Société littéraire typographique de Kehl

The Société littéraire typographique de Kehl was a publishing house founded by Pierre-Augustin Caron de Beaumarchais and Nicolas de Condorcet for the sole purpose of publishing an edition of Voltaire's Œuvres complètes. It moved into the Kehl, owned by the Margraviate of Baden, to escape Louis XVI's censorship. In operation from 1780 to 1790, it was at its peak the largest printing works in Europe, with 40 presses and nearly 200 employees.

Despite an outcry from the clergy, a royal ban, the embezzlement of funds by the director of the printing works, the flight of the cashier, attempts at counterfeiting, Russian and Prussian political pressure, a betrayal by Voltaire's last secretary, and major technical problems, publication, albeit years behind schedule, was completed.

Objectives
The aim of the Société littéraire typographique was to design and publish a new edition of Voltaire's works, bringing together all unpublished texts, published anonymously or under pseudonym, as well as his correspondence and autobiographical texts.

The project was openly militant: against the adversaries of reason and the progress of the human spirit, the aim was to disseminate Voltaire's thought, to defend and perpetuate his memory, to "erect a monument to the glory of this beautiful genius".

Organisation
Beaumarchais is the director of the Société, and acts on commercial, financial and political levels. Condorcet works as scientific director of publishing. They are assisted by Nicolas Ruault, in Paris, in charge of distribution, and Jacques-Joseph Marie Decroix, in Lille. Jean-François Le Tellier ran the Kehl printing works from 1779 to 1784. From 1785, he was replaced by Jacques-Gilbert de La Hogue. Panckoucke, the bookseller who had acquired and sold the manuscripts and publishing rights to Beaumarchais, remained his partner until 1785, as technical and commercial advisor.

The Kehl establishment was one of the first to include all stages of book production, from papermaking to printing, assembly and bookbinding.

From a legal standpoint, the company was no more than a phantom entity, with no legal existence, no contract and no outline: the trademark was used for official representation and to preserve anonymity.

Commercial, financial and political management
Beaumarchais, styling himself as the company's "Correspondent General ", is its driving force. Far from being a mere financial backer, he was the driving force behind the project, the guarantor of its guiding principles. He is in charge of advertising and public relations, shipping, paper selection, typography, personnel selection and conflict arbitration. Unreasonable in the eyes of publishing professionals, the venture succeeded, in spite of them and against them, only thanks to Beaumarchais' tenacity.

Only an amateur could embark on an adventure that a professional like Panckoucke had given up on. Paradoxically, his strength lay in the fact that he was not a professional. He was thus able to mobilize substantial financial resources and face up to the "sorrows" and "disgusts" of this "disastrous printing business", which "poisoned his existence in every possible way", which "exhausted him to the bone", because "the fear of mediocrity poisoned [his] life".

According to François Bessire, writing in the Revue de l'Histoire littéraire de la France, "By editing Voltaire as no author had ever been edited before, Beaumarchais took a place in the Enlightenment movement that his own work alone would not have secured for him. By its scope, by the difficulties of its implementation, by the ideological resistance it encountered, it had no equivalent in its century other than the Encyclopédie."

Scientific and editorial management
After meeting with Voltaire in the autumn of 1770, Condorcet became his disciple and collaborator. He publicly defended Voltaire in the face of public opinion manipulated by the anti-philosophists. He met Panckoucke through Panckouke's own sister, Amélie Suard.

Condorcet became Panckoucke's scientific editor on the recommendation of D'Alembert. A contract with Panckoucke was signed on November 29, 1778. His task was to write prefaces and notes, mainly in the philosophical, historical and scientific sections, and to produce a biography of Voltaire. His fifty Avertissements and three hundred notes, often lengthy, are openly militant in spirit. He is responsible for organizing the volumes and selecting the correspondence, according to criteria of prudence, propriety and respect for private individuals. He is also responsible for putting the so-called alphabetical works in order, by merging several texts, mainly the Dictionnaire philosophique and the Questions on the Encyclopédie.

He was based at the Hôtel de la Monnaie, in an indescribably messy study: "It's hard to imagine a study more cluttered with papers than his. They're everywhere, on tables, chairs, armchairs and bergères. This mess leads to mistakes, delays and forgetting what you've got. But don't worry, nothing is lost or misplaced".

Condorcet has two assistants, Decroix et Ruault.