who managed to free Karen from being possessed by her mother's spirit using a holy prayer and both escape the villa.

Ruth appears and manages to convince Barbara to join her in hell despite Karen tries to stop her mother from taking her aunt, but to no avail when Ruth displays her power to cause a single fissure with flames to block away her daughter in fear while threatening her to think she had loved her dearly and Barbara tells Karen to run which she successfully did while finding someone to rescue them until her brief reunion with her father Nick. Sofia tells Nick that he was the one who can stop Ruth and goes alone to rescue Barbara while she, Karen, Bidoy and Arlene decided to find her yaya Benita. Arriving in hell, Ruth convinces Barbara for the last time who is now hesitant and afraid to join with her as she attempted to drag her in hell until Nick arrives just in time to stop his wife and instead sacrifices himself by holding the physical manifestation of Ruth stating that he tried so hard to be with her and he couldn't find peace and plunging with her to hell. Barbara calls Nick in anguish when they both fell into the sea of flames below in explosion that also forms a fire pillar that knocks Barbara into the ground and the scream of thousands of people can be heard. The sea of flames in hell disappears when Barbara was now mourning over Nick's noble sacrifice. Barbara was last seen with Karen, Sofia, Benita, Arlene and her husband Bidoy on the motorboat who were now leaving the family resort safely in sunrise.

Main roles

 * Lorna Tolentino as Barbara
 * Dawn Zulueta as Ruth S. Duarte
 * Tonton Gutierrez as Nick Duarte
 * Antoinette Taus as Karen Duarte
 * Anita Linda as Yaya Benita
 * Amy Austria as Arlene
 * Nonie Buencamino as Bidoy
 * Angie Ferro as Maestra Beatriz

Supporting roles

 * Eva Aquino as Sofia
 * Ernie Zarate as Priest
 * Augusto Victa as Lawyer
 * Cris Daluz as Bangkero
 * Kimberly Pagaduan Cabral as Dawn's Double

Production
The majority of the visual effects used in the film were handled by Cinevideo Arts Philippines. Digital compositing was handled by Video Post.

Restoration
As part of the projects of the ABS-CBN Film Archives, the movie is one of the classic Filipino films that were digitally restored and remastered in HD. A special screening of the restored HD version of the film was held on April 6, 2016, at the UP Cine Adarna.