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Four Times of the Day is a series of four paintings by William Hogarth from 1736, reproduced as a series of four engravings published in 1738. They are humorous depictions of life in the streets of London, the vagaries of fashion, and the interactions between the rich and poor of the capital. Unlike many of Hogarth's other series, such as A Harlot's Progress, A Rake's Progress, Industry and Idleness and The Four Stages of Cruelty, it does not depict the story of an individual, but instead focuses on the society of the city. Hogarth intended the series to be humorous rather than instructional; the pictures do not offer a judgement on whether the rich or poor are more deserving of our sympathies: while the upper and middle classes tend to provide the focus for each scene there are fewer of the moral comparisons seen in some other of his works. The four pictures depict scenes of daily life in various locations in London as the day progresses. Morning shows a prudish spinster making her way to church in Covent Garden past the revellers of the night before; Noon shows two cultures on opposite sides of the street in St Giles; Evening depicts a dyer's family returning hot and bothered from a trip to Sadler's Wells; and Night shows a drunken Freemason staggering home from a night of celebration.