Soundtrack to a Coup d'Etat

Soundtrack to a Coup d'Etat is a 2024 documentary film directed by Johan Grimonprez about the Cold War episode that led musicians Abbey Lincoln and Max Roach to crash the UN Security Council in protest against the murder of Congolese leader Patrice Lumumba.

Featuring excerpts from “My Country, Africa” by Andrée Blouin (narrated by Marie Daulne aka Zap Mama), “Congo Inc.” by In Koli Jean Bofane, “To Katanga and Back,” by Conor Cruise O’Brien (narrated by Patrick Cruise O’Brien), and audio memoirs by Nikita Khrushchev.

Soundtrack to a Coup d’Etat is produced by Onomatopee Films and Warboys Films, in co-production with Zap-O-Matik, Baldr Film, ZKM Center For Art And Media Karlsruhe, RTBF and VRT.

Plot
One February morning in 1961, singer Abbey Lincoln and drummer Max Roach crash the UN Security Council to protest the murder of prime minister Patrice Lumumba of the newly independent Congo. Sixty yelling protesters throw punches, slam their stilettos and provoke a skirmish with unprepared guards as diplomats look on in shock. Decolonization spins the world upside down, infusing it with a sense of hope.

Six months earlier, sixteen newly independent African countries are admitted to the United Nations, triggering a political earthquake that shifts the majority vote away from the old colonial powers. The Cold War peaks as Soviet leader Nikita Khrushchev bangs his shoe on his desk at the UN General Assembly, in reaction to the neo-colonial power grab unfolding in the Democratic Republic of the Congo. Denouncing America’s color bar and the UN complicity in the overthrow of Lumumba, he demands immediate decolonization worldwide.

To retain control over the riches of what used to be Belgian Congo, King Baudouin of Belgium finds an ally in the Eisenhower administration, which fears losing access to one of the world’s biggest supplies of Uranium, a mineral vital for the creation of atomic bombs. Congo takes center stage to both the Cold War and the scheme for control of the UN. The US State Department swings into action: Jazz ambassador Louis Armstrong is dispatched to win the hearts and minds of Africa. Unwittingly, Armstrong becomes a smokescreen to divert attention from Africa’s first post-colonial coup, leading to the assassination of Congo’s first democratically elected leader. Malcolm X stands up in open support of Lumumba and his efforts to create a United States of Africa while also reframing the freedom struggle of African Americans as one not for civil rights but for human rights, aiming to bring his case before the UN.

As Black jazz ambassadors are performing unaware amidst covert CIA operativess, the likes of Armstrong, Nina Simone, Duke Ellington, Dizzy Gillespie and Melba Liston face a painful dilemma: how to represent a country where segregation is still the law of the land.

Jazz and decolonization are entwined in this forgotten episode of the Cold War, where the greatest musicians stepped onto the political stage, and downtrodden politicians lent their voices as inadvertent lead singers. This story of the undermining of African self-determination is told from the perspective of Central African Republic women’s rights activist and politician Andrée Blouin, Irish diplomat and enfant terrible Conor Cruise O’Brien, Belgian-Congolese writer In Koli Jean Bofane, and Nikita Khrushchev himself.

Release and reception
Soundtrack to a Coup d'Etat premiered at the 2024 Sundance Film Festival as part of the World Documentary Competition where it received the Special Jury Award for Cinematic Innovation. The jury described the film as "a bold and ambitious way to grapple with a complex story. It bursts into our consciousness using multiple storytelling forms, taking a concealed history and making us see it differently." Film critic Alissa Wilkinson published on The New York Times: “I can’t stop thinking about the remarkable ‘Soundtrack to a Coup d’Etat,’ a sprawling film that’s a well-researched essay about the 1960 regime change in the Democratic Republic of Congo and the part the United States, particularly the C.I.A., played.”

The critic Murtada Elfadl published on Variety: "an invigorating piece of documentary filmmaking [...] It’s dense yet nuanced, managing to capture so many disparate threads that combined to result in Lumumba’s murder."

Marye E. Gates wrote on RogerEbert.com: "A searing video-essay… Watching the doc evokes the same intellectual and visceral feeling one gets from reading a dense work of nonfiction…For many it will be an eye-opener."

David Opie for IndieWire: "A vibrant film essay that marries jazz and politics… Grimonprez’s doc has an impressionistic flair that asks audiences to actively participate in piecing everything together... It’s a stirring rally that’s uniquely cinematic in the way so many elements come together so precisely and yet still feels so organic as well.”

Lovie Gyarkye for The Hollywood Reporter: "Soundtrack to a Coup D’Etat plays like a syncopated thriller."

The film has been picked as one of the "10 Best Movies From the 2024 Sundance Film Festival" by Rolling Stone. It has also been shown at MoMa's Director's Fortnight and at the 2024 edition of Cinéma du Réel.

Awards

 * Special Jury Award for Cinematic Innovation at the 2024 Sundance Film Festival
 * Audience Award at Thessaloniki Film Festival
 * Best Belgian Documentary at Docville
 * Best Documentary at Sofia International Film Festival
 * Persistence of Vision at San Francisco International Film Festival
 * Special Jury Mention at Movies that Matter

Distribution
Kino Lorber picked up Soundtrack to a Coup d’Etat from Submarine Entertainment at the Cannes film market. Lorber senior vice President Wendy Lidell negotiated the deal with Matt Burke of Submarine. Mediawan Rights is handling international sales for the film and has already inked multiple territories including Australia (Madman), Benelux (Imagine), Brazil (Bela Artes Grupo), Greece (Cinobo), Italy (I Wonder Pictures), Spain (Filmin), Thailand (Documentary Club) and ex-Yugoslavia (Beldocs).

Kino Lorber will partner with specialist streamer Kanopy on the U.S. release of the film.