St. Mary & St. George Anglican Church

St. Mary & St. George Parish is a heritage church that reflects the English Gothic revival in Canada. It is located in the town of Jasper, in the heart of Jasper National Park, on the Rocky Mountains in the Canadian province of Alberta. The parish church is within the ecclesiastical jurisdiction of the Anglican Diocese of Edmonton, Anglican Church of Canada.

History
Anglican ministry in the area began in 1909 with travelling missionaries. In 1914, after having been organized as a formal mission with permanent regular worship, a log church was constructed. It was consecrated by the first Bishop of Edmonton on August 2, of that same year. The Women’s Auxiliary of the Missionary Society of Church of England, along with two main donors, provided the bulk of the finances needed. A wooden tower was added in 1915 to provide living quarters for the rector. The present church of St. Mary and St. George was designed by Mr. A.M. Calderon of Edmonton and built of local materials in 1928. To complete the church the Edith Cavell Memorial Tower was added in 1932. In 2020 one of its former rectors became bishop of the Anglican Diocese of the Southeast, in Mexico; bishop Julio César Martín-Trejo-

Double name church
The two main donors for the first church building had each requested a different name for the church. To please both, the church was named St. Mary and St. George. In 1923 the mission of St. Mary and St. George became a parish.

Fourteenth-century Gothic church
The design and concept of the present church is based on a blueprint for a 14th-century English Gothic church. The corner stone was laid by the Governor General of Canada, Freeman Freeman-Thomas, Viscount Willingdon, on July 29, 1928.

The consecration of the church took place on July 28, 1929. The modification of the original design for the tower caused a delay in its construction and it was not completed until 1932. The tower is named in honour of British nurse Edith Cavell (1865-1915), executed by the German military during the First World War.

Designation as a historical resource
In 1985, the Alberta Ministry of Culture declared St. Mary and St. George a Historic Resource on the grounds that it reflects the 14th century English Gothic revival in Canada and is the only remaining ecclesiastic structure designed by A.M. Calderon, one of the early architects to work in Edmonton. Currently the church is one of the most popular ecclesiastical venues for weddings in the Rocky Mountains and a main point of interest for tourists who each year visit Jasper from all over the world.

Queen's visit
In 2005, Queen Elizabeth II and Prince Philip, Duke of Edinburgh, visited the church and attended Morning Prayer in a service led by the then-Bishop of Edmonton Victoria Matthews. Previously on Victory in Europe Day May 8, 1945, the Earl of Athlone (governor general) and Princess Alice, Countess of Athlone, were present at the Thanksgiving Service.

Architecture
The church of St. Mary and St. George was designed following the patterns of the Gothic style prevalent in 14th century rural England. It's a good example of the Gothic revival style that has been present in Canada since the second quarter of the 19th century.

At the time of the building's construction, the Anglican Church (Church of England) was undergoing a revival of Anglo-Catholic ritualism, suggesting that Gothic was the appropriate style for a parish church in order to cultivate spirituality; believing that there is a direct link between the spiritual and the physical, between the architectural setting of worship and the spiritual experience of worship.

In Canada, this trend became so prevalent that one could refer to it as Canadian Gothic Revival.

However, the attempt to associate the style not only with spirituality but also with Anglo-Catholic theology was not so generalized. In the case of St. Mary and St. George Parish, the style was adopted solely for its aesthetic romantic and spiritual qualities.

Built in 1928, the church is primarily Decorated Gothic with Perpendicular Gothic details, while its tower finished in 1932 follows the Norman Gothic style. The church is one of the few remaining examples of mid-eighteenth century ecclesiastical architecture in Western Canada. As a building significant in the human history of Jasper, as well as of the utmost importance for the architectural history of Canada, it was declared a provincial historic resource in 1985.

General description
The church is basilican in plan with a central nave leading to the chancel, which contains the sanctuary and the choir. The baptistery (or baptistry) is at the entrance end of the church. The church, in keeping with the ancient ecclesiastical tradition, is oriented towards the liturgical East, with its main apse at the East (the altar placed there), and the baptistery at the West apse.

The church presents different types of the architecture typical of Gothic revival: the double pointed arch on the windows along the nave and sanctuary and baptistery (most of them with colourful stained glass and most of them dating from the first half of the 20th century) featuring figures and scenes from the New Testament Two of the stained glass windows (dating from 1992) are a fine blend of contemporary art and Christian imagery (the New Heaven window and the New Earth window. One exception to the New Testament thematic is "The Galahad window" based on Alfred, Lord Tennyson's version of the Arthurian legend and the quest for the Holy Grail (Le Morte d'Arthur) - in the Gothic style.

There is a three-partitioned Tudor arch on the window at the southeast elevation in the chancel; a four-centred Tudor arch at the baptistery below three narrow pointed arch windows or clerestory windows; and two other four-centred Tudor arches for each entrance door.

The exterior walls are covered with white stucco. The facades on the southwest end over the baptistery are partitioned by exposed wooden trim (trim and mouldings typical of 14th century Rural Gothic). This theme is also retained over the southwest entrance and within the chancel gable. Exposed timber structure is generalized along with asymmetrical massing and contrasting roof-levels.

High peaked gables, exposed roof beams and barge boards at the edges of the roof can be seen in the outside; all elements of the rural Gothic Tudor style.

The basement along with the buttresses (two of which are topped with pinnacles) on both sides of the nave and the lower section of the tower are constructed with boulders which are exposed adding to the general contrasting of textures (stucco, stone, half-timber exterior work)

The exterior of the roof is composed of flat, rectangular shingles laid in rows from the bottom edge of the roof up, with each successive higher row overlapping the joints in the row below. A small campanile is attached to the apex of the roof not only as an ornamental detail (as it does not have any bell) but as a significant symbolism for the mission of this parish, as this type of small roof campanile was particularly a characteristic element of missional church architecture.

The Edith Cavell Memorial Tower is Norman Gothic style (first intended to have double window system later during construction changed to a single window) crowned with battlements, and with sloping diagonal or "French" buttresses (at 45 degrees to the walls).

The church measures 26 m long and 15 m width; the tower 14 m in height; the seating capacity is 150.