Piano Concerto (Scriabin)



The Piano Concerto in F sharp minor, Op. 20, is an early work of the Russian composer Alexander Scriabin (1872–1915). Written in 1896, when he was 24, it was his first work for orchestra and the only concerto he composed. Scriabin completed the concerto in only a few days in the fall of 1896, but did not finish the orchestration until the following May (and only after constant urging by his publisher and patron Mitrofan Belyayev). Belyayev paid the composer 600 rubles (roughly $10,000 in current USD); it premiered in October 1897 and was finally published in 1898.

Instrumentation
The concerto is scored for 2 flutes and piccolo, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, strings, and solo piano.

Composition
The work consists of three movements, typically lasting about 28 minutes in total:

1. Allegro
 * The main theme is introduced by the piano and then transferred to the orchestra while the piano accompanies in octaves.
 * Orchesterwerke Romantik Themen.pdf

2. Andante
 * The second movement begins in the key of F-sharp major which was for Scriabin "a ‘bright blue’ mystic key". It is in the form of theme and variations. The orchestra introduces the theme. The piano enters with the first variation, accompanying the orchestra's theme with arpeggios. The second variation is faster, marked allegro scherzando. The third variation is a slow funeral march. The fourth variation is marked allegretto and features intricate ornamentation; the clarinet introduces the melody, and interweaves counterpoint with the soloist. The movement ends with return of the theme to the orchestra, almost identical to the first variation.
 * Orchesterwerke Romantik Themen.pdf

3. Allegro moderato
 * This movement also develops material from the first movement. The first theme is condensed into the first two bars followed by a virtuosic arpeggio.

A second, more lyrical theme then comes in A major before returning to the original F# minor theme, which is soon developed vigorously. After a climax occurs where the first theme is presented yet again, the second theme comes back, this time in F# major. After some short final thoughts, where there's a modulation to A minor, the key returns to F# major for a brief, but triumphant and emphatic coda, ending in 3 loud F# major chords.
 * Orchesterwerke Romantik Themen.pdf