Talk:Baarìa (film)

Controversy
I (StefanoC (talk) 10:48, 16 October 2009 (UTC)) removed the following two paragraphs from the Controversy section because: The first intervention by institutions comes from the Secretary to the Ministry of Labor, Health and Social Policies Francesca Martini that says the incident in a tone very controversial. "Very serious. An Italian film production must comply with the rules applicable in his state, in Italy as a legal obligation and abroad as a moral obligation. The bloody killing of animals is regulated and sanctioned by national and European regulations. See how we have done exactly the facts and if these correspond to a possible crime. In that case I will consider an intervention."
 * they represent personal opinion of the cited people
 * they don't add any new information
 * they are too long

- Secretary Francesca Martini

In the question has also intervened Claudia Endrigo daughter of Sergio Endrigo who had previously authorized the use of the track of his father Era d'estate on the soundtrack, which indignantly announced that it will not go to see the film. "As the daughter of Sergio Endrigo if I had known that within the film Tornatore there would be a horrific scene, as pointless murder of a poor bull, I never gave permission to use piece of my father "Era d'estate"."

- Claudia Endrigo

Has the main text got this film right?

Isn't it the life of one man ending, and all told in retrospect as he remembers his life, which in the film he foresees in a dream ashides in a corner.

Echos of Bertalucci and Felini's Notti but mainly a Proustian daydream ending in death and beginning with that boy running for cigarettes, the very thing that ultimately killed him — Preceding unsigned comment added by 86.131.19.65 (talk) 23:37, 8 December 2012 (UTC)