Talk:Anton Rubinstein

Health and medical condition
Did Rubinstein suffer from Ptosis? Most images of him display very drooped eyelids. Also, did he suffer from Strabismus? Such images also show his eyes to squint diagonally upwards. Any proper insight would be helpful. — Preceding unsigned comment added by 80.229.224.133 (talk) 16:23, 18 November 2012 (UTC)

Comments
The second movement from Anton Rubinstein's Piano Concerto no. 2 in F major, op. 35 is really great and I've been looking on the web for any comments on it --I don't seem to have been able to spot any so far. At around the 5 to 6th minute it has a romantic melody, very nice and very lyrical, that lasts only for just a little. It's such pieces, short élans of lyricism and beauty within musical pieces that are like little islands in the middle of the ocean and that, because of this, sound even mystical --another one, I recollect, in Mozart's last string quartets (Quator en ré mineur K421, second movement Menuetto [Allegretto]).--Wikichris 14:30, 18 Dec 2004 (UTC)

I deleted this sentence from the biographical information: However, Rubinstein did not practice any religion at all (except for pantheism late in his life), and so anti-semitism could not apply (at least in any type of "religious" sense). It is almost outlandish to claim that anti-semitism was practiced only on a religious basis. --Maxn 17:22, 5 January 2006 (UTC)

Composer project review
I've reviewed this article as part of the Composers project review of its B-class articles. This is a B-class article, but its composer-related content is superficial, and could use expansion. My full review is on the comments page; questions and comments should be left here or on my talk page.  Magic ♪piano 16:53, 19 March 2009 (UTC)

Melody in F picture
I removed this because it was not in fact as stated the cover of Rubinstein's Melody in F, but the cover of some other work (a waltz in fact, whereas the Melody is in duple time) by another composer. --Smerus (talk) 14:01, 30 April 2010 (UTC)

Rubinstein and Liszt
What is the status of the story that Liszt was unkind to Rubinstein in Vienna 1846? It is not mentioned in Walker's 3-volume biography of Liszt, who does mention earlier (Paris 1840) and later (Weimar and Rotterdam) encounters, where Liszt's favorable disposition towards Rubinstein is clear. In 1840, Liszt reportedly predicted a brilliant career for the boy Rubinstein and from 1854 on Rubinstein was a regular guest in Liszt's home, although their musical tastes differed. Zwart (talk) 11:30, 30 December 2011 (UTC)
 * The story appears to come from Schonberg. Actually the article as a whole is rather too heavily dependent on Schonberg and Sachs, and I think needs extensive rewriting with some more scholarly references.--Smerus (talk) 15:14, 30 December 2011 (UTC)
 * Liszt did not meet Rubinstein in Paris in 1840. Liszt was on a tour of the British Isles at that time and wasn't in Paris at all.  It seems that Liszt first heard Rubinstein in mid-August 1841.  The date is unknown, but a letter from Marie von Cettriz (wife of General von Cettriz) to her step-daughter, written in Nonnenwerth and dated 15th August 1841, describes events with Liszt of recent days, and therefore putting Liszt in Nonnenwerth at that time.  Her next letter, dated 26th August 1841 and again from Nonnenwerth, says, "Liszt was expected back.  We were looking forward to seeing him again and hoping he would have a lot to tell us about what he had been doing.  He got here at 1pm and soon came round cheerfully to report to us about Ems and the baths.  He had heard the little Russian boy Rubinstein play, and described him as truly remarkable and the greatest of all the child prodigies he had heard..."  So this would seem to date Liszt's having heard Rubinstein to mid-August 1841, and to place it at or near Ems.
 * As for Liszt's being unkind to Rubinstein, this isn't a fair picture. In his autobiography, Rubinstein wrote:
 * "In 1846 I went to Vienna because that city was one of the principal music centres in Europe, and there too lived Liszt, the king of musicians, on whose help and protection I relied. These hopes, however, were at first dashed by the cold and distant manner with which he received me, bidding me remember that a talented man must win the goal of his ambition by his own unassisted efforts.  This estranged me from him [...] It was now two months since I had called on Liszt.  My prolonged absence had at last reminded him of my existence.  He took it into his head to pay me a visit, and one day he made his way up to my attic accompanied by his usual retinue.  The first sight of my quarters seemed to shock the whole party, more especially Liszt himself, who during his sojourn in Moscow had visited my family and knew our style of living.  He showed however much tact and delicacy, and in the most friendly manner asked me to dine with him on the same day - a most welcome invitation since the pangs of hunger had been gnawing at me for several days.  After this I was always on good terms with Liszt."
 * Liszt's generosity towards and willingness to help other artists, both financially and artistically, was legendary and unparalleled. Liszt's extremely high opinion of Rubinstein is also well-documented over many decades.  Much more likely therefore, regarding the Vienna meeting, is that Rubinstein - aged all of 16, let's remember - presented himself to Liszt slightly clumsily and perhaps giving Liszt the impression that he expected Liszt to open doors and smooth his path for him.  Liszt's own father had died when Liszt was 15, and Liszt supported himself and his mother from that point on, living and teaching in Paris.  Liszt liked people who worked hard for themselves and didn't simply rely on others, and perhaps wished Rubinstein to learn a similar sense of self-support.  But equally clearly, Liszt did not forget about Rubinstein, visiting him as described above, and doing much else to help him (e.g. conducting the first performance of his opera "The Siberian Hunters", welcoming him any time to his home in Weimar, dedicating two of his most important and forward-thinking piano works to Rubinstein, and always having nothing but the highest praise for him in correspondence and conversation with others).

80.6.233.241 (talk) 14:51, 28 March 2021 (UTC)

Assessment comment
Substituted at 08:01, 29 April 2016 (UTC)